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Note:
When you re
store a button bar or use a sa
ved shortcut button bar
, all existing
shortcut buttons in all windows are replaced by those y
ou are loading
.
1
7
5
Chapter 1
0
Customizing the Interface
1
2
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199
Final Cut Pro 7
1
Contents
3
4 Contents
4
5Contents
5
6 Contents
6
7Contents
7
8 Contents
8
9Contents
9
10 Contents
10
11Contents
11
12 Contents
12
13Contents
13
14 Contents
14
15Contents
15
16 Contents
16
17Contents
17
18 Contents
18
19Contents
19
20 Contents
20
21Contents
21
22 Contents
22
23Contents
23
24 Contents
24
25Contents
25
Welcome to Final Cut Pro
27
Additional Resources
28
About the Post-Production
29
Workflow
29
The Post-Production Workflow
30
Video Formats and Timecode
35
Video Format Basics
37
How Drop Frame Timecode Works
40
What Are Clips?
42
What Are Sequences?
43
What Are Projects?
43
What Are Bins?
44
Creating and Saving Projects
46
Opening and Closing Projects
47
To switch between
48
Filenaming Considerations
50
Using Filename Extensions
51
Using Multiple Hard Disks
52
Overview of the Final Cut Pro
53
Interface
53
Using Keyboard Shortcuts
55
Using Button Bars
56
Using Shortcut Menus
56
Moving and Resizing Windows
58
The Effects tab is
60
Browser and appears
60
Moving Windows
61
Undoing and Redoing Changes
62
Current Timecode field
63
Browser Basics
65
Learning About the Browser
66
Working in the Browser
67
Drag over multiple clips
68
69Chapter 5 Browser Basics
69
70 Chapter 5 Browser Basics
70
Using Columns in the Browser
71
72 Chapter 5 Browser Basics
72
Choosing Views in the Browser
73
74 Chapter 5 Browser Basics
74
To display a hidden column
75
76 Chapter 5 Browser Basics
76
77Chapter 5 Browser Basics
77
78 Chapter 5 Browser Basics
78
79Chapter 5 Browser Basics
79
80 Chapter 5 Browser Basics
80
Setting the Poster Frame
81
82 Chapter 5 Browser Basics
82
83Chapter 5 Browser Basics
83
Viewer Basics
85
86 Chapter 6 Viewer Basics
86
87Chapter 6 Viewer Basics
87
88 Chapter 6 Viewer Basics
88
89Chapter 6 Viewer Basics
89
Tabs in the Viewer
90
Filters Tab
91
Motion Tab
91
Controls Tab
92
93Chapter 6 Viewer Basics
93
Jog Control in the Viewer
94
Shuttle Control in the Viewer
94
95Chapter 6 Viewer Basics
95
96 Chapter 6 Viewer Basics
96
97Chapter 6 Viewer Basics
97
98 Chapter 6 Viewer Basics
98
Playhead Sync Pop-Up Menu
99
100 Chapter 6 Viewer Basics
100
Recent Clips Pop-Up Menu
101
Generator Pop-Up Menu
101
Canvas Basics
103
104 Chapter 7 Canvas Basics
104
Learning About the Canvas
105
106 Chapter 7 Canvas Basics
106
107Chapter 7 Canvas Basics
107
Edit Overlay
108
Edit Buttons in the Canvas
108
109Chapter 7 Canvas Basics
109
110 Chapter 7 Canvas Basics
110
Jog Control in the Canvas
111
Shuttle Control in the Canvas
111
112 Chapter 7 Canvas Basics
112
113Chapter 7 Canvas Basics
113
Playing Clips and Sequences
115
To move around, drag
118
To move precisely
120
Looping Playback
121
Dragging Timecode Values
123
Timeline Basics
127
128 Chapter 9 Timeline Basics
128
129Chapter 9 Timeline Basics
129
Learning About the Timeline
130
Editing Controls
131
Vertical Multitrack Controls
132
133Chapter 9 Timeline Basics
133
Horizontal Time Controls
134
135Chapter 9 Timeline Basics
135
Timeline Display Controls
136
Audio Controls
137
Other Miscellaneous Controls
138
139Chapter 9 Timeline Basics
139
140 Chapter 9 Timeline Basics
140
141Chapter 9 Timeline Basics
141
142 Chapter 9 Timeline Basics
142
143Chapter 9 Timeline Basics
143
144 Chapter 9 Timeline Basics
144
145Chapter 9 Timeline Basics
145
146 Chapter 9 Timeline Basics
146
147Chapter 9 Timeline Basics
147
148 Chapter 9 Timeline Basics
148
Navigating in the Timeline
149
150 Chapter 9 Timeline Basics
150
151Chapter 9 Timeline Basics
151
152 Chapter 9 Timeline Basics
152
153Chapter 9 Timeline Basics
153
154 Chapter 9 Timeline Basics
154
155Chapter 9 Timeline Basics
155
156 Chapter 9 Timeline Basics
156
Customizing the Interface
157
Default Two Up layout
158
Layout after making the
158
Browser and Timeline
158
Using Window Layouts
159
Customizing Window Layouts
160
Assigning Keyboard Shortcuts
165
Removing Shortcut Buttons
173
Connecting DV Video Equipment
177
Connecting Your Camcorder
179
Choosing an Easy Setup
180
Specifying Scratch Disks
181
Your DV Device
184
About FireWire
185
Audio Equipment
187
Video and Audio Interfaces
189
Scratch Disks
190
Video Interfaces
191
Video Signals and Connectors
193
SCART connector
195
FireWire 400 (4-pin)
195
FireWire 400 (6-pin)
195
FireWire 800 (9-pin)
195
BNC connector
196
VGA connector
196
DVI connector
197
HDMI connector
197
Audio Interfaces
202
TOSLINK optical
203
Audio or video device
203
USB Audio Interfaces
204
FireWire for Digital Audio
205
Mono miniplug connector
207
Stereo miniplug connector
207
RCA connector
207
XLR connector
208
About Analog Audio Levels
209
Combined signals
212
(noise eliminated)
212
Video Device
216
Device status
217
Determining Your Hard Disk
219
Storage Options
219
Know Your Shooting Ratio
221
Choosing a Hard Disk
223
Types of Hard Disk Drives
224
FireWire Disk Drives
225
SCSI Disk Drives
226
Using a RAID or Disk Array
227
Storage Area Networks
228
External Video Monitoring
231
About the A/V Devices Tab
235
The Importance of Logging
248
Benefits of Logging
249
Preparing to Log
249
Choosing Reel Names
250
About Capturing Footage
253
About the Log and Capture
255
Log and capture buttons
256
Preview area
256
Logging
256
Clip Settings, and
256
Capture Settings tabs
256
Logging Bin Controls
260
Logging from Tape
263
Inserting a Tape in the VTR
266
The slate icon appears
268
Enter the Out point
270
Enter the In point
270
Changing Capture Settings
276
Logging a Clip
277
Logging Media Efficiently
278
Capturing Video from Tape
279
Capturing Entire Tapes
280
A marker appears in front
284
Markers for a clip
284
Batch Capturing Clips
285
Before You Batch Capture
286
Working with Batch Lists
293
Creating a Batch List
294
01:20:00;15
295
Importing a Batch List
296
Clips from the batch list
297
Capturing Audio from Tape
299
Dual Mono Versus Stereo Audio
304
VU meter
307
About Audio Peaks
308
Choose the appropriate
309
Make sure you choose
309
Advanced Topics in Capturing
313
Tape-Based Media
313
If you aren’t using
314
Recapturing Clips
315
Recapturing Subclips
316
Recapturing Merged Clips
316
Overview of Transferring
323
File-Based Media
323
Logging area
324
Transfer Queue area
324
File-Based Media Terminology
325
About the Log and Transfer
329
Increment button
337
Autofill pop-up menu
337
Logging fields
337
One mono channel
338
Two audio channels
338
Logging File-Based Media
341
Entering Logging Information
343
Applying Valid Filenames
345
Transferring File-Based Media
349
Mounting Media Devices
351
Choosing a Destination Codec
353
Selecting Clips
354
Previewing Clips
355
Naming Clips During Transfer
357
Incrementing Logging Fields
357
Using Automatic Transfer
360
Retransferring Clip Media
364
Archiving to a Folder
368
Archiving to a Disk Image
368
Importing Media Files
372
2 Do one of the following:
373
About Importing Video Files
375
About MXF-Based Formats
376
Importing from a Sony VDU
376
About Importing Audio Files
377
Choosing Sequence Bit Depth
379
Choose a save option
385
Choose a place to save
385
If you wish, enter a name
385
Drag the clips
386
Bins help you organize
389
Creating New Bins
390
Opening Bins in the Browser
391
Double-click the bin
392
Do one of the following:
392
Drag the bin’s tab above
393
The bin now has its own
393
Moving Items Between Bins
394
You can also move
395
About Label Names and Colors
396
These are the various
397
Changing Names of Labels
398
Sorting Clips by Labels
399
About Search Options
401
A list of unused clips is
405
Results window
405
Control-click in a
406
Then click here
407
Select items you want
407
Creating Subclips
409
Numbered subclips are
410
A new subclip appears
411
In and Out points you set
411
Removing Subclip Limits
412
Turning Markers into Subclips
413
All of the material
414
Creating Subclips Manually
415
Editing with Subclips
416
Video and Audio
419
Duration of Merged Clips
422
Merged clip
423
Working with Projects
428
About Offline Clips
433
Sequences as Clips
434
Control-click a column
435
Enter the new
435
Enter a new name
438
Opening and Closing Sequences
439
Duplicating a Sequence
440
Nesting a Sequence
442
Creating a Rough Edit
445
Video clip item
446
Audio clip items
446
An underline indicates
446
Undoing and Redoing Actions
448
(3) Clip In point
450
(4) Clip Out point
450
(inferred)
450
(1 and 2) Sequence
450
In and Out points
450
1 2 3 4 5
452
Arrange the clips in
452
Using Markers
453
What Can You Do with Markers?
454
455Chapter 32 Using Markers
455
Types of Markers
456
Marker Colors and Labels
456
457Chapter 32 Using Markers
457
458 Chapter 32 Using Markers
458
459Chapter 32 Using Markers
459
Quickly Adding Markers
460
461Chapter 32 Using Markers
461
462 Chapter 32 Using Markers
462
463Chapter 32 Using Markers
463
464 Chapter 32 Using Markers
464
Navigating with Markers
465
Modifying Markers
466
Moving Markers
467
468 Chapter 32 Using Markers
468
469Chapter 32 Using Markers
469
470 Chapter 32 Using Markers
470
Extending a Marker’s Duration
471
472 Chapter 32 Using Markers
472
473Chapter 32 Using Markers
473
In point
476
The Out point includes
476
The Out point ends at
478
Clip Out point overlay
478
Sequence Out point
478
Mark Out button (O)
479
Mark In button (I)
479
Mark Clip button
480
Reviewing Your Edit Points
481
The new clip begins at
484
Out point
485
The new clip ends at the
485
Out point that you set
485
Mark In button
487
Mark Out button
487
Move the playhead over
488
Auto Select is enabled
488
In and Out points are set
489
Select the desired clips
490
In and Out points are
490
Timecode Duration field
492
In the Browser, enter
492
Hold down the Shift
493
In point or Out point
493
Slip tool
493
Working with Tracks in the
495
Timeline
495
Deleting Tracks
498
Setting Destination Tracks
499
V1, A1, and A2
500
Disconnected Source
503
Connected Source
503
Resizing Timeline Tracks
507
Drag a boundary
508
Timeline patch panel
508
Saving Track Layouts
509
Drag the center slider to
511
To eliminate audio tracks
511
Drag-to-Timeline Editing
513
Drag to select the
514
Overwrite edit area
515
(lower two-thirds)
515
Insert edit area
515
(upper third)
515
Drag hand
515
Drag a clip to the lower
517
Dragging a clip to the
518
Three-Point Editing
521
Performing an Insert Edit
525
Insert section of the Edit
526
Overlay in the Canvas
526
Insert button
526
Insert with
528
Transition button
528
Insert with Transition
528
Performing an Overwrite Edit
529
Overwrite button
530
Overwrite section of
530
Overwrite with
532
Overwrite with Transition
532
Performing a Replace Edit
533
Replace button
535
Replace section of
535
The video track should
536
In and Out points define the
538
Superimposing Clips
539
Before a superimpose edit
541
After a superimpose edit
541
Three-Point Editing Examples
542
Move the playhead to the
543
The new clip starts where
543
Move the playhead into
544
The new clip fills the gap
545
Sequence
546
The selected clip
549
The highlight indicates
550
Auto Select is turned on
550
A cyan border indicates
554
Drag to select clips
554
Noncontiguous selection
555
Range Selection tool
556
Drag with the Range
556
Selection tool to select
556
Enter text or a timecode
560
Choose additional
560
Auto Select is enabled for
562
Before deleting
562
After deleting; only
563
Auto Select control
563
Option-click the control
564
Moving by Dragging
566
Moving Clips Numerically
567
The number of
568
Clip items to be moved
568
Clip Collision message
568
Performing Shuffle Edits
569
Finding and Closing Gaps
578
Track gap
579
In and Out points set
581
Keyboard ShortcutLabelColor
582
Command-Option-6B-RollGreen
582
Cutting Clips and Adjusting
583
Durations
583
The Razor Blade tool lets
584
The Razor Blade All tool
585
Linking and Editing Video and
589
Audio in Sync
589
Audio moved away
591
Audio moved back
591
Names of linked clip
596
Moving a Clip into Sync
598
Before syncing
601
After syncing
601
Marking a Clip as In Sync
602
not the
603
Split Edits
607
608 Chapter 41 Split Edits
608
609Chapter 41 Split Edits
609
610 Chapter 41 Split Edits
610
611Chapter 41 Split Edits
611
612 Chapter 41 Split Edits
612
Split Edit Examples
613
614 Chapter 41 Split Edits
614
615Chapter 41 Split Edits
615
616 Chapter 41 Split Edits
616
Working with Multiclips
617
About Multiclips
618
Multiclip Workflow
619
Creating a Multiclip
625
Creating Multiclip Sequences
626
Offset value
628
Creating a Multiclip Sequence
630
Timecode offset
633
Minimum Overlap Is 100%
635
4-up view 9-up view
637
View pop-up menu
637
Viewing Multiclip Overlays
639
Drag a clip to an angle
641
New Angle
641
Angle Affiliates
642
Switching Angles
647
Cutting Between Angles
648
Cut Video to Angle
649
1–4 buttons
649
Angle with effects
655
Switching Angles with Effects
656
Audio Editing Basics
661
Waveforms for a stereo
663
Waveform display area
666
Level overlay line
666
Pan overlay line
666
Reset button
667
Editing Audio in the Viewer
668
Mono (a1) and (a2) tabs
669
Stereo audio tab
670
Audio track A1
670
Audio track A2
670
Zoom control Zoom slider
671
Use the drag hand to
673
Audio selected
674
Linked Selection button
674
The audio opens in
675
New Out point set
675
Editing Audio in the Timeline
676
Naming Audio Tracks
679
A wide playhead bar in
684
The long pause in your
685
Paste the pause section
686
Roll Edits
691
Sliding Clips in the Timeline
692
You slide items using
693
The clip moves to a new
693
This clip is longer
694
This clip’s duration
694
This clip is shorter
694
The timecode entry field
695
You slip items using
695
These clips move left
704
This clip shortens
704
Tips for Using the Roll Tool
710
Edit being rolled
711
After the roll edit, the
711
Learning About Trimming Clips
715
Click here to turn linked
717
Click here to turn
717
Selecting Single Edit Points
719
Multiple edit points
720
Trimming Clips in the Viewer
724
Moving Clips Using Timecode
727
Media Limit message
729
Outgoing clip
732
Incoming clip
732
Green bar
732
Go to Previous Edit
735
Go to Next Edit
735
Play Around Edit Loop
735
Next FramePrevious Frame
736
Dynamic Trimming
737
Using the Trim Edit Window
739
Adding Transitions
747
Common Types of Transitions
748
Having Handles at Edit Points
749
A transition starting
750
A transition centered
750
A transition ending
751
Select an edit point
752
The added transition
753
Deleting Transitions
758
Enter a new
760
Replacing Transitions
761
Deleting Favorite Transitions
763
3D Simulation
765
Dissolve
765
Page Peel
766
QuickTime
766
Using Alpha Transitions
769
parameter allows you
771
, you can time the
774
Transition Editor
777
Tab with the name
778
Effects (specific
778
Alignment buttons
779
Recent Clips
779
Reverse Transition button
783
Rendering Transitions
790
Sequence-to-Sequence Editing
791
4 Do one of the following:
793
Nesting Sequences
795
When Do You Nest Sequences?
796
This nested sequence
799
Nested sequence B
800
Adding clips to sequence B
800
Nesting It
801
Using the Command key
802
A highlighted area shows
804
Matching Frames and Playhead
805
Synchronization
805
Sprocket holes
806
The current frame in the
809
Viewer matches the
809
Playhead
811
Playhead Sync pop-up
812
The Out point is the
813
Working with Timecode
815
Frame Rate Versus Timecode
816
Clip Time Versus Source Time
819
Timecode Overlays
821
Timecode Viewer
821
The Modify Timecode
824
Modifying Sequence Timecode
825
Working with 60 fps Timecode
827
Audio Fundamentals
829
Fundamentals of a Sound Wave
830
Frequency Spectrum of Sounds
831
Measuring Sound Intensity
833
What Is a Decibel?
834
Decibel Units
834
Signal-to-Noise Ratio
835
Headroom and Distortion
835
Dynamic Range and Compression
836
Stereo Audio
837
Identifying Stereo Recordings
838
Digital Audio
839
Sine Square
841
2-bit1-bit
841
16-bit4-bit
841
Assigning Output Channels and
843
External Audio Monitors
843
Audio Tracks
844
Hardware Outputs
845
Configuring Audio Outputs
847
Choose an audio output
851
Audio Output Export Settings
853
Config Pop-Up Menu
854
All output channels are
856
Downmix button
856
Downmixing During Export
857
Evaluating Levels with Audio
865
Analog Versus Digital Meters
866
Yellow peak level
868
Red clipping
869
Setting Proper Audio Levels
870
Setting Levels for Capture
871
Detecting Audio Peaks
871
20 dBTheatrical Dolby Digital
875
12 dBAverage videotape
875
6 dBTelevision broadcast
875
Labeling Your Tapes
876
Overview of the Audio Mixer
877
Track Visibility Area
878
Output Channel
879
Track Strips Area
880
Master Area
882
View Buttons
884
Record Audio Keyframes Option
884
Using Audio Mixer Views
885
These tracks are hidden
887
Using the Audio Mixer
889
Mute button in the
890
Audio Mixer
890
Mute button
891
Audio Controls button
891
Solo button in
892
Solo button
892
Changes made to faders
893
...affect only the audio
893
Changing a Clip’s Pan
898
Place the pointer over
902
Modifying Recorded Keyframes
905
Select one or both
907
What Is MIDI?
908
Installing a MIDI Interface
908
Choosing a Control Surface
908
Connecting a Control Surface
908
Tracks 1–8
911
Tracks 9–16
911
Working with Fader Banks
912
Clip Overlays
918
Change in audio
918
Audio level overlay
918
The keyframe appears as
919
Enter a new value
923
Adjust Line Segment
924
Panning Audio in the Timeline
925
Tools for Adjusting Keyframes
928
Working with Keyframes
930
Pen tool
931
Keyframe being moved
933
Release the mouse
933
With the Delete Point
934
Keyframes set
936
Lowered level
936
Adjust the slope of
937
When you’ve zoomed in
938
The problem samples
939
The overlay looks
939
Using the Voice Over Tool
943
20-second point
947
First frame of the ending
947
The newly recorded
954
Recording a Voiceover
955
Recording Multiple Takes
957
Placed in Timeline
958
Out pointIn point5-second
958
2-second
958
Using Audio Filters
959
Overview of Audio Filters
960
Equalization Filters
962
Gain Filter
964
Compressor/Limiter Filter
965
Expander/Noise Gate Filter
966
Noise Reduction Filters
966
Hum Remover
967
Vocal DeEsser
967
Vocal DePopper
967
Echo filter settings
968
Reverberation filter
968
Drag a filter from
969
...to the Timeline
969
...then drag them to
970
Select several filters in
970
Click here to create
975
The Pen tool lets you
975
Trash can icon
977
In and Out points in the
979
Exporting Audio for Mixing in
983
Other Applications
983
Choose the Bars and
987
Tone generator that
987
This shows the sync
989
All other tracks
990
Make sure just the audio
990
Exporting Audio to AIFF Files
994
Exporting OMF Audio Files
995
Disabled tracks are
997
Exporting Audio for DVD
999
Tips for Better Audio
1001
Tips for Cutting Dialogue
1002
Tips for Cutting Music
1004
Instead of
1005
...do this
1005
Logic Pro
1007
Soundtrack Pro
1008
About Soundtrack Pro Scripts
1011
About Conforming Manually
1017
Using Soundtrack Pro Conform
1017
Using Video Filters
1021
Applying a Filter to a Clip
1022
List of video filters
1023
Different Blur filters
1023
Drag the filter from
1023
...to a clip in the Timeline
1023
Viewing a Filter’s Parameters
1026
Using Filter Controls
1030
Angle control
1032
Clip well
1034
Filters bar for
1034
Clip Keyframes control
1034
Move the selected filter
1035
Removing Filters from Clips
1036
Installing and Managing Video
1039
Installing Video Filters
1040
Installing FXScript Plug-ins
1041
Viewing Preferred Effects
1041
FxPlug Plug-in Restrictions
1044
Video Filters Available in
1047
Final Cut Pro
1047
Border Filters
1048
Channel Filters
1048
Color Correction Filters
1049
Distort Filters
1049
Image Control Filters
1050
Key Filters
1051
Matte Filters
1053
Perspective Filters
1055
Sharpen Filters
1055
Stylize Filters
1056
Video Filters
1057
FxPlug Plug-ins
1058
Changing Motion Parameters
1059
Distort attribute
1060
Basic Motion parameters
1060
Some parameters must
1061
Drop Shadow parameters
1061
Motion Blur parameters
1061
Controls in the Motion Tab
1062
–360 pixels +360 pixels
1066
–240 pixels
1066
+240 pixels
1066
Canvas center point
1066
Initial background layer
1069
Sequence In and
1069
Out points
1069
The two clips are now
1075
The fourth clip is now
1075
Both selected clips now
1080
The background clip
1080
Selected clip in
1081
Image+Wireframe mode
1081
Choose one of the
1081
Which View Should You Use?
1082
Zooming In to the Canvas
1083
Magnification levels
1084
Use the Distort tool to
1091
Adjusting Parameters for
1093
Keyframed Effects
1093
How Keyframing Works
1094
Two keyframes let you
1095
Timecode field
1098
Setting Keyframes
1099
Add Motion Keyframe
1101
Choose a motion
1101
As you drag, a box
1102
Drag the area up or
1103
Control-click a keyframe
1103
Moving Between Keyframes
1104
Zoom slider
1106
Thumb tabs on either
1106
Zoom In tool
1106
Zoom Out tool
1106
With a zoom tool selected
1107
Zoom control
1107
A box displays the opacity
1112
Create five keyframes
1112
Smoothing Keyframes
1115
What Are Motion Paths?
1117
Creating Motion Paths
1119
The pointer changes
1126
Drag the Resize pointer up
1131
Editor Resize column
1131
Reusing Effect and Motion
1133
Parameters
1133
Checkboxes are available
1136
Auto Select controls
1137
The Favorites bin holds
1138
It can be organized with
1138
Enter the new name for
1141
Changing Clip Speed
1143
(now 20 seconds long)
1144
Using the Speed Tool
1152
Motion bar (blue)
1160
Speed indicators
1160
At normal speed, the
1161
Slow speed Fast speed
1161
Reverse-speed indicators
1162
Last frame of clip
1163
First frame of clip
1163
Length of clip’s media file
1163
(in frames)
1163
Linear time
1165
Slow motion
1165
Fast-forward
1165
Reverse speed
1166
Acceleration
1166
Performing a Fit to Fill Edit
1167
Before edit
1168
After edit
1168
Still Images
1173
Creating a Freeze Frame
1174
Exporting Still Images
1175
Video Is Not 72 Dots per Inch
1177
Gray borders appear
1178
1 Refers to ITU-R BT.601
1180
Looks right
1181
Looks wrong
1181
Using Alpha Channels
1183
Enter a new duration in
1185
Enter a new duration here
1185
4000 x 3000
1186
720 x 480
1186
Still image
1186
Set the Scale parameter
1187
Starting position
1189
Add Motion
1189
Keyframe button
1189
Center parameter
1189
Ending keyframe
1190
Drag the velocity
1191
Compositing and Layering
1193
Methods of Compositing
1194
Opacity is used to blend
1195
Clip Overlays control
1196
The opacity overlay can
1196
Working with Composite Modes
1198
All composite modes
1200
Boxes clip Monkey clip
1201
Subtract
1202
Difference
1203
Multiply
1203
Hard Light
1205
Soft Light
1206
Travel Matte - Alpha
1208
Travel Matte - Luma
1208
An imported Photoshop
1210
Control-click in the Alpha
1215
Dark areas are
1216
White areas are solid
1216
Choosing a Background
1218
Clip item with
1221
Overlapping clip
1221
Keying, Mattes, and Masks
1223
A four-point matte outlining
1224
Using Proper Lighting
1227
Bright areas appear
1228
Shadows appear as small
1228
Three sliders at the bottom
1235
Before clicking with the
1236
The image is cropped
1240
Click the Point 1 point
1242
The finished matte image
1244
Click keyframe buttons
1244
Create keyframes for
1244
The clip now has a
1247
The clip’s image remains
1247
Using Generator Clips
1249
Matte Color and Slug
1250
FxPlug Generators
1255
Click the Controls tab to
1256
Using the SmoothCam Filter
1257
Applying the SmoothCam Filter
1258
About Motion Analysis States
1259
Number of clips in the
1260
Pause/Resume button
1260
Stop button
1260
Reanalyzing Clips
1262
Camera Motion
1263
Smoothness parameters
1263
Analysis status
1263
Scale parameters
1263
Remove the rapid
1266
Remove the person
1266
Using the Media Manager
1268
Creating Titles
1271
Installing and Choosing Fonts
1272
Working with Motion and Shake
1281
Unsupported Media and Effects
1288
Working with Master Templates
1289
Previewing Master Templates
1291
Modifying Master Templates
1295
Measuring and Setting Video
1299
Color Model
1300
Color Difference Channels
1301
Blacks, Midtones, and Whites
1302
Opening Video Scopes Tabs
1304
This dip in the waveform
1306
An image with high saturation
1307
An image with low saturation
1307
Red of clothing
1308
Blue of background
1308
Distribution of blues
1308
High blue levels
1311
This image contains
1312
The shortcut menu in
1312
Choosing Video Scope Accuracy
1314
Legal Broadcast Colors
1316
Turning on Range Checking
1317
Clamping and Clipping
1318
Using the RGB Limit Filter
1323
RGB Limit Filter Controls
1324
Working with Analog Video
1325
Analog Video Levels
1326
Waveform Monitor Vectorscope
1329
Choose Targets from the
1329
About Color Bars
1331
, green, and blue signals
1333
About Color Correction
1337
Example of a chip chart used
1339
Telecine Color Correction
1340
Tape-to-Tape Color Correction
1341
Color Correction Features
1345
To move the split screen
1350
The Color Corrector Filter
1353
Drag Filter
1354
Copy To 2nd Clip Forward
1354
Copy To 1st Clip Forward
1354
Copy From 1st Clip Back
1354
Copy From 2nd Clip Back
1354
This render bar indicates
1355
A render bar over the
1356
Previous clip
1357
Copy From
1357
1st Clip Back
1357
Current clip
1357
Next clip
1358
Color balance indicator
1359
Shift key
1359
Level sliders
1361
Auto Black Level button
1361
Saturation slider
1361
Auto White Level button
1361
Auto Contrast button
1361
Invert Selection button
1365
Select Color eyedropper
1365
Keyframe controls
1366
Enable/Disable checkbox
1366
Numeric button
1366
Blacks Reset button
1373
Blacks Auto-Balance
1373
Color balance controls
1373
RGB Balance Filter
1382
RBG Balance Filter Controls
1383
Color Correction Examples
1385
Click the eyedropper
1388
Click in a white area
1388
The color balance
1389
Click the Color Corrector
1391
3-way tab to view the
1391
Click the eyedropper in
1393
The Whites color balance
1394
Before After
1394
Adjust the Mids control
1396
AfterBefore
1396
Flesh Tone line
1397
Before adjusting
1398
After adjusting the
1398
Multiple Edits layout
1399
Move the playhead so it’s
1401
Split-screen mode
1401
The Multiple Edits
1402
Second clip
1402
First clip
1402
Controls
1404
Click a highlight
1405
Highlighted eyedropper
1406
Match Color indicator
1406
Click the Whites
1406
Auto-Balance
1406
Click a highlight in clip 2
1407
Color Against Grayscale
1408
Color Correction with Color
1415
Using RT Extreme
1417
What Are Dropped Frames?
1420
A tooltip tells you the
1421
Real-time effects appear
1421
Many of the same
1422
RT pop-up menu
1423
Settings in the
1424
Unlimited RT
1425
Play Base Layer Only
1426
Scrub High Quality
1428
Playback Video Quality
1428
Playback Frame Rate
1428
Multiclip Playback
1429
Pull-down Pattern
1429
Gamma Correction
1430
Record Settings
1430
Video Scopes Playback
1431
Controls in the QuickView Tab
1439
Playback in the QuickView Tab
1440
Settings
1443
Video Render Status Bars
1444
Audio Render Status Bars
1446
The Rendering Process
1447
Order of Effects Rendering
1448
Selecting Clips for Rendering
1448
Video and audio
1449
In and Out points for the
1450
Using the Mixdown Command
1453
This message appears
1455
Render Settings
1457
Color space and
1459
Maximum RGB white
1459
Motion filtering quality
1459
Compositing in Y′C
1460
Adjusting Gamma
1464
Choosing a Gamma Setting
1466
Managing Your Render Files
1468
Using the Render Manager
1469
Tips for Reducing Render Time
1471
Working with Mixed-Format
1473
Sequences
1473
Mixing Frame Rates
1479
Using the Shift Fields Filter
1481
Nesting Nonmatching Sequences
1482
Combining SD and HD Video
1483
Downconverting HD Video
1483
1080 to 480
1484
720 to 480
1484
Cropping 16:9 Video to 4:3
1485
Pan and Scan
1486
16:9 Anamorphic
1487
Upconverting SD Video
1488
480 anamorphic to 1080
1489
480 anamorphic to 720
1489
Media Management
1493
Reel Name Conventions
1496
Clip Name Conventions
1497
Media Filename Conventions
1497
Using the Autosave Feature
1499
Autosave files for
1500
Restoring Autosaved Projects
1501
Choose the project file
1502
Archiving Completed Projects
1503
Before Updating Projects
1504
Click here to update
1505
Media Files
1509
Types of Clips
1510
Clip Properties
1514
Media File Properties
1524
Working with Master Clips
1525
Identifying Master Clips
1526
Working with Affiliate Clips
1527
Creating Independent Clips
1528
Moving Clips Between Projects
1531
Offline and Online Editing
1535
Online Editing
1536
These are offline clips
1552
Making Clips Offline
1554
Click an option
1555
Select the files you want
1560
You can select which
1563
Overview of the Media Manager
1567
Move the pointer
1571
Specify additional
1572
Choose what you
1572
How Subclips Are Processed
1579
Media Manager Workflow
1583
A message appears
1585
Decide what you want to
1586
Select the sequence
1587
Computer
1592
Subclips
1593
Press Command-A or
1595
Archiving
1596
Diagnostic Tools for Clips
1599
Locate the file you
1601
Video track information
1602
Audio track information
1602
Timecode track
1602
File information
1602
A long frame marker
1604
Importing and Exporting EDLs
1605
Learning to Read an EDL
1606
Elements of an EDL
1606
Exporting EDLs
1610
Reviewing an EDL
1616
Importing EDLs
1617
Problems Importing EDL Files
1618
Maintaining Accurate Timecode
1620
6 charactersSony 9100
1621
Join Through Edits
1624
Avoid Nested Sequences
1625
Using Final Cut Pro XML and
1629
QuickTime Metadata
1629
About XML
1630
Attributes of XML Elements
1631
Whitespace
1632
Document Type Definitions
1632
Remote Previewing with iChat
1639
Using iChat Theater Preview
1643
Working with Film and
1645
Cinema Tools
1645
About the Telecine Process
1646
Exporting a Film Cut List
1647
Standard Reverse Telecine
1652
Removing Advanced Pull-Down
1652
About Film Lists
1659
About Change Lists
1659
About Audio EDLs
1659
Exporting a Film List
1660
Exporting a Change List
1662
Exporting an Audio EDL
1664
Preparing to Output to Tape
1667
Output Requirements
1668
Make sure the external
1671
Stage 7: Cueing the Videotape
1674
Edit to Tape
1677
About Insert Editing to Tape
1678
About Tracks on Videotape
1679
About the Edit to Tape Window
1680
Video Tab
1681
PlayStop
1684
Fast Forward
1684
Play In to Out
1684
Play Around Current
1684
Mastering Settings Tab
1685
Using the Edit to Tape Window
1688
The preview option is
1689
DV equipment
1689
Choose a mode from this
1689
Audio Insert
1695
Printing to Video
1700
Recording from the Timeline
1702
Move the playhead
1703
Outputting to VHS Tape
1704
Learning About QuickTime
1707
Codecs Supported in QuickTime
1709
Movie File Formats
1711
Audio File Formats
1714
Using Share
1717
1718 Chapter 104 Using Share
1718
About the Share Window
1719
Post-Transcoding Actions
1720
1721Chapter 104 Using Share
1721
1722 Chapter 104 Using Share
1722
1723Chapter 104 Using Share
1723
1724 Chapter 104 Using Share
1724
1725Chapter 104 Using Share
1725
1726 Chapter 104 Using Share
1726
1727Chapter 104 Using Share
1727
1728 Chapter 104 Using Share
1728
1729Chapter 104 Using Share
1729
Types of Group Selections
1730
1731Chapter 104 Using Share
1731
1732 Chapter 104 Using Share
1732
Creating Multiple Outputs
1733
Using Share with Compressor
1734
Sending Outputs to Compressor
1735
1736 Chapter 104 Using Share
1736
1737Chapter 104 Using Share
1737
1738 Chapter 104 Using Share
1738
1739Chapter 104 Using Share
1739
1740 Chapter 104 Using Share
1740
1741Chapter 104 Using Share
1741
1742 Chapter 104 Using Share
1742
1743Chapter 104 Using Share
1743
1744 Chapter 104 Using Share
1744
1745Chapter 104 Using Share
1745
1746 Chapter 104 Using Share
1746
1747Chapter 104 Using Share
1747
1748 Chapter 104 Using Share
1748
1749Chapter 104 Using Share
1749
1750 Chapter 104 Using Share
1750
1751Chapter 104 Using Share
1751
1752 Chapter 104 Using Share
1752
Exporting QuickTime Movies
1753
Reference movie
1754
Original media files
1754
A dialog shows you the
1757
Exporting Using QuickTime
1761
Conversion
1761
About Color Space Conversion
1763
Key frame
1767
Delta frames
1767
Select a filter in this list
1769
Click a disclosure triangle
1769
Adjust settings for the
1769
16:9 within
1772
320 x 180 (16:9)
1772
Internet Streaming Settings
1774
Classic Aperture Mode
1776
Clean Aperture Mode
1776
Production Aperture Mode
1777
Exporting a DV Stream
1778
Exporting an AVI File
1779
Exporting Sequences for DVD
1783
Video for Standard DVDs
1784
HD DVD Editing Formats
1785
Audio for DVD
1787
About Surround Sound Audio
1788
More About Chapter Markers
1789
Using iDVD
1791
Using DVD Studio Pro
1791
DVD Studio Pro
1792
Using Compressor with
1793
Previewing Video Output
1794
Compressor Droplets
1794
Move the playhead to
1800
Choose a setting from
1800
Exporting Image Sequences
1801
A file is saved for each
1803
Batch Exporting Clips and
1805
If you want, enter a
1807
Select the bin that
1808
Then click Settings
1808
Choose a format here
1809
Doing a Batch Export
1812
Redoing Batch Exports
1814
Changing User Preferences
1817
General Tab
1819
About Audio Playback Quality
1819
Editing Tab
1823
These ten frames are used
1824
Five additional frames
1825
...and here
1825
Ten duplicate frames
1825
Labels Tab
1828
Timeline Options Tab
1828
Changing System Settings
1829
Scratch Disks Tab
1830
Search Folders Tab
1831
Memory & Cache Tab
1832
Playback Control Tab
1834
External Editors Tab
1834
Effect Handling Tab
1835
Audio/Video Settings and Easy
1837
Choosing Easy Setups
1839
Changing Audio/Video Presets
1841
Viewing Settings in a Preset
1842
Creating a New Preset
1843
Editing a Preset
1845
Deleting Presets
1845
Creating an Easy Setup
1846
Capture Settings and Presets
1851
Click Compression
1854
Specify the settings
1854
Device Control Settings and
1859
Using FireWire Device Control
1864
Using Serial Device Control
1865
Sequence Settings and Presets
1871
General tab
1872
General Tab for Sequences
1873
Render Control Tab
1878
Audio Outputs Tab
1879
Audio Outputs tab
1880
Changing Sequence Settings
1881
Solving Problems
1883
Problems During Playback
1884
Problems with Audio Quality
1888
Contacting AppleCare Support
1889
Video Formats
1891
1892 Appendix B Video Formats
1892
Storage Medium
1893
Video Standards
1894
Types of Video Signals
1895
1896 Appendix B Video Formats
1896
Letterboxing
1898
Anamorphic
1899
Pillarboxing
1899
Number of Lines
1899
Pixels per Line
1900
Pixel Aspect Ratio
1901
Frame Rate
1902
Scanning Method
1902
About Interlaced Scanning
1903
About Progressive Scanning
1903
Color Recording Method
1904
Color Sample Ratio
1905
Bit Depth
1906
Video Compression
1907
Lossless Codecs
1908
Lossy Codecs
1909
About Uncompressed Video
1909
About MPEG Compression
1909
1910 Appendix B Video Formats
1910
1911Appendix B Video Formats
1911
1912 Appendix B Video Formats
1912
1913Appendix B Video Formats
1913
MPEG-4 Part 10, or H.264
1914
DV Formats
1914
24p Video
1915
High Definition Video Formats
1915
Data Rate Comparisons
1916
Frame Rate and Timecode
1919
One second
1920
Choosing a Frame Rate
1922
01:32:15:28
1924
Timecode on Tape
1927
1799 and 1800
1928
Working with 24p Video
1931
24 Versus 23.98 fps
1932
Standard 3:2 Pull-Down
1932
A A B B B C C D D D
1934
A A B B C C D D
1934
2:3:3:2 Advanced Pull-Down
1936
A A B B C D D
1937
A A B B B C C C D D
1937
2:2:2:4 Pull-Down
1938
A B B C C DCC CCB
1940
24 @ 25 Pull-Down
1941
Working with 24p NTSC Video
1942
Pull-Down
1943
Stage 3: Editing at 23.98 fps
1944
Working with Anamorphic 16:9
1945
Recording Anamorphic Video
1946
Capturing Anamorphic Media
1947
Select this checkbox
1950
Anamorphic option
1950
Glossary
1955
1956 Glossary
1956
1957Glossary
1957
1958 Glossary
1958
1959Glossary
1959
1960 Glossary
1960
1961Glossary
1961
1962 Glossary
1962
1963Glossary
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1964 Glossary
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1965Glossary
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1966 Glossary
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