Apple Logic Pro 7 User Manual download pdf (Page 230)

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230 Chapter 5 The Environment

Repeat (+7)

On continues the arpeggio for as long as the chord is held down. Off finishes the

arpeggio after one run.

Octaves (+8)

The arpeggio can be repeated over 1 to 10 octaves.

Crescendo (+9)

The velocity value set here (−99 to +99) is added every time the arpeggio is repeated

(provided Repeat is set to On, of course).

Control Base

All 10 parameters of the arpeggiator can be remote-controlled by controller events. The

Control Base parameter determines the controller number for the first parameter

(Direction). The other parameters will be controlled by subsequent controller numbers.

To figure out which controller number will be used for a certain parameter, add the

number shown in brackets (behind the parameter names in this document) to the

Control Base value. When Control Base is set to Off, MIDI control of the arpeggiator is

disabled.

Delay Line Object

The delay line echoes MIDI events passing through it—at intervals ranging from one

tick to 256 whole notes.

There are parameters for the number of echoes, (echo) transposition and velocity

offset.

The echoes of each incoming event are cycled through each cabled output of the delay

line.

Important: Logic’s transport must be running for the delay line to work.

To create a new Delay Object, select New > Delay Line.

This Object repeats any MIDI events, much like a delay line effect. Pitch and velocity

offsets can be added to note events. As with the arpeggiator, you will need to place the

delay line in the MIDI signal path, and will need to start Logic’s Transport for it to work.

The delay line can send up to 99 repeats, at intervals ranging from one tick to 256

whole notes. You can suppress the original note. Repeats leaving the delay line will

cycle through all cabled outlets, allowing you to play each repeat with a different

sound.

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