Apple Logic Pro 7 User Manual download pdf (Page 298)

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298 Chapter 6 Logic’s Mixing Facilities

Example: To avoid large jumps in level, it is often useful to record a vocal track with

light compression. To do so; insert a compressor plug-in into the input channel and

assign the Input Object as the input source of an audio track. During recording, the

effect of the compressor is recorded with the track.

Note: To use the Audio Input Object as a “live input”, ensure that the Input Object has

an assigned Output. This allows monitoring of the Input Object (with all effects)

directly, without the need to assign it to a record-enabled audio channel.

Audio Instrument Object

The Instrument Object allows you to use virtual Software Instruments within Logic.

Currently, the following are supported: Logic’s own suite of software instruments and

AU compatible instruments. Logic supports up to 128 discrete Audio Instrument

channels, dependent on available CPU resources and system RAM. The advantage of

the integration of sampling and synthesis within Logic is that all tools necessary for

audio recording, sample playback and synthesis plus effects and mixing can occur

within your computer.

The Input Slot of the instrument Object serves as an insert slot for the software

instrument.

After inserting an instrument, the Audio Instrument Object can be used just like a MIDI

track in the Arrange window. The Audio Instrument Object can also receive MIDI notes

via Environment cables from other MIDI instrument Objects. This is useful for creating

sound layers of hardware MIDI instruments and virtual instruments.

Please note that the Preferences > MIDI > General > Use Unified Virtual and Classic MIDI

Engine setting must be switched on to make use of these features.

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Apple Logic Pro 7 User Manual Page 298

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