Apple Final Cut Pro 7 manuals

Owner’s manuals and user’s guides for Computer Accessories Apple Final Cut Pro 7.
We providing 2 pdf manuals Apple Final Cut Pro 7 for download free by document types: User Manual


Table of contents

Contents

3

A First Look at Final Cut Pro

7

Opening Final Cut Pro

8

Click Continue.3

9

Explore the BrowserJump In:

10

Sequence tabs

13

Explore the ViewerJump In:

14

Play button

15

Scrubber bar

15

Play In to Out button

17

In point marker

17

Out point marker

17

Navigate between edit points:

18

Explore the CanvasJump In:

19

Go to Previous Edit button

22

Go to Next Edit button

22

View pop-up menu

23

Explore the TimelineJump In:

24

Drag the clip to move it

25

Razor Blade tool

26

Selection tool

26

Track Height control

27

Learning About Sequences

29

Capture Clip button

38

Capture Batch button

39

Capture Now button

39

Drag the audio clip

50

...into the sequence

50

Preparing Clips in the Viewer

55

Current Timecode field

59

Timecode Duration field

59

Create a Title ClipJump In:

62

Font Color color picker

64

Add Motion

69

Move the playhead

70

Drag the title clip

72

Drag to rotate

73

Opacity keyframe button

75

Keyframe graph area

75

The opacity increases here

75

Add a keyframe here

76

Add a last keyframe here

76

Working with the Canvas

81

Show Match Frame button

84

Playhead Sync

84

Source controls

88

Add new tracks to a sequence:

90

Connect the v1 Source

91

Destination control

91

Drag the a1 and a2 Source

92

A4 Destination controls

92

Sequence In and Out

94

Sequence In point marking

95

Basic Editing

99

Getting Ready

100

Chapter 5 Basic Editing

102

Set In and Out points

102

Try This

103

Play Around Current

110

Frame button

110

Place a sequence In point

111

Sequence Out point

111

Set an In point here

112

Disconnected

112

Key Concepts

115

Working with Audio

117

Audio Mixer

118

Track level faders

118

Master fader

118

Audio tab

121

Shuttle control

121

Jog control

121

A1 and A2 fader sliders

122

Level slider

123

Pan slider

123

Add Marker button

123

Reset button

124

Increase in audio level

125

Drag the slider until the

127

Position the playhead here

128

Drag the Level slider to

129

Edit a sound using keyframes:

130

Place a keyframe

131

Drag the audio level

132

Keyframe navigation

133

Level Keyframe button

133

Audio level overlay in pink

134

Track Layout pop-up menu

136

Audio waveforms

136

Clip Overlays control

137

Creating Voiceovers

141

Drag the a2 Source

144

Track Visibility button

145

Review button

146

Discard Last Recording

146

Voiceover clips

147

Multiple takes

148

Sequence In and Out points

149

“Tint type” pop-up menu

155

Keyframe button

156

Place an Out point here

160

Place an In point here

160

Linked Selection button

161

Learning About Transitions

165

Handle before the In point

168

Handle after the Out point

168

Getting Answers

177

What’s Next?

178

Table of contents

Final Cut Pro 7

1

Contents

3

4 Contents

4

5Contents

5

6 Contents

6

7Contents

7

8 Contents

8

9Contents

9

10 Contents

10

11Contents

11

12 Contents

12

13Contents

13

14 Contents

14

15Contents

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16 Contents

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17Contents

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18 Contents

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19Contents

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20 Contents

20

21Contents

21

22 Contents

22

23Contents

23

24 Contents

24

25Contents

25

Welcome to Final Cut Pro

27

Additional Resources

28

About the Post-Production

29

Workflow

29

The Post-Production Workflow

30

Video Formats and Timecode

35

Video Format Basics

37

How Drop Frame Timecode Works

40

What Are Clips?

42

What Are Sequences?

43

What Are Projects?

43

What Are Bins?

44

Creating and Saving Projects

46

Opening and Closing Projects

47

To switch between

48

Filenaming Considerations

50

Using Filename Extensions

51

Using Multiple Hard Disks

52

Overview of the Final Cut Pro

53

Interface

53

Using Keyboard Shortcuts

55

Using Button Bars

56

Using Shortcut Menus

56

Moving and Resizing Windows

58

The Effects tab is

60

Browser and appears

60

Moving Windows

61

Undoing and Redoing Changes

62

Current Timecode field

63

Browser Basics

65

Learning About the Browser

66

Working in the Browser

67

Drag over multiple clips

68

69Chapter 5 Browser Basics

69

70 Chapter 5 Browser Basics

70

Using Columns in the Browser

71

72 Chapter 5 Browser Basics

72

Choosing Views in the Browser

73

74 Chapter 5 Browser Basics

74

To display a hidden column

75

76 Chapter 5 Browser Basics

76

77Chapter 5 Browser Basics

77

78 Chapter 5 Browser Basics

78

79Chapter 5 Browser Basics

79

80 Chapter 5 Browser Basics

80

Setting the Poster Frame

81

82 Chapter 5 Browser Basics

82

83Chapter 5 Browser Basics

83

Viewer Basics

85

86 Chapter 6 Viewer Basics

86

87Chapter 6 Viewer Basics

87

88 Chapter 6 Viewer Basics

88

89Chapter 6 Viewer Basics

89

Tabs in the Viewer

90

Filters Tab

91

Motion Tab

91

Controls Tab

92

93Chapter 6 Viewer Basics

93

Jog Control in the Viewer

94

Shuttle Control in the Viewer

94

95Chapter 6 Viewer Basics

95

96 Chapter 6 Viewer Basics

96

97Chapter 6 Viewer Basics

97

98 Chapter 6 Viewer Basics

98

Playhead Sync Pop-Up Menu

99

100 Chapter 6 Viewer Basics

100

Recent Clips Pop-Up Menu

101

Generator Pop-Up Menu

101

Canvas Basics

103

104 Chapter 7 Canvas Basics

104

Learning About the Canvas

105

106 Chapter 7 Canvas Basics

106

107Chapter 7 Canvas Basics

107

Edit Overlay

108

Edit Buttons in the Canvas

108

109Chapter 7 Canvas Basics

109

110 Chapter 7 Canvas Basics

110

Jog Control in the Canvas

111

Shuttle Control in the Canvas

111

112 Chapter 7 Canvas Basics

112

113Chapter 7 Canvas Basics

113

Playing Clips and Sequences

115

To move around, drag

118

To move precisely

120

Looping Playback

121

Dragging Timecode Values

123

Timeline Basics

127

128 Chapter 9 Timeline Basics

128

129Chapter 9 Timeline Basics

129

Learning About the Timeline

130

Editing Controls

131

Vertical Multitrack Controls

132

133Chapter 9 Timeline Basics

133

Horizontal Time Controls

134

135Chapter 9 Timeline Basics

135

Timeline Display Controls

136

Audio Controls

137

Other Miscellaneous Controls

138

139Chapter 9 Timeline Basics

139

140 Chapter 9 Timeline Basics

140

141Chapter 9 Timeline Basics

141

142 Chapter 9 Timeline Basics

142

143Chapter 9 Timeline Basics

143

144 Chapter 9 Timeline Basics

144

145Chapter 9 Timeline Basics

145

146 Chapter 9 Timeline Basics

146

147Chapter 9 Timeline Basics

147

148 Chapter 9 Timeline Basics

148

Navigating in the Timeline

149

150 Chapter 9 Timeline Basics

150

151Chapter 9 Timeline Basics

151

152 Chapter 9 Timeline Basics

152

153Chapter 9 Timeline Basics

153

154 Chapter 9 Timeline Basics

154

155Chapter 9 Timeline Basics

155

156 Chapter 9 Timeline Basics

156

Customizing the Interface

157

Default Two Up layout

158

Layout after making the

158

Browser and Timeline

158

Using Window Layouts

159

Customizing Window Layouts

160

Assigning Keyboard Shortcuts

165

Removing Shortcut Buttons

173

Connecting DV Video Equipment

177

Connecting Your Camcorder

179

Choosing an Easy Setup

180

Specifying Scratch Disks

181

Your DV Device

184

About FireWire

185

Audio Equipment

187

Video and Audio Interfaces

189

Scratch Disks

190

Video Interfaces

191

Video Signals and Connectors

193

SCART connector

195

FireWire 400 (4-pin)

195

FireWire 400 (6-pin)

195

FireWire 800 (9-pin)

195

BNC connector

196

VGA connector

196

DVI connector

197

HDMI connector

197

Audio Interfaces

202

TOSLINK optical

203

Audio or video device

203

USB Audio Interfaces

204

FireWire for Digital Audio

205

Mono miniplug connector

207

Stereo miniplug connector

207

RCA connector

207

XLR connector

208

About Analog Audio Levels

209

Combined signals

212

(noise eliminated)

212

Video Device

216

Device status

217

Determining Your Hard Disk

219

Storage Options

219

Know Your Shooting Ratio

221

Choosing a Hard Disk

223

Types of Hard Disk Drives

224

FireWire Disk Drives

225

SCSI Disk Drives

226

Using a RAID or Disk Array

227

Storage Area Networks

228

External Video Monitoring

231

About the A/V Devices Tab

235

The Importance of Logging

248

Benefits of Logging

249

Preparing to Log

249

Choosing Reel Names

250

About Capturing Footage

253

About the Log and Capture

255

Log and capture buttons

256

Preview area

256

Logging

256

Clip Settings, and

256

Capture Settings tabs

256

Logging Bin Controls

260

Logging from Tape

263

Inserting a Tape in the VTR

266

The slate icon appears

268

Enter the Out point

270

Enter the In point

270

Changing Capture Settings

276

Logging a Clip

277

Logging Media Efficiently

278

Capturing Video from Tape

279

Capturing Entire Tapes

280

A marker appears in front

284

Markers for a clip

284

Batch Capturing Clips

285

Before You Batch Capture

286

Working with Batch Lists

293

Creating a Batch List

294

01:20:00;15

295

Importing a Batch List

296

Clips from the batch list

297

Capturing Audio from Tape

299

Dual Mono Versus Stereo Audio

304

VU meter

307

About Audio Peaks

308

Choose the appropriate

309

Make sure you choose

309

Advanced Topics in Capturing

313

Tape-Based Media

313

If you aren’t using

314

Recapturing Clips

315

Recapturing Subclips

316

Recapturing Merged Clips

316

Overview of Transferring

323

File-Based Media

323

Logging area

324

Transfer Queue area

324

File-Based Media Terminology

325

About the Log and Transfer

329

Increment button

337

Autofill pop-up menu

337

Logging fields

337

One mono channel

338

Two audio channels

338

Logging File-Based Media

341

Entering Logging Information

343

Applying Valid Filenames

345

Transferring File-Based Media

349

Mounting Media Devices

351

Choosing a Destination Codec

353

Selecting Clips

354

Previewing Clips

355

Naming Clips During Transfer

357

Incrementing Logging Fields

357

Using Automatic Transfer

360

Retransferring Clip Media

364

Archiving to a Folder

368

Archiving to a Disk Image

368

Importing Media Files

372

2 Do one of the following:

373

About Importing Video Files

375

About MXF-Based Formats

376

Importing from a Sony VDU

376

About Importing Audio Files

377

Choosing Sequence Bit Depth

379

Choose a save option

385

Choose a place to save

385

If you wish, enter a name

385

Drag the clips

386

Bins help you organize

389

Creating New Bins

390

Opening Bins in the Browser

391

Double-click the bin

392

Do one of the following:

392

Drag the bin’s tab above

393

The bin now has its own

393

Moving Items Between Bins

394

You can also move

395

About Label Names and Colors

396

These are the various

397

Changing Names of Labels

398

Sorting Clips by Labels

399

About Search Options

401

A list of unused clips is

405

Results window

405

Control-click in a

406

Then click here

407

Select items you want

407

Creating Subclips

409

Numbered subclips are

410

A new subclip appears

411

In and Out points you set

411

Removing Subclip Limits

412

Turning Markers into Subclips

413

All of the material

414

Creating Subclips Manually

415

Editing with Subclips

416

Video and Audio

419

Duration of Merged Clips

422

Merged clip

423

Working with Projects

428

About Offline Clips

433

Sequences as Clips

434

Control-click a column

435

Enter the new

435

Enter a new name

438

Opening and Closing Sequences

439

Duplicating a Sequence

440

Nesting a Sequence

442

Creating a Rough Edit

445

Video clip item

446

Audio clip items

446

An underline indicates

446

Undoing and Redoing Actions

448

(3) Clip In point

450

(4) Clip Out point

450

(inferred)

450

(1 and 2) Sequence

450

In and Out points

450

1 2 3 4 5

452

Arrange the clips in

452

Using Markers

453

What Can You Do with Markers?

454

455Chapter 32 Using Markers

455

Types of Markers

456

Marker Colors and Labels

456

457Chapter 32 Using Markers

457

458 Chapter 32 Using Markers

458

459Chapter 32 Using Markers

459

Quickly Adding Markers

460

461Chapter 32 Using Markers

461

462 Chapter 32 Using Markers

462

463Chapter 32 Using Markers

463

464 Chapter 32 Using Markers

464

Navigating with Markers

465

Modifying Markers

466

Moving Markers

467

468 Chapter 32 Using Markers

468

469Chapter 32 Using Markers

469

470 Chapter 32 Using Markers

470

Extending a Marker’s Duration

471

472 Chapter 32 Using Markers

472

473Chapter 32 Using Markers

473

In point

476

The Out point includes

476

The Out point ends at

478

Clip Out point overlay

478

Sequence Out point

478

Mark Out button (O)

479

Mark In button (I)

479

Mark Clip button

480

Reviewing Your Edit Points

481

The new clip begins at

484

Out point

485

The new clip ends at the

485

Out point that you set

485

Mark In button

487

Mark Out button

487

Move the playhead over

488

Auto Select is enabled

488

In and Out points are set

489

Select the desired clips

490

In and Out points are

490

Timecode Duration field

492

In the Browser, enter

492

Hold down the Shift

493

In point or Out point

493

Slip tool

493

Working with Tracks in the

495

Timeline

495

Deleting Tracks

498

Setting Destination Tracks

499

V1, A1, and A2

500

Disconnected Source

503

Connected Source

503

Resizing Timeline Tracks

507

Drag a boundary

508

Timeline patch panel

508

Saving Track Layouts

509

Drag the center slider to

511

To eliminate audio tracks

511

Drag-to-Timeline Editing

513

Drag to select the

514

Overwrite edit area

515

(lower two-thirds)

515

Insert edit area

515

(upper third)

515

Drag hand

515

Drag a clip to the lower

517

Dragging a clip to the

518

Three-Point Editing

521

Performing an Insert Edit

525

Insert section of the Edit

526

Overlay in the Canvas

526

Insert button

526

Insert with

528

Transition button

528

Insert with Transition

528

Performing an Overwrite Edit

529

Overwrite button

530

Overwrite section of

530

Overwrite with

532

Overwrite with Transition

532

Performing a Replace Edit

533

Replace button

535

Replace section of

535

The video track should

536

In and Out points define the

538

Superimposing Clips

539

Before a superimpose edit

541

After a superimpose edit

541

Three-Point Editing Examples

542

Move the playhead to the

543

The new clip starts where

543

Move the playhead into

544

The new clip fills the gap

545

Sequence

546

The selected clip

549

The highlight indicates

550

Auto Select is turned on

550

A cyan border indicates

554

Drag to select clips

554

Noncontiguous selection

555

Range Selection tool

556

Drag with the Range

556

Selection tool to select

556

Enter text or a timecode

560

Choose additional

560

Auto Select is enabled for

562

Before deleting

562

After deleting; only

563

Auto Select control

563

Option-click the control

564

Moving by Dragging

566

Moving Clips Numerically

567

The number of

568

Clip items to be moved

568

Clip Collision message

568

Performing Shuffle Edits

569

Finding and Closing Gaps

578

Track gap

579

In and Out points set

581

Keyboard ShortcutLabelColor

582

Command-Option-6B-RollGreen

582

Cutting Clips and Adjusting

583

Durations

583

The Razor Blade tool lets

584

The Razor Blade All tool

585

Linking and Editing Video and

589

Audio in Sync

589

Audio moved away

591

Audio moved back

591

Names of linked clip

596

Moving a Clip into Sync

598

Before syncing

601

After syncing

601

Marking a Clip as In Sync

602

not the

603

Split Edits

607

608 Chapter 41 Split Edits

608

609Chapter 41 Split Edits

609

610 Chapter 41 Split Edits

610

611Chapter 41 Split Edits

611

612 Chapter 41 Split Edits

612

Split Edit Examples

613

614 Chapter 41 Split Edits

614

615Chapter 41 Split Edits

615

616 Chapter 41 Split Edits

616

Working with Multiclips

617

About Multiclips

618

Multiclip Workflow

619

Creating a Multiclip

625

Creating Multiclip Sequences

626

Offset value

628

Creating a Multiclip Sequence

630

Timecode offset

633

Minimum Overlap Is 100%

635

4-up view 9-up view

637

View pop-up menu

637

Viewing Multiclip Overlays

639

Drag a clip to an angle

641

New Angle

641

Angle Affiliates

642

Switching Angles

647

Cutting Between Angles

648

Cut Video to Angle

649

1–4 buttons

649

Angle with effects

655

Switching Angles with Effects

656

Audio Editing Basics

661

Waveforms for a stereo

663

Waveform display area

666

Level overlay line

666

Pan overlay line

666

Reset button

667

Editing Audio in the Viewer

668

Mono (a1) and (a2) tabs

669

Stereo audio tab

670

Audio track A1

670

Audio track A2

670

Zoom control Zoom slider

671

Use the drag hand to

673

Audio selected

674

Linked Selection button

674

The audio opens in

675

New Out point set

675

Editing Audio in the Timeline

676

Naming Audio Tracks

679

A wide playhead bar in

684

The long pause in your

685

Paste the pause section

686

Roll Edits

691

Sliding Clips in the Timeline

692

You slide items using

693

The clip moves to a new

693

This clip is longer

694

This clip’s duration

694

This clip is shorter

694

The timecode entry field

695

You slip items using

695

These clips move left

704

This clip shortens

704

Tips for Using the Roll Tool

710

Edit being rolled

711

After the roll edit, the

711

Learning About Trimming Clips

715

Click here to turn linked

717

Click here to turn

717

Selecting Single Edit Points

719

Multiple edit points

720

Trimming Clips in the Viewer

724

Moving Clips Using Timecode

727

Media Limit message

729

Outgoing clip

732

Incoming clip

732

Green bar

732

Go to Previous Edit

735

Go to Next Edit

735

Play Around Edit Loop

735

Next FramePrevious Frame

736

Dynamic Trimming

737

Using the Trim Edit Window

739

Adding Transitions

747

Common Types of Transitions

748

Having Handles at Edit Points

749

A transition starting

750

A transition centered

750

A transition ending

751

Select an edit point

752

The added transition

753

Deleting Transitions

758

Enter a new

760

Replacing Transitions

761

Deleting Favorite Transitions

763

3D Simulation

765

Dissolve

765

Page Peel

766

QuickTime

766

Using Alpha Transitions

769

parameter allows you

771

, you can time the

774

Transition Editor

777

Tab with the name

778

Effects (specific

778

Alignment buttons

779

Recent Clips

779

Reverse Transition button

783

Rendering Transitions

790

Sequence-to-Sequence Editing

791

4 Do one of the following:

793

Nesting Sequences

795

When Do You Nest Sequences?

796

This nested sequence

799

Nested sequence B

800

Adding clips to sequence B

800

Nesting It

801

Using the Command key

802

A highlighted area shows

804

Matching Frames and Playhead

805

Synchronization

805

Sprocket holes

806

The current frame in the

809

Viewer matches the

809

Playhead

811

Playhead Sync pop-up

812

The Out point is the

813

Working with Timecode

815

Frame Rate Versus Timecode

816

Clip Time Versus Source Time

819

Timecode Overlays

821

Timecode Viewer

821

The Modify Timecode

824

Modifying Sequence Timecode

825

Working with 60 fps Timecode

827

Audio Fundamentals

829

Fundamentals of a Sound Wave

830

Frequency Spectrum of Sounds

831

Measuring Sound Intensity

833

What Is a Decibel?

834

Decibel Units

834

Signal-to-Noise Ratio

835

Headroom and Distortion

835

Dynamic Range and Compression

836

Stereo Audio

837

Identifying Stereo Recordings

838

Digital Audio

839

Sine Square

841

2-bit1-bit

841

16-bit4-bit

841

Assigning Output Channels and

843

External Audio Monitors

843

Audio Tracks

844

Hardware Outputs

845

Configuring Audio Outputs

847

Choose an audio output

851

Audio Output Export Settings

853

Config Pop-Up Menu

854

All output channels are

856

Downmix button

856

Downmixing During Export

857

Evaluating Levels with Audio

865

Analog Versus Digital Meters

866

Yellow peak level

868

Red clipping

869

Setting Proper Audio Levels

870

Setting Levels for Capture

871

Detecting Audio Peaks

871

20 dBTheatrical Dolby Digital

875

12 dBAverage videotape

875

6 dBTelevision broadcast

875

Labeling Your Tapes

876

Overview of the Audio Mixer

877

Track Visibility Area

878

Output Channel

879

Track Strips Area

880

Master Area

882

View Buttons

884

Record Audio Keyframes Option

884

Using Audio Mixer Views

885

These tracks are hidden

887

Using the Audio Mixer

889

Mute button in the

890

Audio Mixer

890

Mute button

891

Audio Controls button

891

Solo button in

892

Solo button

892

Changes made to faders

893

...affect only the audio

893

Changing a Clip’s Pan

898

Place the pointer over

902

Modifying Recorded Keyframes

905

Select one or both

907

What Is MIDI?

908

Installing a MIDI Interface

908

Choosing a Control Surface

908

Connecting a Control Surface

908

Tracks 1–8

911

Tracks 9–16

911

Working with Fader Banks

912

Clip Overlays

918

Change in audio

918

Audio level overlay

918

The keyframe appears as

919

Enter a new value

923

Adjust Line Segment

924

Panning Audio in the Timeline

925

Tools for Adjusting Keyframes

928

Working with Keyframes

930

Pen tool

931

Keyframe being moved

933

Release the mouse

933

With the Delete Point

934

Keyframes set

936

Lowered level

936

Adjust the slope of

937

When you’ve zoomed in

938

The problem samples

939

The overlay looks

939

Using the Voice Over Tool

943

20-second point

947

First frame of the ending

947

The newly recorded

954

Recording a Voiceover

955

Recording Multiple Takes

957

Placed in Timeline

958

Out pointIn point5-second

958

2-second

958

Using Audio Filters

959

Overview of Audio Filters

960

Equalization Filters

962

Gain Filter

964

Compressor/Limiter Filter

965

Expander/Noise Gate Filter

966

Noise Reduction Filters

966

Hum Remover

967

Vocal DeEsser

967

Vocal DePopper

967

Echo filter settings

968

Reverberation filter

968

Drag a filter from

969

...to the Timeline

969

...then drag them to

970

Select several filters in

970

Click here to create

975

The Pen tool lets you

975

Trash can icon

977

In and Out points in the

979

Exporting Audio for Mixing in

983

Other Applications

983

Choose the Bars and

987

Tone generator that

987

This shows the sync

989

All other tracks

990

Make sure just the audio

990

Exporting Audio to AIFF Files

994

Exporting OMF Audio Files

995

Disabled tracks are

997

Exporting Audio for DVD

999

Tips for Better Audio

1001

Tips for Cutting Dialogue

1002

Tips for Cutting Music

1004

Instead of

1005

...do this

1005

Logic Pro

1007

Soundtrack Pro

1008

About Soundtrack Pro Scripts

1011

About Conforming Manually

1017

Using Soundtrack Pro Conform

1017

Using Video Filters

1021

Applying a Filter to a Clip

1022

List of video filters

1023

Different Blur filters

1023

Drag the filter from

1023

...to a clip in the Timeline

1023

Viewing a Filter’s Parameters

1026

Using Filter Controls

1030

Angle control

1032

Clip well

1034

Filters bar for

1034

Clip Keyframes control

1034

Move the selected filter

1035

Removing Filters from Clips

1036

Installing and Managing Video

1039

Installing Video Filters

1040

Installing FXScript Plug-ins

1041

Viewing Preferred Effects

1041

FxPlug Plug-in Restrictions

1044

Video Filters Available in

1047

Final Cut Pro

1047

Border Filters

1048

Channel Filters

1048

Color Correction Filters

1049

Distort Filters

1049

Image Control Filters

1050

Key Filters

1051

Matte Filters

1053

Perspective Filters

1055

Sharpen Filters

1055

Stylize Filters

1056

Video Filters

1057

FxPlug Plug-ins

1058

Changing Motion Parameters

1059

Distort attribute

1060

Basic Motion parameters

1060

Some parameters must

1061

Drop Shadow parameters

1061

Motion Blur parameters

1061

Controls in the Motion Tab

1062

–360 pixels +360 pixels

1066

–240 pixels

1066

+240 pixels

1066

Canvas center point

1066

Initial background layer

1069

Sequence In and

1069

Out points

1069

The two clips are now

1075

The fourth clip is now

1075

Both selected clips now

1080

The background clip

1080

Selected clip in

1081

Image+Wireframe mode

1081

Choose one of the

1081

Which View Should You Use?

1082

Zooming In to the Canvas

1083

Magnification levels

1084

Use the Distort tool to

1091

Adjusting Parameters for

1093

Keyframed Effects

1093

How Keyframing Works

1094

Two keyframes let you

1095

Timecode field

1098

Setting Keyframes

1099

Add Motion Keyframe

1101

Choose a motion

1101

As you drag, a box

1102

Drag the area up or

1103

Control-click a keyframe

1103

Moving Between Keyframes

1104

Zoom slider

1106

Thumb tabs on either

1106

Zoom In tool

1106

Zoom Out tool

1106

With a zoom tool selected

1107

Zoom control

1107

A box displays the opacity

1112

Create five keyframes

1112

Smoothing Keyframes

1115

What Are Motion Paths?

1117

Creating Motion Paths

1119

The pointer changes

1126

Drag the Resize pointer up

1131

Editor Resize column

1131

Reusing Effect and Motion

1133

Parameters

1133

Checkboxes are available

1136

Auto Select controls

1137

The Favorites bin holds

1138

It can be organized with

1138

Enter the new name for

1141

Changing Clip Speed

1143

(now 20 seconds long)

1144

Using the Speed Tool

1152

Motion bar (blue)

1160

Speed indicators

1160

At normal speed, the

1161

Slow speed Fast speed

1161

Reverse-speed indicators

1162

Last frame of clip

1163

First frame of clip

1163

Length of clip’s media file

1163

(in frames)

1163

Linear time

1165

Slow motion

1165

Fast-forward

1165

Reverse speed

1166

Acceleration

1166

Performing a Fit to Fill Edit

1167

Before edit

1168

After edit

1168

Still Images

1173

Creating a Freeze Frame

1174

Exporting Still Images

1175

Video Is Not 72 Dots per Inch

1177

Gray borders appear

1178

1 Refers to ITU-R BT.601

1180

Looks right

1181

Looks wrong

1181

Using Alpha Channels

1183

Enter a new duration in

1185

Enter a new duration here

1185

4000 x 3000

1186

720 x 480

1186

Still image

1186

Set the Scale parameter

1187

Starting position

1189

Add Motion

1189

Keyframe button

1189

Center parameter

1189

Ending keyframe

1190

Drag the velocity

1191

Compositing and Layering

1193

Methods of Compositing

1194

Opacity is used to blend

1195

Clip Overlays control

1196

The opacity overlay can

1196

Working with Composite Modes

1198

All composite modes

1200

Boxes clip Monkey clip

1201

Subtract

1202

Difference

1203

Multiply

1203

Hard Light

1205

Soft Light

1206

Travel Matte - Alpha

1208

Travel Matte - Luma

1208

An imported Photoshop

1210

Control-click in the Alpha

1215

Dark areas are

1216

White areas are solid

1216

Choosing a Background

1218

Clip item with

1221

Overlapping clip

1221

Keying, Mattes, and Masks

1223

A four-point matte outlining

1224

Using Proper Lighting

1227

Bright areas appear

1228

Shadows appear as small

1228

Three sliders at the bottom

1235

Before clicking with the

1236

The image is cropped

1240

Click the Point 1 point

1242

The finished matte image

1244

Click keyframe buttons

1244

Create keyframes for

1244

The clip now has a

1247

The clip’s image remains

1247

Using Generator Clips

1249

Matte Color and Slug

1250

FxPlug Generators

1255

Click the Controls tab to

1256

Using the SmoothCam Filter

1257

Applying the SmoothCam Filter

1258

About Motion Analysis States

1259

Number of clips in the

1260

Pause/Resume button

1260

Stop button

1260

Reanalyzing Clips

1262

Camera Motion

1263

Smoothness parameters

1263

Analysis status

1263

Scale parameters

1263

Remove the rapid

1266

Remove the person

1266

Using the Media Manager

1268

Creating Titles

1271

Installing and Choosing Fonts

1272

Working with Motion and Shake

1281

Unsupported Media and Effects

1288

Working with Master Templates

1289

Previewing Master Templates

1291

Modifying Master Templates

1295

Measuring and Setting Video

1299

Color Model

1300

Color Difference Channels

1301

Blacks, Midtones, and Whites

1302

Opening Video Scopes Tabs

1304

This dip in the waveform

1306

An image with high saturation

1307

An image with low saturation

1307

Red of clothing

1308

Blue of background

1308

Distribution of blues

1308

High blue levels

1311

This image contains

1312

The shortcut menu in

1312

Choosing Video Scope Accuracy

1314

Legal Broadcast Colors

1316

Turning on Range Checking

1317

Clamping and Clipping

1318

Using the RGB Limit Filter

1323

RGB Limit Filter Controls

1324

Working with Analog Video

1325

Analog Video Levels

1326

Waveform Monitor Vectorscope

1329

Choose Targets from the

1329

About Color Bars

1331

, green, and blue signals

1333

About Color Correction

1337

Example of a chip chart used

1339

Telecine Color Correction

1340

Tape-to-Tape Color Correction

1341

Color Correction Features

1345

To move the split screen

1350

The Color Corrector Filter

1353

Drag Filter

1354

Copy To 2nd Clip Forward

1354

Copy To 1st Clip Forward

1354

Copy From 1st Clip Back

1354

Copy From 2nd Clip Back

1354

This render bar indicates

1355

A render bar over the

1356

Previous clip

1357

Copy From

1357

1st Clip Back

1357

Current clip

1357

Next clip

1358

Color balance indicator

1359

Shift key

1359

Level sliders

1361

Auto Black Level button

1361

Saturation slider

1361

Auto White Level button

1361

Auto Contrast button

1361

Invert Selection button

1365

Select Color eyedropper

1365

Keyframe controls

1366

Enable/Disable checkbox

1366

Numeric button

1366

Blacks Reset button

1373

Blacks Auto-Balance

1373

Color balance controls

1373

RGB Balance Filter

1382

RBG Balance Filter Controls

1383

Color Correction Examples

1385

Click the eyedropper

1388

Click in a white area

1388

The color balance

1389

Click the Color Corrector

1391

3-way tab to view the

1391

Click the eyedropper in

1393

The Whites color balance

1394

Before After

1394

Adjust the Mids control

1396

AfterBefore

1396

Flesh Tone line

1397

Before adjusting

1398

After adjusting the

1398

Multiple Edits layout

1399

Move the playhead so it’s

1401

Split-screen mode

1401

The Multiple Edits

1402

Second clip

1402

First clip

1402

Controls

1404

Click a highlight

1405

Highlighted eyedropper

1406

Match Color indicator

1406

Click the Whites

1406

Auto-Balance

1406

Click a highlight in clip 2

1407

Color Against Grayscale

1408

Color Correction with Color

1415

Using RT Extreme

1417

What Are Dropped Frames?

1420

A tooltip tells you the

1421

Real-time effects appear

1421

Many of the same

1422

RT pop-up menu

1423

Settings in the

1424

Unlimited RT

1425

Play Base Layer Only

1426

Scrub High Quality

1428

Playback Video Quality

1428

Playback Frame Rate

1428

Multiclip Playback

1429

Pull-down Pattern

1429

Gamma Correction

1430

Record Settings

1430

Video Scopes Playback

1431

Controls in the QuickView Tab

1439

Playback in the QuickView Tab

1440

Settings

1443

Video Render Status Bars

1444

Audio Render Status Bars

1446

The Rendering Process

1447

Order of Effects Rendering

1448

Selecting Clips for Rendering

1448

Video and audio

1449

In and Out points for the

1450

Using the Mixdown Command

1453

This message appears

1455

Render Settings

1457

Color space and

1459

Maximum RGB white

1459

Motion filtering quality

1459

Compositing in Y′C

1460

Adjusting Gamma

1464

Choosing a Gamma Setting

1466

Managing Your Render Files

1468

Using the Render Manager

1469

Tips for Reducing Render Time

1471

Working with Mixed-Format

1473

Sequences

1473

Mixing Frame Rates

1479

Using the Shift Fields Filter

1481

Nesting Nonmatching Sequences

1482

Combining SD and HD Video

1483

Downconverting HD Video

1483

1080 to 480

1484

720 to 480

1484

Cropping 16:9 Video to 4:3

1485

Pan and Scan

1486

16:9 Anamorphic

1487

Upconverting SD Video

1488

480 anamorphic to 1080

1489

480 anamorphic to 720

1489

Media Management

1493

Reel Name Conventions

1496

Clip Name Conventions

1497

Media Filename Conventions

1497

Using the Autosave Feature

1499

Autosave files for

1500

Restoring Autosaved Projects

1501

Choose the project file

1502

Archiving Completed Projects

1503

Before Updating Projects

1504

Click here to update

1505

Media Files

1509

Types of Clips

1510

Clip Properties

1514

Media File Properties

1524

Working with Master Clips

1525

Identifying Master Clips

1526

Working with Affiliate Clips

1527

Creating Independent Clips

1528

Moving Clips Between Projects

1531

Offline and Online Editing

1535

Online Editing

1536

These are offline clips

1552

Making Clips Offline

1554

Click an option

1555

Select the files you want

1560

You can select which

1563

Overview of the Media Manager

1567

Move the pointer

1571

Specify additional

1572

Choose what you

1572

How Subclips Are Processed

1579

Media Manager Workflow

1583

A message appears

1585

Decide what you want to

1586

Select the sequence

1587

Computer

1592

Subclips

1593

Press Command-A or

1595

Archiving

1596

Diagnostic Tools for Clips

1599

Locate the file you

1601

Video track information

1602

Audio track information

1602

Timecode track

1602

File information

1602

A long frame marker

1604

Importing and Exporting EDLs

1605

Learning to Read an EDL

1606

Elements of an EDL

1606

Exporting EDLs

1610

Reviewing an EDL

1616

Importing EDLs

1617

Problems Importing EDL Files

1618

Maintaining Accurate Timecode

1620

6 charactersSony 9100

1621

Join Through Edits

1624

Avoid Nested Sequences

1625

Using Final Cut Pro XML and

1629

QuickTime Metadata

1629

About XML

1630

Attributes of XML Elements

1631

Whitespace

1632

Document Type Definitions

1632

Remote Previewing with iChat

1639

Using iChat Theater Preview

1643

Working with Film and

1645

Cinema Tools

1645

About the Telecine Process

1646

Exporting a Film Cut List

1647

Standard Reverse Telecine

1652

Removing Advanced Pull-Down

1652

About Film Lists

1659

About Change Lists

1659

About Audio EDLs

1659

Exporting a Film List

1660

Exporting a Change List

1662

Exporting an Audio EDL

1664

Preparing to Output to Tape

1667

Output Requirements

1668

Make sure the external

1671

Stage 7: Cueing the Videotape

1674

Edit to Tape

1677

About Insert Editing to Tape

1678

About Tracks on Videotape

1679

About the Edit to Tape Window

1680

Video Tab

1681

PlayStop

1684

Fast Forward

1684

Play In to Out

1684

Play Around Current

1684

Mastering Settings Tab

1685

Using the Edit to Tape Window

1688

The preview option is

1689

DV equipment

1689

Choose a mode from this

1689

Audio Insert

1695

Printing to Video

1700

Recording from the Timeline

1702

Move the playhead

1703

Outputting to VHS Tape

1704

Learning About QuickTime

1707

Codecs Supported in QuickTime

1709

Movie File Formats

1711

Audio File Formats

1714

Using Share

1717

1718 Chapter 104 Using Share

1718

About the Share Window

1719

Post-Transcoding Actions

1720

1721Chapter 104 Using Share

1721

1722 Chapter 104 Using Share

1722

1723Chapter 104 Using Share

1723

1724 Chapter 104 Using Share

1724

1725Chapter 104 Using Share

1725

1726 Chapter 104 Using Share

1726

1727Chapter 104 Using Share

1727

1728 Chapter 104 Using Share

1728

1729Chapter 104 Using Share

1729

Types of Group Selections

1730

1731Chapter 104 Using Share

1731

1732 Chapter 104 Using Share

1732

Creating Multiple Outputs

1733

Using Share with Compressor

1734

Sending Outputs to Compressor

1735

1736 Chapter 104 Using Share

1736

1737Chapter 104 Using Share

1737

1738 Chapter 104 Using Share

1738

1739Chapter 104 Using Share

1739

1740 Chapter 104 Using Share

1740

1741Chapter 104 Using Share

1741

1742 Chapter 104 Using Share

1742

1743Chapter 104 Using Share

1743

1744 Chapter 104 Using Share

1744

1745Chapter 104 Using Share

1745

1746 Chapter 104 Using Share

1746

1747Chapter 104 Using Share

1747

1748 Chapter 104 Using Share

1748

1749Chapter 104 Using Share

1749

1750 Chapter 104 Using Share

1750

1751Chapter 104 Using Share

1751

1752 Chapter 104 Using Share

1752

Exporting QuickTime Movies

1753

Reference movie

1754

Original media files

1754

A dialog shows you the

1757

Exporting Using QuickTime

1761

Conversion

1761

About Color Space Conversion

1763

Key frame

1767

Delta frames

1767

Select a filter in this list

1769

Click a disclosure triangle

1769

Adjust settings for the

1769

16:9 within

1772

320 x 180 (16:9)

1772

Internet Streaming Settings

1774

Classic Aperture Mode

1776

Clean Aperture Mode

1776

Production Aperture Mode

1777

Exporting a DV Stream

1778

Exporting an AVI File

1779

Exporting Sequences for DVD

1783

Video for Standard DVDs

1784

HD DVD Editing Formats

1785

Audio for DVD

1787

About Surround Sound Audio

1788

More About Chapter Markers

1789

Using iDVD

1791

Using DVD Studio Pro

1791

DVD Studio Pro

1792

Using Compressor with

1793

Previewing Video Output

1794

Compressor Droplets

1794

Move the playhead to

1800

Choose a setting from

1800

Exporting Image Sequences

1801

A file is saved for each

1803

Batch Exporting Clips and

1805

If you want, enter a

1807

Select the bin that

1808

Then click Settings

1808

Choose a format here

1809

Doing a Batch Export

1812

Redoing Batch Exports

1814

Changing User Preferences

1817

General Tab

1819

About Audio Playback Quality

1819

Editing Tab

1823

These ten frames are used

1824

Five additional frames

1825

...and here

1825

Ten duplicate frames

1825

Labels Tab

1828

Timeline Options Tab

1828

Changing System Settings

1829

Scratch Disks Tab

1830

Search Folders Tab

1831

Memory & Cache Tab

1832

Playback Control Tab

1834

External Editors Tab

1834

Effect Handling Tab

1835

Audio/Video Settings and Easy

1837

Choosing Easy Setups

1839

Changing Audio/Video Presets

1841

Viewing Settings in a Preset

1842

Creating a New Preset

1843

Editing a Preset

1845

Deleting Presets

1845

Creating an Easy Setup

1846

Capture Settings and Presets

1851

Click Compression

1854

Specify the settings

1854

Device Control Settings and

1859

Using FireWire Device Control

1864

Using Serial Device Control

1865

Sequence Settings and Presets

1871

General tab

1872

General Tab for Sequences

1873

Render Control Tab

1878

Audio Outputs Tab

1879

Audio Outputs tab

1880

Changing Sequence Settings

1881

Solving Problems

1883

Problems During Playback

1884

Problems with Audio Quality

1888

Contacting AppleCare Support

1889

Video Formats

1891

1892 Appendix B Video Formats

1892

Storage Medium

1893

Video Standards

1894

Types of Video Signals

1895

1896 Appendix B Video Formats

1896

Letterboxing

1898

Anamorphic

1899

Pillarboxing

1899

Number of Lines

1899

Pixels per Line

1900

Pixel Aspect Ratio

1901

Frame Rate

1902

Scanning Method

1902

About Interlaced Scanning

1903

About Progressive Scanning

1903

Color Recording Method

1904

Color Sample Ratio

1905

Bit Depth

1906

Video Compression

1907

Lossless Codecs

1908

Lossy Codecs

1909

About Uncompressed Video

1909

About MPEG Compression

1909

1910 Appendix B Video Formats

1910

1911Appendix B Video Formats

1911

1912 Appendix B Video Formats

1912

1913Appendix B Video Formats

1913

MPEG-4 Part 10, or H.264

1914

DV Formats

1914

24p Video

1915

High Definition Video Formats

1915

Data Rate Comparisons

1916

Frame Rate and Timecode

1919

One second

1920

Choosing a Frame Rate

1922

01:32:15:28

1924

Timecode on Tape

1927

1799 and 1800

1928

Working with 24p Video

1931

24 Versus 23.98 fps

1932

Standard 3:2 Pull-Down

1932

A A B B B C C D D D

1934

A A B B C C D D

1934

2:3:3:2 Advanced Pull-Down

1936

A A B B C D D

1937

A A B B B C C C D D

1937

2:2:2:4 Pull-Down

1938

A B B C C DCC CCB

1940

24 @ 25 Pull-Down

1941

Working with 24p NTSC Video

1942

Pull-Down

1943

Stage 3: Editing at 23.98 fps

1944

Working with Anamorphic 16:9

1945

Recording Anamorphic Video

1946

Capturing Anamorphic Media

1947

Select this checkbox

1950

Anamorphic option

1950

Glossary

1955

1956 Glossary

1956

1957Glossary

1957

1958 Glossary

1958

1959Glossary

1959

1960 Glossary

1960

1961Glossary

1961

1962 Glossary

1962

1963Glossary

1963

1964 Glossary

1964

1965Glossary

1965

1966 Glossary

1966

1967Glossary

1967

1968 Glossary

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1969Glossary

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1970 Glossary

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1971Glossary

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1972 Glossary

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1973Glossary

1973

1974 Glossary

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1975Glossary

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1976 Glossary

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1977Glossary

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1978 Glossary

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1979Glossary

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1980 Glossary

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1981Glossary

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1982 Glossary

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1983Glossary

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