Apple Logic Pro 7 User Manual download pdf (Page 297)

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Chapter 6 Logic’s Mixing Facilities 297

Input Object

The Input Object allows you to directly route and control signals from your audio

hardware’s input. Once an Audio Input Object is assigned to an audio channel, it can be

monitored and recorded directly into Logic, along with its effect plug-ins.

The signal is processed—inclusive of plug-ins—even while Logic is stopped. In other

words: Input Objects behave just like external hardware processors. Bus sends can be

used pre or post-fader.

The Audio Input Objects can effectively replace your old mixing desk, or at least save

time while bouncing:

Audio Input Objects make the bouncing procedure much easier, as there’s no longer

any need to record the audio signal of your MIDI devices before bouncing (mixing

down) their output with the audio recordings. The live Audio Input Objects allow you

to mix down the audio signal from your external hardware MIDI synthesizers and

sound modules into a stereo mix (by bouncing an Output Object).

The Input Object features the following elements: Inserts, Bus Sends, Output,

Grouping, Automation, Pan, Level, and Level meter, Mute/Solo, Mono/Stereo.

Pre-processing of Input Signals

Audio Input channels now process an incoming audio signal destructively: The input

signal is processed by plug-ins inserted into the input channel. This means that once an

Audio Input Object is assigned to an audio track, it can be recorded, and monitored,

with its effect plug-ins.

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Apple Logic Pro 7 User Manual Page 297

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