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Final Cut Pro 7
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21Contents
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22 Contents
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23Contents
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24 Contents
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25Contents
25
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Welcome to Final Cut Pro
27
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Additional Resources
28
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About the Post-Production
29
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Workflow
29
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The Post-Production Workflow
30
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Video Formats and Timecode
35
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Video Format Basics
37
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How Drop Frame Timecode Works
40
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What Are Clips?
42
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What Are Sequences?
43
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What Are Projects?
43
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What Are Bins?
44
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Creating and Saving Projects
46
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Opening and Closing Projects
47
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To switch between
48
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Filenaming Considerations
50
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Using Filename Extensions
51
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Using Multiple Hard Disks
52
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Overview of the Final Cut Pro
53
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Interface
53
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Using Keyboard Shortcuts
55
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Using Button Bars
56
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Using Shortcut Menus
56
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Moving and Resizing Windows
58
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The Effects tab is
60
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Browser and appears
60
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Moving Windows
61
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Undoing and Redoing Changes
62
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Current Timecode field
63
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Browser Basics
65
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Learning About the Browser
66
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Working in the Browser
67
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Drag over multiple clips
68
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69Chapter 5 Browser Basics
69
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70 Chapter 5 Browser Basics
70
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Using Columns in the Browser
71
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72 Chapter 5 Browser Basics
72
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Choosing Views in the Browser
73
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74 Chapter 5 Browser Basics
74
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To display a hidden column
75
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76 Chapter 5 Browser Basics
76
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77Chapter 5 Browser Basics
77
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78 Chapter 5 Browser Basics
78
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79Chapter 5 Browser Basics
79
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80 Chapter 5 Browser Basics
80
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Setting the Poster Frame
81
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82 Chapter 5 Browser Basics
82
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83Chapter 5 Browser Basics
83
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Viewer Basics
85
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86 Chapter 6 Viewer Basics
86
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87Chapter 6 Viewer Basics
87
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88 Chapter 6 Viewer Basics
88
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89Chapter 6 Viewer Basics
89
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Tabs in the Viewer
90
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Filters Tab
91
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Motion Tab
91
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Controls Tab
92
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93Chapter 6 Viewer Basics
93
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Jog Control in the Viewer
94
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Shuttle Control in the Viewer
94
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95Chapter 6 Viewer Basics
95
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96 Chapter 6 Viewer Basics
96
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97Chapter 6 Viewer Basics
97
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98 Chapter 6 Viewer Basics
98
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Playhead Sync Pop-Up Menu
99
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100 Chapter 6 Viewer Basics
100
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Recent Clips Pop-Up Menu
101
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Generator Pop-Up Menu
101
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Canvas Basics
103
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104 Chapter 7 Canvas Basics
104
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Learning About the Canvas
105
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106 Chapter 7 Canvas Basics
106
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107Chapter 7 Canvas Basics
107
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Edit Overlay
108
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Edit Buttons in the Canvas
108
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109Chapter 7 Canvas Basics
109
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110 Chapter 7 Canvas Basics
110
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Jog Control in the Canvas
111
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Shuttle Control in the Canvas
111
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112 Chapter 7 Canvas Basics
112
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113Chapter 7 Canvas Basics
113
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Playing Clips and Sequences
115
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To move around, drag
118
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To move precisely
120
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Looping Playback
121
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Dragging Timecode Values
123
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Timeline Basics
127
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128 Chapter 9 Timeline Basics
128
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129Chapter 9 Timeline Basics
129
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Learning About the Timeline
130
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Editing Controls
131
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Vertical Multitrack Controls
132
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133Chapter 9 Timeline Basics
133
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Horizontal Time Controls
134
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135Chapter 9 Timeline Basics
135
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Timeline Display Controls
136
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Audio Controls
137
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Other Miscellaneous Controls
138
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139Chapter 9 Timeline Basics
139
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140 Chapter 9 Timeline Basics
140
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141Chapter 9 Timeline Basics
141
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142 Chapter 9 Timeline Basics
142
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143Chapter 9 Timeline Basics
143
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144 Chapter 9 Timeline Basics
144
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145Chapter 9 Timeline Basics
145
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146 Chapter 9 Timeline Basics
146
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147Chapter 9 Timeline Basics
147
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148 Chapter 9 Timeline Basics
148
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Navigating in the Timeline
149
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150 Chapter 9 Timeline Basics
150
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151Chapter 9 Timeline Basics
151
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152 Chapter 9 Timeline Basics
152
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153Chapter 9 Timeline Basics
153
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154 Chapter 9 Timeline Basics
154
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155Chapter 9 Timeline Basics
155
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156 Chapter 9 Timeline Basics
156
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Customizing the Interface
157
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Default Two Up layout
158
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Layout after making the
158
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Browser and Timeline
158
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Using Window Layouts
159
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Customizing Window Layouts
160
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Assigning Keyboard Shortcuts
165
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Removing Shortcut Buttons
173
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Connecting DV Video Equipment
177
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Connecting Your Camcorder
179
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Choosing an Easy Setup
180
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Specifying Scratch Disks
181
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Your DV Device
184
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About FireWire
185
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Audio Equipment
187
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Video and Audio Interfaces
189
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Scratch Disks
190
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Video Interfaces
191
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Video Signals and Connectors
193
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SCART connector
195
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FireWire 400 (4-pin)
195
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FireWire 400 (6-pin)
195
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FireWire 800 (9-pin)
195
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BNC connector
196
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VGA connector
196
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DVI connector
197
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HDMI connector
197
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Audio Interfaces
202
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TOSLINK optical
203
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Audio or video device
203
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USB Audio Interfaces
204
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FireWire for Digital Audio
205
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Mono miniplug connector
207
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Stereo miniplug connector
207
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RCA connector
207
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XLR connector
208
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About Analog Audio Levels
209
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Combined signals
212
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(noise eliminated)
212
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Video Device
216
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Device status
217
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Determining Your Hard Disk
219
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Storage Options
219
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Know Your Shooting Ratio
221
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Choosing a Hard Disk
223
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Types of Hard Disk Drives
224
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FireWire Disk Drives
225
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SCSI Disk Drives
226
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Using a RAID or Disk Array
227
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Storage Area Networks
228
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External Video Monitoring
231
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About the A/V Devices Tab
235
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The Importance of Logging
248
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Benefits of Logging
249
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Preparing to Log
249
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Choosing Reel Names
250
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About Capturing Footage
253
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About the Log and Capture
255
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Log and capture buttons
256
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Preview area
256
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Logging
256
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Clip Settings, and
256
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Capture Settings tabs
256
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Logging Bin Controls
260
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Logging from Tape
263
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Inserting a Tape in the VTR
266
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The slate icon appears
268
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Enter the Out point
270
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Enter the In point
270
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Changing Capture Settings
276
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Logging a Clip
277
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Logging Media Efficiently
278
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Capturing Video from Tape
279
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Capturing Entire Tapes
280
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A marker appears in front
284
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Markers for a clip
284
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Batch Capturing Clips
285
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Before You Batch Capture
286
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Working with Batch Lists
293
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Creating a Batch List
294
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01:20:00;15
295
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Importing a Batch List
296
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Clips from the batch list
297
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Capturing Audio from Tape
299
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Dual Mono Versus Stereo Audio
304
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VU meter
307
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About Audio Peaks
308
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Choose the appropriate
309
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Make sure you choose
309
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Advanced Topics in Capturing
313
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Tape-Based Media
313
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If you aren’t using
314
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Recapturing Clips
315
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Recapturing Subclips
316
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Recapturing Merged Clips
316
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Overview of Transferring
323
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File-Based Media
323
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Logging area
324
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Transfer Queue area
324
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File-Based Media Terminology
325
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About the Log and Transfer
329
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Increment button
337
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Autofill pop-up menu
337
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Logging fields
337
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One mono channel
338
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Two audio channels
338
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Logging File-Based Media
341
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Entering Logging Information
343
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Applying Valid Filenames
345
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Transferring File-Based Media
349
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Mounting Media Devices
351
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Choosing a Destination Codec
353
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Selecting Clips
354
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Previewing Clips
355
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Naming Clips During Transfer
357
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Incrementing Logging Fields
357
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Using Automatic Transfer
360
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Retransferring Clip Media
364
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Archiving to a Folder
368
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Archiving to a Disk Image
368
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Importing Media Files
372
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2 Do one of the following:
373
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About Importing Video Files
375
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About MXF-Based Formats
376
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Importing from a Sony VDU
376
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About Importing Audio Files
377
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Choosing Sequence Bit Depth
379
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Choose a save option
385
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Choose a place to save
385
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If you wish, enter a name
385
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Drag the clips
386
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Bins help you organize
389
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Creating New Bins
390
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Opening Bins in the Browser
391
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Double-click the bin
392
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Do one of the following:
392
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Drag the bin’s tab above
393
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The bin now has its own
393
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Moving Items Between Bins
394
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You can also move
395
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About Label Names and Colors
396
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These are the various
397
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Changing Names of Labels
398
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Sorting Clips by Labels
399
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About Search Options
401
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A list of unused clips is
405
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Results window
405
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Control-click in a
406
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Then click here
407
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Select items you want
407
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Creating Subclips
409
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Numbered subclips are
410
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A new subclip appears
411
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In and Out points you set
411
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Removing Subclip Limits
412
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Turning Markers into Subclips
413
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All of the material
414
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Creating Subclips Manually
415
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Editing with Subclips
416
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Video and Audio
419
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Duration of Merged Clips
422
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Merged clip
423
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Working with Projects
428
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About Offline Clips
433
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Sequences as Clips
434
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Control-click a column
435
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Enter the new
435
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Enter a new name
438
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Opening and Closing Sequences
439
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Duplicating a Sequence
440
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Nesting a Sequence
442
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Creating a Rough Edit
445
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Video clip item
446
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Audio clip items
446
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An underline indicates
446
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Undoing and Redoing Actions
448
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(3) Clip In point
450
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(4) Clip Out point
450
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(inferred)
450
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(1 and 2) Sequence
450
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In and Out points
450
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1 2 3 4 5
452
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Arrange the clips in
452
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Using Markers
453
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What Can You Do with Markers?
454
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455Chapter 32 Using Markers
455
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Types of Markers
456
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Marker Colors and Labels
456
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457Chapter 32 Using Markers
457
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458 Chapter 32 Using Markers
458
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459Chapter 32 Using Markers
459
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Quickly Adding Markers
460
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461Chapter 32 Using Markers
461
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462 Chapter 32 Using Markers
462
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463Chapter 32 Using Markers
463
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464 Chapter 32 Using Markers
464
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Navigating with Markers
465
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Modifying Markers
466
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Moving Markers
467
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468 Chapter 32 Using Markers
468
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469Chapter 32 Using Markers
469
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470 Chapter 32 Using Markers
470
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Extending a Marker’s Duration
471
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472 Chapter 32 Using Markers
472
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473Chapter 32 Using Markers
473
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In point
476
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The Out point includes
476
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The Out point ends at
478
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Clip Out point overlay
478
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Sequence Out point
478
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Mark Out button (O)
479
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Mark In button (I)
479
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Mark Clip button
480
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Reviewing Your Edit Points
481
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The new clip begins at
484
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Out point
485
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The new clip ends at the
485
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Out point that you set
485
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Mark In button
487
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Mark Out button
487
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Move the playhead over
488
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Auto Select is enabled
488
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In and Out points are set
489
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Select the desired clips
490
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In and Out points are
490
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Timecode Duration field
492
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In the Browser, enter
492
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Hold down the Shift
493
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In point or Out point
493
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Slip tool
493
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Working with Tracks in the
495
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Timeline
495
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Deleting Tracks
498
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Setting Destination Tracks
499
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V1, A1, and A2
500
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Disconnected Source
503
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Connected Source
503
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Resizing Timeline Tracks
507
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Drag a boundary
508
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Timeline patch panel
508
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Saving Track Layouts
509
-
Drag the center slider to
511
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To eliminate audio tracks
511
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Drag-to-Timeline Editing
513
-
Drag to select the
514
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Overwrite edit area
515
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(lower two-thirds)
515
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Insert edit area
515
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(upper third)
515
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Drag hand
515
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Drag a clip to the lower
517
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Dragging a clip to the
518
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Three-Point Editing
521
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Performing an Insert Edit
525
-
Insert section of the Edit
526
-
Overlay in the Canvas
526
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Insert button
526
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Insert with
528
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Transition button
528
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Insert with Transition
528
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Performing an Overwrite Edit
529
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Overwrite button
530
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Overwrite section of
530
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Overwrite with
532
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Overwrite with Transition
532
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Performing a Replace Edit
533
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Replace button
535
-
Replace section of
535
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The video track should
536
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In and Out points define the
538
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Superimposing Clips
539
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Before a superimpose edit
541
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After a superimpose edit
541
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Three-Point Editing Examples
542
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Move the playhead to the
543
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The new clip starts where
543
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Move the playhead into
544
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The new clip fills the gap
545
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Sequence
546
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The selected clip
549
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The highlight indicates
550
-
Auto Select is turned on
550
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A cyan border indicates
554
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Drag to select clips
554
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Noncontiguous selection
555
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Range Selection tool
556
-
Drag with the Range
556
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Selection tool to select
556
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Enter text or a timecode
560
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Choose additional
560
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Auto Select is enabled for
562
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Before deleting
562
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After deleting; only
563
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Auto Select control
563
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Option-click the control
564
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Moving by Dragging
566
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Moving Clips Numerically
567
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The number of
568
-
Clip items to be moved
568
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Clip Collision message
568
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Performing Shuffle Edits
569
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Finding and Closing Gaps
578
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Track gap
579
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In and Out points set
581
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Keyboard ShortcutLabelColor
582
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Command-Option-6B-RollGreen
582
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Cutting Clips and Adjusting
583
-
Durations
583
-
The Razor Blade tool lets
584
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The Razor Blade All tool
585
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Linking and Editing Video and
589
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Audio in Sync
589
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Audio moved away
591
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Audio moved back
591
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Names of linked clip
596
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Moving a Clip into Sync
598
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Before syncing
601
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After syncing
601
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Marking a Clip as In Sync
602
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not the
603
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Split Edits
607
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608 Chapter 41 Split Edits
608
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609Chapter 41 Split Edits
609
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610 Chapter 41 Split Edits
610
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611Chapter 41 Split Edits
611
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612 Chapter 41 Split Edits
612
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Split Edit Examples
613
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614 Chapter 41 Split Edits
614
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615Chapter 41 Split Edits
615
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616 Chapter 41 Split Edits
616
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Working with Multiclips
617
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About Multiclips
618
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Multiclip Workflow
619
-
Creating a Multiclip
625
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Creating Multiclip Sequences
626
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Offset value
628
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Creating a Multiclip Sequence
630
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Timecode offset
633
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Minimum Overlap Is 100%
635
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4-up view 9-up view
637
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View pop-up menu
637
-
Viewing Multiclip Overlays
639
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Drag a clip to an angle
641
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New Angle
641
-
Angle Affiliates
642
-
Switching Angles
647
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Cutting Between Angles
648
-
Cut Video to Angle
649
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1–4 buttons
649
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Angle with effects
655
-
Switching Angles with Effects
656
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Audio Editing Basics
661
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Waveforms for a stereo
663
-
Waveform display area
666
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Level overlay line
666
-
Pan overlay line
666
-
Reset button
667
-
Editing Audio in the Viewer
668
-
Mono (a1) and (a2) tabs
669
-
Stereo audio tab
670
-
Audio track A1
670
-
Audio track A2
670
-
Zoom control Zoom slider
671
-
Use the drag hand to
673
-
Audio selected
674
-
Linked Selection button
674
-
The audio opens in
675
-
New Out point set
675
-
Editing Audio in the Timeline
676
-
Naming Audio Tracks
679
-
A wide playhead bar in
684
-
The long pause in your
685
-
Paste the pause section
686
-
Roll Edits
691
-
Sliding Clips in the Timeline
692
-
You slide items using
693
-
The clip moves to a new
693
-
This clip is longer
694
-
This clip’s duration
694
-
This clip is shorter
694
-
The timecode entry field
695
-
You slip items using
695
-
These clips move left
704
-
This clip shortens
704
-
Tips for Using the Roll Tool
710
-
Edit being rolled
711
-
After the roll edit, the
711
-
Learning About Trimming Clips
715
-
Click here to turn linked
717
-
Click here to turn
717
-
Selecting Single Edit Points
719
-
Multiple edit points
720
-
Trimming Clips in the Viewer
724
-
Moving Clips Using Timecode
727
-
Media Limit message
729
-
Outgoing clip
732
-
Incoming clip
732
-
Green bar
732
-
Go to Previous Edit
735
-
Go to Next Edit
735
-
Play Around Edit Loop
735
-
Next FramePrevious Frame
736
-
Dynamic Trimming
737
-
Using the Trim Edit Window
739
-
Adding Transitions
747
-
Common Types of Transitions
748
-
Having Handles at Edit Points
749
-
A transition starting
750
-
A transition centered
750
-
A transition ending
751
-
Select an edit point
752
-
The added transition
753
-
Deleting Transitions
758
-
Enter a new
760
-
Replacing Transitions
761
-
Deleting Favorite Transitions
763
-
3D Simulation
765
-
Dissolve
765
-
Page Peel
766
-
QuickTime
766
-
Using Alpha Transitions
769
-
parameter allows you
771
-
, you can time the
774
-
Transition Editor
777
-
Tab with the name
778
-
Effects (specific
778
-
Alignment buttons
779
-
Recent Clips
779
-
Reverse Transition button
783
-
Rendering Transitions
790
-
Sequence-to-Sequence Editing
791
-
4 Do one of the following:
793
-
Nesting Sequences
795
-
When Do You Nest Sequences?
796
-
This nested sequence
799
-
Nested sequence B
800
-
Adding clips to sequence B
800
-
Nesting It
801
-
Using the Command key
802
-
A highlighted area shows
804
-
Matching Frames and Playhead
805
-
Synchronization
805
-
Sprocket holes
806
-
The current frame in the
809
-
Viewer matches the
809
-
Playhead
811
-
Playhead Sync pop-up
812
-
The Out point is the
813
-
Working with Timecode
815
-
Frame Rate Versus Timecode
816
-
Clip Time Versus Source Time
819
-
Timecode Overlays
821
-
Timecode Viewer
821
-
The Modify Timecode
824
-
Modifying Sequence Timecode
825
-
Working with 60 fps Timecode
827
-
Audio Fundamentals
829
-
Fundamentals of a Sound Wave
830
-
Frequency Spectrum of Sounds
831
-
Measuring Sound Intensity
833
-
What Is a Decibel?
834
-
Decibel Units
834
-
Signal-to-Noise Ratio
835
-
Headroom and Distortion
835
-
Dynamic Range and Compression
836
-
Stereo Audio
837
-
Identifying Stereo Recordings
838
-
Digital Audio
839
-
Sine Square
841
-
2-bit1-bit
841
-
16-bit4-bit
841
-
Assigning Output Channels and
843
-
External Audio Monitors
843
-
Audio Tracks
844
-
Hardware Outputs
845
-
Configuring Audio Outputs
847
-
Choose an audio output
851
-
Audio Output Export Settings
853
-
Config Pop-Up Menu
854
-
All output channels are
856
-
Downmix button
856
-
Downmixing During Export
857
-
Evaluating Levels with Audio
865
-
Analog Versus Digital Meters
866
-
Yellow peak level
868
-
Red clipping
869
-
Setting Proper Audio Levels
870
-
Setting Levels for Capture
871
-
Detecting Audio Peaks
871
-
20 dBTheatrical Dolby Digital
875
-
12 dBAverage videotape
875
-
6 dBTelevision broadcast
875
-
Labeling Your Tapes
876
-
Overview of the Audio Mixer
877
-
Track Visibility Area
878
-
Output Channel
879
-
Track Strips Area
880
-
Master Area
882
-
View Buttons
884
-
Record Audio Keyframes Option
884
-
Using Audio Mixer Views
885
-
These tracks are hidden
887
-
Using the Audio Mixer
889
-
Mute button in the
890
-
Audio Mixer
890
-
Mute button
891
-
Audio Controls button
891
-
Solo button in
892
-
Solo button
892
-
Changes made to faders
893
-
...affect only the audio
893
-
Changing a Clip’s Pan
898
-
Place the pointer over
902
-
Modifying Recorded Keyframes
905
-
Select one or both
907
-
What Is MIDI?
908
-
Installing a MIDI Interface
908
-
Choosing a Control Surface
908
-
Connecting a Control Surface
908
-
Tracks 1–8
911
-
Tracks 9–16
911
-
Working with Fader Banks
912
-
Clip Overlays
918
-
Change in audio
918
-
Audio level overlay
918
-
The keyframe appears as
919
-
Enter a new value
923
-
Adjust Line Segment
924
-
Panning Audio in the Timeline
925
-
Tools for Adjusting Keyframes
928
-
Working with Keyframes
930
-
Pen tool
931
-
Keyframe being moved
933
-
Release the mouse
933
-
With the Delete Point
934
-
Keyframes set
936
-
Lowered level
936
-
Adjust the slope of
937
-
When you’ve zoomed in
938
-
The problem samples
939
-
The overlay looks
939
-
Using the Voice Over Tool
943
-
20-second point
947
-
First frame of the ending
947
-
The newly recorded
954
-
Recording a Voiceover
955
-
Recording Multiple Takes
957
-
Placed in Timeline
958
-
Out pointIn point5-second
958
-
2-second
958
-
Using Audio Filters
959
-
Overview of Audio Filters
960
-
Equalization Filters
962
-
Gain Filter
964
-
Compressor/Limiter Filter
965
-
Expander/Noise Gate Filter
966
-
Noise Reduction Filters
966
-
Hum Remover
967
-
Vocal DeEsser
967
-
Vocal DePopper
967
-
Echo filter settings
968
-
Reverberation filter
968
-
Drag a filter from
969
-
...to the Timeline
969
-
...then drag them to
970
-
Select several filters in
970
-
Click here to create
975
-
The Pen tool lets you
975
-
Trash can icon
977
-
In and Out points in the
979
-
Exporting Audio for Mixing in
983
-
Other Applications
983
-
Choose the Bars and
987
-
Tone generator that
987
-
This shows the sync
989
-
All other tracks
990
-
Make sure just the audio
990
-
Exporting Audio to AIFF Files
994
-
Exporting OMF Audio Files
995
-
Disabled tracks are
997
-
Exporting Audio for DVD
999
-
Tips for Better Audio
1001
-
Tips for Cutting Dialogue
1002
-
Tips for Cutting Music
1004
-
Instead of
1005
-
...do this
1005
-
Logic Pro
1007
-
Soundtrack Pro
1008
-
About Soundtrack Pro Scripts
1011
-
About Conforming Manually
1017
-
Using Soundtrack Pro Conform
1017
-
Using Video Filters
1021
-
Applying a Filter to a Clip
1022
-
List of video filters
1023
-
Different Blur filters
1023
-
Drag the filter from
1023
-
...to a clip in the Timeline
1023
-
Viewing a Filter’s Parameters
1026
-
Using Filter Controls
1030
-
Angle control
1032
-
Clip well
1034
-
Filters bar for
1034
-
Clip Keyframes control
1034
-
Move the selected filter
1035
-
Removing Filters from Clips
1036
-
Installing and Managing Video
1039
-
Installing Video Filters
1040
-
Installing FXScript Plug-ins
1041
-
Viewing Preferred Effects
1041
-
FxPlug Plug-in Restrictions
1044
-
Video Filters Available in
1047
-
Final Cut Pro
1047
-
Border Filters
1048
-
Channel Filters
1048
-
Color Correction Filters
1049
-
Distort Filters
1049
-
Image Control Filters
1050
-
Key Filters
1051
-
Matte Filters
1053
-
Perspective Filters
1055
-
Sharpen Filters
1055
-
Stylize Filters
1056
-
Video Filters
1057
-
FxPlug Plug-ins
1058
-
Changing Motion Parameters
1059
-
Distort attribute
1060
-
Basic Motion parameters
1060
-
Some parameters must
1061
-
Drop Shadow parameters
1061
-
Motion Blur parameters
1061
-
Controls in the Motion Tab
1062
-
–360 pixels +360 pixels
1066
-
–240 pixels
1066
-
+240 pixels
1066
-
Canvas center point
1066
-
Initial background layer
1069
-
Sequence In and
1069
-
Out points
1069
-
The two clips are now
1075
-
The fourth clip is now
1075
-
Both selected clips now
1080
-
The background clip
1080
-
Selected clip in
1081
-
Image+Wireframe mode
1081
-
Choose one of the
1081
-
Which View Should You Use?
1082
-
Zooming In to the Canvas
1083
-
Magnification levels
1084
-
Use the Distort tool to
1091
-
Adjusting Parameters for
1093
-
Keyframed Effects
1093
-
How Keyframing Works
1094
-
Two keyframes let you
1095
-
Timecode field
1098
-
Setting Keyframes
1099
-
Add Motion Keyframe
1101
-
Choose a motion
1101
-
As you drag, a box
1102
-
Drag the area up or
1103
-
Control-click a keyframe
1103
-
Moving Between Keyframes
1104
-
Zoom slider
1106
-
Thumb tabs on either
1106
-
Zoom In tool
1106
-
Zoom Out tool
1106
-
With a zoom tool selected
1107
-
Zoom control
1107
-
A box displays the opacity
1112
-
Create five keyframes
1112
-
Smoothing Keyframes
1115
-
What Are Motion Paths?
1117
-
Creating Motion Paths
1119
-
The pointer changes
1126
-
Drag the Resize pointer up
1131
-
Editor Resize column
1131
-
Reusing Effect and Motion
1133
-
Parameters
1133
-
Checkboxes are available
1136
-
Auto Select controls
1137
-
The Favorites bin holds
1138
-
It can be organized with
1138
-
Enter the new name for
1141
-
Changing Clip Speed
1143
-
(now 20 seconds long)
1144
-
Using the Speed Tool
1152
-
Motion bar (blue)
1160
-
Speed indicators
1160
-
At normal speed, the
1161
-
Slow speed Fast speed
1161
-
Reverse-speed indicators
1162
-
Last frame of clip
1163
-
First frame of clip
1163
-
Length of clip’s media file
1163
-
(in frames)
1163
-
Linear time
1165
-
Slow motion
1165
-
Fast-forward
1165
-
Reverse speed
1166
-
Acceleration
1166
-
Performing a Fit to Fill Edit
1167
-
Before edit
1168
-
After edit
1168
-
Still Images
1173
-
Creating a Freeze Frame
1174
-
Exporting Still Images
1175
-
Video Is Not 72 Dots per Inch
1177
-
Gray borders appear
1178
-
1 Refers to ITU-R BT.601
1180
-
Looks right
1181
-
Looks wrong
1181
-
Using Alpha Channels
1183
-
Enter a new duration in
1185
-
Enter a new duration here
1185
-
4000 x 3000
1186
-
720 x 480
1186
-
Still image
1186
-
Set the Scale parameter
1187
-
Starting position
1189
-
Add Motion
1189
-
Keyframe button
1189
-
Center parameter
1189
-
Ending keyframe
1190
-
Drag the velocity
1191
-
Compositing and Layering
1193
-
Methods of Compositing
1194
-
Opacity is used to blend
1195
-
Clip Overlays control
1196
-
The opacity overlay can
1196
-
Working with Composite Modes
1198
-
All composite modes
1200
-
Boxes clip Monkey clip
1201
-
Subtract
1202
-
Difference
1203
-
Multiply
1203
-
Hard Light
1205
-
Soft Light
1206
-
Travel Matte - Alpha
1208
-
Travel Matte - Luma
1208
-
An imported Photoshop
1210
-
Control-click in the Alpha
1215
-
Dark areas are
1216
-
White areas are solid
1216
-
Choosing a Background
1218
-
Clip item with
1221
-
Overlapping clip
1221
-
Keying, Mattes, and Masks
1223
-
A four-point matte outlining
1224
-
Using Proper Lighting
1227
-
Bright areas appear
1228
-
Shadows appear as small
1228
-
Three sliders at the bottom
1235
-
Before clicking with the
1236
-
The image is cropped
1240
-
Click the Point 1 point
1242
-
The finished matte image
1244
-
Click keyframe buttons
1244
-
Create keyframes for
1244
-
The clip now has a
1247
-
The clip’s image remains
1247
-
Using Generator Clips
1249
-
Matte Color and Slug
1250
-
FxPlug Generators
1255
-
Click the Controls tab to
1256
-
Using the SmoothCam Filter
1257
-
Applying the SmoothCam Filter
1258
-
About Motion Analysis States
1259
-
Number of clips in the
1260
-
Pause/Resume button
1260
-
Stop button
1260
-
Reanalyzing Clips
1262
-
Camera Motion
1263
-
Smoothness parameters
1263
-
Analysis status
1263
-
Scale parameters
1263
-
Remove the rapid
1266
-
Remove the person
1266
-
Using the Media Manager
1268
-
Creating Titles
1271
-
Installing and Choosing Fonts
1272
-
Working with Motion and Shake
1281
-
Unsupported Media and Effects
1288
-
Working with Master Templates
1289
-
Previewing Master Templates
1291
-
Modifying Master Templates
1295
-
Measuring and Setting Video
1299
-
Color Model
1300
-
Color Difference Channels
1301
-
Blacks, Midtones, and Whites
1302
-
Opening Video Scopes Tabs
1304
-
This dip in the waveform
1306
-
An image with high saturation
1307
-
An image with low saturation
1307
-
Red of clothing
1308
-
Blue of background
1308
-
Distribution of blues
1308
-
High blue levels
1311
-
This image contains
1312
-
The shortcut menu in
1312
-
Choosing Video Scope Accuracy
1314
-
Legal Broadcast Colors
1316
-
Turning on Range Checking
1317
-
Clamping and Clipping
1318
-
Using the RGB Limit Filter
1323
-
RGB Limit Filter Controls
1324
-
Working with Analog Video
1325
-
Analog Video Levels
1326
-
Waveform Monitor Vectorscope
1329
-
Choose Targets from the
1329
-
About Color Bars
1331
-
, green, and blue signals
1333
-
About Color Correction
1337
-
Example of a chip chart used
1339
-
Telecine Color Correction
1340
-
Tape-to-Tape Color Correction
1341
-
Color Correction Features
1345
-
To move the split screen
1350
-
The Color Corrector Filter
1353
-
Drag Filter
1354
-
Copy To 2nd Clip Forward
1354
-
Copy To 1st Clip Forward
1354
-
Copy From 1st Clip Back
1354
-
Copy From 2nd Clip Back
1354
-
This render bar indicates
1355
-
A render bar over the
1356
-
Previous clip
1357
-
Copy From
1357
-
1st Clip Back
1357
-
Current clip
1357
-
Next clip
1358
-
Color balance indicator
1359
-
Shift key
1359
-
Level sliders
1361
-
Auto Black Level button
1361
-
Saturation slider
1361
-
Auto White Level button
1361
-
Auto Contrast button
1361
-
Invert Selection button
1365
-
Select Color eyedropper
1365
-
Keyframe controls
1366
-
Enable/Disable checkbox
1366
-
Numeric button
1366
-
Blacks Reset button
1373
-
Blacks Auto-Balance
1373
-
Color balance controls
1373
-
RGB Balance Filter
1382
-
RBG Balance Filter Controls
1383
-
Color Correction Examples
1385
-
Click the eyedropper
1388
-
Click in a white area
1388
-
The color balance
1389
-
Click the Color Corrector
1391
-
3-way tab to view the
1391
-
Click the eyedropper in
1393
-
The Whites color balance
1394
-
Before After
1394
-
Adjust the Mids control
1396
-
AfterBefore
1396
-
Flesh Tone line
1397
-
Before adjusting
1398
-
After adjusting the
1398
-
Multiple Edits layout
1399
-
Move the playhead so it’s
1401
-
Split-screen mode
1401
-
The Multiple Edits
1402
-
Second clip
1402
-
First clip
1402
-
Controls
1404
-
Click a highlight
1405
-
Highlighted eyedropper
1406
-
Match Color indicator
1406
-
Click the Whites
1406
-
Auto-Balance
1406
-
Click a highlight in clip 2
1407
-
Color Against Grayscale
1408
-
Color Correction with Color
1415
-
Using RT Extreme
1417
-
What Are Dropped Frames?
1420
-
A tooltip tells you the
1421
-
Real-time effects appear
1421
-
Many of the same
1422
-
RT pop-up menu
1423
-
Settings in the
1424
-
Unlimited RT
1425
-
Play Base Layer Only
1426
-
Scrub High Quality
1428
-
Playback Video Quality
1428
-
Playback Frame Rate
1428
-
Multiclip Playback
1429
-
Pull-down Pattern
1429
-
Gamma Correction
1430
-
Record Settings
1430
-
Video Scopes Playback
1431
-
Controls in the QuickView Tab
1439
-
Playback in the QuickView Tab
1440
-
Settings
1443
-
Video Render Status Bars
1444
-
Audio Render Status Bars
1446
-
The Rendering Process
1447
-
Order of Effects Rendering
1448
-
Selecting Clips for Rendering
1448
-
Video and audio
1449
-
In and Out points for the
1450
-
Using the Mixdown Command
1453
-
This message appears
1455
-
Render Settings
1457
-
Color space and
1459
-
Maximum RGB white
1459
-
Motion filtering quality
1459
-
Compositing in Y′C
1460
-
Adjusting Gamma
1464
-
Choosing a Gamma Setting
1466
-
Managing Your Render Files
1468
-
Using the Render Manager
1469
-
Tips for Reducing Render Time
1471
-
Working with Mixed-Format
1473
-
Sequences
1473
-
Mixing Frame Rates
1479
-
Using the Shift Fields Filter
1481
-
Nesting Nonmatching Sequences
1482
-
Combining SD and HD Video
1483
-
Downconverting HD Video
1483
-
1080 to 480
1484
-
720 to 480
1484
-
Cropping 16:9 Video to 4:3
1485
-
Pan and Scan
1486
-
16:9 Anamorphic
1487
-
Upconverting SD Video
1488
-
480 anamorphic to 1080
1489
-
480 anamorphic to 720
1489
-
Media Management
1493
-
Reel Name Conventions
1496
-
Clip Name Conventions
1497
-
Media Filename Conventions
1497
-
Using the Autosave Feature
1499
-
Autosave files for
1500
-
Restoring Autosaved Projects
1501
-
Choose the project file
1502
-
Archiving Completed Projects
1503
-
Before Updating Projects
1504
-
Click here to update
1505
-
Media Files
1509
-
Types of Clips
1510
-
Clip Properties
1514
-
Media File Properties
1524
-
Working with Master Clips
1525
-
Identifying Master Clips
1526
-
Working with Affiliate Clips
1527
-
Creating Independent Clips
1528
-
Moving Clips Between Projects
1531
-
Offline and Online Editing
1535
-
Online Editing
1536
-
These are offline clips
1552
-
Making Clips Offline
1554
-
Click an option
1555
-
Select the files you want
1560
-
You can select which
1563
-
Overview of the Media Manager
1567
-
Move the pointer
1571
-
Specify additional
1572
-
Choose what you
1572
-
How Subclips Are Processed
1579
-
Media Manager Workflow
1583
-
A message appears
1585
-
Decide what you want to
1586
-
Select the sequence
1587
-
Computer
1592
-
Subclips
1593
-
Press Command-A or
1595
-
Archiving
1596
-
Diagnostic Tools for Clips
1599
-
Locate the file you
1601
-
Video track information
1602
-
Audio track information
1602
-
Timecode track
1602
-
File information
1602
-
A long frame marker
1604
-
Importing and Exporting EDLs
1605
-
Learning to Read an EDL
1606
-
Elements of an EDL
1606
-
Exporting EDLs
1610
-
Reviewing an EDL
1616
-
Importing EDLs
1617
-
Problems Importing EDL Files
1618
-
Maintaining Accurate Timecode
1620
-
6 charactersSony 9100
1621
-
Join Through Edits
1624
-
Avoid Nested Sequences
1625
-
Using Final Cut Pro XML and
1629
-
QuickTime Metadata
1629
-
About XML
1630
-
Attributes of XML Elements
1631
-
Whitespace
1632
-
Document Type Definitions
1632
-
Remote Previewing with iChat
1639
-
Using iChat Theater Preview
1643
-
Working with Film and
1645
-
Cinema Tools
1645
-
About the Telecine Process
1646
-
Exporting a Film Cut List
1647
-
Standard Reverse Telecine
1652
-
Removing Advanced Pull-Down
1652
-
About Film Lists
1659
-
About Change Lists
1659
-
About Audio EDLs
1659
-
Exporting a Film List
1660
-
Exporting a Change List
1662
-
Exporting an Audio EDL
1664
-
Preparing to Output to Tape
1667
-
Output Requirements
1668
-
Make sure the external
1671
-
Stage 7: Cueing the Videotape
1674
-
Edit to Tape
1677
-
About Insert Editing to Tape
1678
-
About Tracks on Videotape
1679
-
About the Edit to Tape Window
1680
-
Video Tab
1681
-
PlayStop
1684
-
Fast Forward
1684
-
Play In to Out
1684
-
Play Around Current
1684
-
Mastering Settings Tab
1685
-
Using the Edit to Tape Window
1688
-
The preview option is
1689
-
DV equipment
1689
-
Choose a mode from this
1689
-
Audio Insert
1695
-
Printing to Video
1700
-
Recording from the Timeline
1702
-
Move the playhead
1703
-
Outputting to VHS Tape
1704
-
Learning About QuickTime
1707
-
Codecs Supported in QuickTime
1709
-
Movie File Formats
1711
-
Audio File Formats
1714
-
Using Share
1717
-
1718 Chapter 104 Using Share
1718
-
About the Share Window
1719
-
Post-Transcoding Actions
1720
-
1721Chapter 104 Using Share
1721
-
1722 Chapter 104 Using Share
1722
-
1723Chapter 104 Using Share
1723
-
1724 Chapter 104 Using Share
1724
-
1725Chapter 104 Using Share
1725
-
1726 Chapter 104 Using Share
1726
-
1727Chapter 104 Using Share
1727
-
1728 Chapter 104 Using Share
1728
-
1729Chapter 104 Using Share
1729
-
Types of Group Selections
1730
-
1731Chapter 104 Using Share
1731
-
1732 Chapter 104 Using Share
1732
-
Creating Multiple Outputs
1733
-
Using Share with Compressor
1734
-
Sending Outputs to Compressor
1735
-
1736 Chapter 104 Using Share
1736
-
1737Chapter 104 Using Share
1737
-
1738 Chapter 104 Using Share
1738
-
1739Chapter 104 Using Share
1739
-
1740 Chapter 104 Using Share
1740
-
1741Chapter 104 Using Share
1741
-
1742 Chapter 104 Using Share
1742
-
1743Chapter 104 Using Share
1743
-
1744 Chapter 104 Using Share
1744
-
1745Chapter 104 Using Share
1745
-
1746 Chapter 104 Using Share
1746
-
1747Chapter 104 Using Share
1747
-
1748 Chapter 104 Using Share
1748
-
1749Chapter 104 Using Share
1749
-
1750 Chapter 104 Using Share
1750
-
1751Chapter 104 Using Share
1751
-
1752 Chapter 104 Using Share
1752
-
Exporting QuickTime Movies
1753
-
Reference movie
1754
-
Original media files
1754
-
A dialog shows you the
1757
-
Exporting Using QuickTime
1761
-
Conversion
1761
-
About Color Space Conversion
1763
-
Key frame
1767
-
Delta frames
1767
-
Select a filter in this list
1769
-
Click a disclosure triangle
1769
-
Adjust settings for the
1769
-
16:9 within
1772
-
320 x 180 (16:9)
1772
-
Internet Streaming Settings
1774
-
Classic Aperture Mode
1776
-
Clean Aperture Mode
1776
-
Production Aperture Mode
1777
-
Exporting a DV Stream
1778
-
Exporting an AVI File
1779
-
Exporting Sequences for DVD
1783
-
Video for Standard DVDs
1784
-
HD DVD Editing Formats
1785
-
Audio for DVD
1787
-
About Surround Sound Audio
1788
-
More About Chapter Markers
1789
-
Using iDVD
1791
-
Using DVD Studio Pro
1791
-
DVD Studio Pro
1792
-
Using Compressor with
1793
-
Previewing Video Output
1794
-
Compressor Droplets
1794
-
Move the playhead to
1800
-
Choose a setting from
1800
-
Exporting Image Sequences
1801
-
A file is saved for each
1803
-
Batch Exporting Clips and
1805
-
If you want, enter a
1807
-
Select the bin that
1808
-
Then click Settings
1808
-
Choose a format here
1809
-
Doing a Batch Export
1812
-
Redoing Batch Exports
1814
-
Changing User Preferences
1817
-
General Tab
1819
-
About Audio Playback Quality
1819
-
Editing Tab
1823
-
These ten frames are used
1824
-
Five additional frames
1825
-
...and here
1825
-
Ten duplicate frames
1825
-
Labels Tab
1828
-
Timeline Options Tab
1828
-
Changing System Settings
1829
-
Scratch Disks Tab
1830
-
Search Folders Tab
1831
-
Memory & Cache Tab
1832
-
Playback Control Tab
1834
-
External Editors Tab
1834
-
Effect Handling Tab
1835
-
Audio/Video Settings and Easy
1837
-
Choosing Easy Setups
1839
-
Changing Audio/Video Presets
1841
-
Viewing Settings in a Preset
1842
-
Creating a New Preset
1843
-
Editing a Preset
1845
-
Deleting Presets
1845
-
Creating an Easy Setup
1846
-
Capture Settings and Presets
1851
-
Click Compression
1854
-
Specify the settings
1854
-
Device Control Settings and
1859
-
Using FireWire Device Control
1864
-
Using Serial Device Control
1865
-
Sequence Settings and Presets
1871
-
General tab
1872
-
General Tab for Sequences
1873
-
Render Control Tab
1878
-
Audio Outputs Tab
1879
-
Audio Outputs tab
1880
-
Changing Sequence Settings
1881
-
Solving Problems
1883
-
Problems During Playback
1884
-
Problems with Audio Quality
1888
-
Contacting AppleCare Support
1889
-
Video Formats
1891
-
1892 Appendix B Video Formats
1892
-
Storage Medium
1893
-
Video Standards
1894
-
Types of Video Signals
1895
-
1896 Appendix B Video Formats
1896
-
Letterboxing
1898
-
Anamorphic
1899
-
Pillarboxing
1899
-
Number of Lines
1899
-
Pixels per Line
1900
-
Pixel Aspect Ratio
1901
-
Frame Rate
1902
-
Scanning Method
1902
-
About Interlaced Scanning
1903
-
About Progressive Scanning
1903
-
Color Recording Method
1904
-
Color Sample Ratio
1905
-
Bit Depth
1906
-
Video Compression
1907
-
Lossless Codecs
1908
-
Lossy Codecs
1909
-
About Uncompressed Video
1909
-
About MPEG Compression
1909
-
1910 Appendix B Video Formats
1910
-
1911Appendix B Video Formats
1911
-
1912 Appendix B Video Formats
1912
-
1913Appendix B Video Formats
1913
-
MPEG-4 Part 10, or H.264
1914
-
DV Formats
1914
-
24p Video
1915
-
High Definition Video Formats
1915
-
Data Rate Comparisons
1916
-
Frame Rate and Timecode
1919
-
One second
1920
-
Choosing a Frame Rate
1922
-
01:32:15:28
1924
-
Timecode on Tape
1927
-
1799 and 1800
1928
-
Working with 24p Video
1931
-
24 Versus 23.98 fps
1932
-
Standard 3:2 Pull-Down
1932
-
A A B B B C C D D D
1934
-
A A B B C C D D
1934
-
2:3:3:2 Advanced Pull-Down
1936
-
A A B B C D D
1937
-
A A B B B C C C D D
1937
-
2:2:2:4 Pull-Down
1938
-
A B B C C DCC CCB
1940
-
24 @ 25 Pull-Down
1941
-
Working with 24p NTSC Video
1942
-
Pull-Down
1943
-
Stage 3: Editing at 23.98 fps
1944
-
Working with Anamorphic 16:9
1945
-
Recording Anamorphic Video
1946
-
Capturing Anamorphic Media
1947
-
Select this checkbox
1950
-
Anamorphic option
1950
-
Glossary
1955
-
1956 Glossary
1956
-
1957Glossary
1957
-
1958 Glossary
1958
-
1959Glossary
1959
-
1960 Glossary
1960
-
1961Glossary
1961
-
1962 Glossary
1962
-
1963Glossary
1963
-
1964 Glossary
1964
-
1965Glossary
1965
-
1966 Glossary
1966
-
1967Glossary
1967
-
1968 Glossary
1968
-
1969Glossary
1969
-
1970 Glossary
1970
-
1971Glossary
1971
-
1972 Glossary
1972
-
1973Glossary
1973
-
1974 Glossary
1974
-
1975Glossary
1975
-
1976 Glossary
1976
-
1977Glossary
1977
-
1978 Glossary
1978
-
1979Glossary
1979
-
1980 Glossary
1980
-
1981Glossary
1981
-
1982 Glossary
1982
-
1983Glossary
1983
-
1984 Glossary
1984
-
1985Glossary
1985
-
1986 Glossary
1986
-
1987Glossary
1987
-
1988 Glossary
1988
-
1989Glossary
1989
-
1990 Glossary
1990
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