Apple Final Cut Pro 7 User Manual download pdf (Page 68)

To select a group of adjacent clips

Do one of the following:

Select an item, press and hold down the Shift key, then click the last item.

The first and last items

are selected, along with

all items in between.

Drag over multiple clips.

Drag across multiple

items to select them.

68 Chapter 5 Browser Basics

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Final Cut Pro 7 1
Contents 3
4 Contents 4
5Contents 5
6 Contents 6
7Contents 7
8 Contents 8
9Contents 9
10 Contents 10
11Contents 11
12 Contents 12
13Contents 13
14 Contents 14
15Contents 15
16 Contents 16
17Contents 17
18 Contents 18
19Contents 19
20 Contents 20
21Contents 21
22 Contents 22
23Contents 23
24 Contents 24
25Contents 25
Welcome to Final Cut Pro 27
Additional Resources 28
About the Post-Production 29
Workflow 29
The Post-Production Workflow 30
Video Formats and Timecode 35
Video Format Basics 37
How Drop Frame Timecode Works 40
What Are Clips? 42
What Are Sequences? 43
What Are Projects? 43
What Are Bins? 44
Creating and Saving Projects 46
Opening and Closing Projects 47
To switch between 48
Filenaming Considerations 50
Using Filename Extensions 51
Using Multiple Hard Disks 52
Overview of the Final Cut Pro 53
Interface 53
Using Keyboard Shortcuts 55
Using Button Bars 56
Using Shortcut Menus 56
Moving and Resizing Windows 58
The Effects tab is 60
Browser and appears 60
Moving Windows 61
Undoing and Redoing Changes 62
Current Timecode field 63
Browser Basics 65
Learning About the Browser 66
Working in the Browser 67
Drag over multiple clips 68
69Chapter 5 Browser Basics 69
70 Chapter 5 Browser Basics 70
Using Columns in the Browser 71
72 Chapter 5 Browser Basics 72
Choosing Views in the Browser 73
74 Chapter 5 Browser Basics 74
To display a hidden column 75
76 Chapter 5 Browser Basics 76
77Chapter 5 Browser Basics 77
78 Chapter 5 Browser Basics 78
79Chapter 5 Browser Basics 79
80 Chapter 5 Browser Basics 80
Setting the Poster Frame 81
82 Chapter 5 Browser Basics 82
83Chapter 5 Browser Basics 83
Viewer Basics 85
86 Chapter 6 Viewer Basics 86
87Chapter 6 Viewer Basics 87
88 Chapter 6 Viewer Basics 88
89Chapter 6 Viewer Basics 89
Tabs in the Viewer 90
Filters Tab 91
Motion Tab 91
Controls Tab 92
93Chapter 6 Viewer Basics 93
Jog Control in the Viewer 94
Shuttle Control in the Viewer 94
95Chapter 6 Viewer Basics 95
96 Chapter 6 Viewer Basics 96
97Chapter 6 Viewer Basics 97
98 Chapter 6 Viewer Basics 98
Playhead Sync Pop-Up Menu 99
100 Chapter 6 Viewer Basics 100
Recent Clips Pop-Up Menu 101
Generator Pop-Up Menu 101
Canvas Basics 103
104 Chapter 7 Canvas Basics 104
Learning About the Canvas 105
106 Chapter 7 Canvas Basics 106
107Chapter 7 Canvas Basics 107
Edit Overlay 108
Edit Buttons in the Canvas 108
109Chapter 7 Canvas Basics 109
110 Chapter 7 Canvas Basics 110
Jog Control in the Canvas 111
Shuttle Control in the Canvas 111
112 Chapter 7 Canvas Basics 112
113Chapter 7 Canvas Basics 113
Playing Clips and Sequences 115
To move around, drag 118
To move precisely 120
Looping Playback 121
Dragging Timecode Values 123
Timeline Basics 127
128 Chapter 9 Timeline Basics 128
129Chapter 9 Timeline Basics 129
Learning About the Timeline 130
Editing Controls 131
Vertical Multitrack Controls 132
133Chapter 9 Timeline Basics 133
Horizontal Time Controls 134
135Chapter 9 Timeline Basics 135
Timeline Display Controls 136
Audio Controls 137
Other Miscellaneous Controls 138
139Chapter 9 Timeline Basics 139
140 Chapter 9 Timeline Basics 140
141Chapter 9 Timeline Basics 141
142 Chapter 9 Timeline Basics 142
143Chapter 9 Timeline Basics 143
144 Chapter 9 Timeline Basics 144
145Chapter 9 Timeline Basics 145
146 Chapter 9 Timeline Basics 146
147Chapter 9 Timeline Basics 147
148 Chapter 9 Timeline Basics 148
Navigating in the Timeline 149
150 Chapter 9 Timeline Basics 150
151Chapter 9 Timeline Basics 151
152 Chapter 9 Timeline Basics 152
153Chapter 9 Timeline Basics 153
154 Chapter 9 Timeline Basics 154
155Chapter 9 Timeline Basics 155
156 Chapter 9 Timeline Basics 156
Customizing the Interface 157
Default Two Up layout 158
Layout after making the 158
Browser and Timeline 158
Using Window Layouts 159
Customizing Window Layouts 160
Assigning Keyboard Shortcuts 165
Removing Shortcut Buttons 173
Connecting DV Video Equipment 177
Connecting Your Camcorder 179
Choosing an Easy Setup 180
Specifying Scratch Disks 181
Your DV Device 184
About FireWire 185
Audio Equipment 187
Video and Audio Interfaces 189
Scratch Disks 190
Video Interfaces 191
Video Signals and Connectors 193
SCART connector 195
FireWire 400 (4-pin) 195
FireWire 400 (6-pin) 195
FireWire 800 (9-pin) 195
BNC connector 196
VGA connector 196
DVI connector 197
HDMI connector 197
Audio Interfaces 202
TOSLINK optical 203
Audio or video device 203
USB Audio Interfaces 204
FireWire for Digital Audio 205
Mono miniplug connector 207
Stereo miniplug connector 207
RCA connector 207
XLR connector 208
About Analog Audio Levels 209
Combined signals 212
(noise eliminated) 212
Video Device 216
Device status 217
Determining Your Hard Disk 219
Storage Options 219
Know Your Shooting Ratio 221
Choosing a Hard Disk 223
Types of Hard Disk Drives 224
FireWire Disk Drives 225
SCSI Disk Drives 226
Using a RAID or Disk Array 227
Storage Area Networks 228
External Video Monitoring 231
About the A/V Devices Tab 235
The Importance of Logging 248
Benefits of Logging 249
Preparing to Log 249
Choosing Reel Names 250
About Capturing Footage 253
About the Log and Capture 255
Log and capture buttons 256
Preview area 256
Logging 256
Clip Settings, and 256
Capture Settings tabs 256
Logging Bin Controls 260
Logging from Tape 263
Inserting a Tape in the VTR 266
The slate icon appears 268
Enter the Out point 270
Enter the In point 270
Changing Capture Settings 276
Logging a Clip 277
Logging Media Efficiently 278
Capturing Video from Tape 279
Capturing Entire Tapes 280
A marker appears in front 284
Markers for a clip 284
Batch Capturing Clips 285
Before You Batch Capture 286
Working with Batch Lists 293
Creating a Batch List 294
01:20:00;15 295
Importing a Batch List 296
Clips from the batch list 297
Capturing Audio from Tape 299
Dual Mono Versus Stereo Audio 304
VU meter 307
About Audio Peaks 308
Choose the appropriate 309
Make sure you choose 309
Advanced Topics in Capturing 313
Tape-Based Media 313
If you aren’t using 314
Recapturing Clips 315
Recapturing Subclips 316
Recapturing Merged Clips 316
Overview of Transferring 323
File-Based Media 323
Logging area 324
Transfer Queue area 324
File-Based Media Terminology 325
About the Log and Transfer 329
Increment button 337
Autofill pop-up menu 337
Logging fields 337
One mono channel 338
Two audio channels 338
Logging File-Based Media 341
Entering Logging Information 343
Applying Valid Filenames 345
Transferring File-Based Media 349
Mounting Media Devices 351
Choosing a Destination Codec 353
Selecting Clips 354
Previewing Clips 355
Naming Clips During Transfer 357
Incrementing Logging Fields 357
Using Automatic Transfer 360
Retransferring Clip Media 364
Archiving to a Folder 368
Archiving to a Disk Image 368
Importing Media Files 372
2 Do one of the following: 373
About Importing Video Files 375
About MXF-Based Formats 376
Importing from a Sony VDU 376
About Importing Audio Files 377
Choosing Sequence Bit Depth 379
Choose a save option 385
Choose a place to save 385
If you wish, enter a name 385
Drag the clips 386
Bins help you organize 389
Creating New Bins 390
Opening Bins in the Browser 391
Double-click the bin 392
Do one of the following: 392
Drag the bin’s tab above 393
The bin now has its own 393
Moving Items Between Bins 394
You can also move 395
About Label Names and Colors 396
These are the various 397
Changing Names of Labels 398
Sorting Clips by Labels 399
About Search Options 401
A list of unused clips is 405
Results window 405
Control-click in a 406
Then click here 407
Select items you want 407
Creating Subclips 409
Numbered subclips are 410
A new subclip appears 411
In and Out points you set 411
Removing Subclip Limits 412
Turning Markers into Subclips 413
All of the material 414
Creating Subclips Manually 415
Editing with Subclips 416
Video and Audio 419
Duration of Merged Clips 422
Merged clip 423
Working with Projects 428
About Offline Clips 433
Sequences as Clips 434
Control-click a column 435
Enter the new 435
Enter a new name 438
Opening and Closing Sequences 439
Duplicating a Sequence 440
Nesting a Sequence 442
Creating a Rough Edit 445
Video clip item 446
Audio clip items 446
An underline indicates 446
Undoing and Redoing Actions 448
(3) Clip In point 450
(4) Clip Out point 450
(inferred) 450
(1 and 2) Sequence 450
In and Out points 450
1 2 3 4 5 452
Arrange the clips in 452
Using Markers 453
What Can You Do with Markers? 454
455Chapter 32 Using Markers 455
Types of Markers 456
Marker Colors and Labels 456
457Chapter 32 Using Markers 457
458 Chapter 32 Using Markers 458
459Chapter 32 Using Markers 459
Quickly Adding Markers 460
461Chapter 32 Using Markers 461
462 Chapter 32 Using Markers 462
463Chapter 32 Using Markers 463
464 Chapter 32 Using Markers 464
Navigating with Markers 465
Modifying Markers 466
Moving Markers 467
468 Chapter 32 Using Markers 468
469Chapter 32 Using Markers 469
470 Chapter 32 Using Markers 470
Extending a Marker’s Duration 471
472 Chapter 32 Using Markers 472
473Chapter 32 Using Markers 473
In point 476
The Out point includes 476
The Out point ends at 478
Clip Out point overlay 478
Sequence Out point 478
Mark Out button (O) 479
Mark In button (I) 479
Mark Clip button 480
Reviewing Your Edit Points 481
The new clip begins at 484
Out point 485
The new clip ends at the 485
Out point that you set 485
Mark In button 487
Mark Out button 487
Move the playhead over 488
Auto Select is enabled 488
In and Out points are set 489
Select the desired clips 490
In and Out points are 490
Timecode Duration field 492
In the Browser, enter 492
Hold down the Shift 493
In point or Out point 493
Slip tool 493
Working with Tracks in the 495
Timeline 495
Deleting Tracks 498
Setting Destination Tracks 499
V1, A1, and A2 500
Disconnected Source 503
Connected Source 503
Resizing Timeline Tracks 507
Drag a boundary 508
Timeline patch panel 508
Saving Track Layouts 509
Drag the center slider to 511
To eliminate audio tracks 511
Drag-to-Timeline Editing 513
Drag to select the 514
Overwrite edit area 515
(lower two-thirds) 515
Insert edit area 515
(upper third) 515
Drag hand 515
Drag a clip to the lower 517
Dragging a clip to the 518
Three-Point Editing 521
Performing an Insert Edit 525
Insert section of the Edit 526
Overlay in the Canvas 526
Insert button 526
Insert with 528
Transition button 528
Insert with Transition 528
Performing an Overwrite Edit 529
Overwrite button 530
Overwrite section of 530
Overwrite with 532
Overwrite with Transition 532
Performing a Replace Edit 533
Replace button 535
Replace section of 535
The video track should 536
In and Out points define the 538
Superimposing Clips 539
Before a superimpose edit 541
After a superimpose edit 541
Three-Point Editing Examples 542
Move the playhead to the 543
The new clip starts where 543
Move the playhead into 544
The new clip fills the gap 545
Sequence 546
The selected clip 549
The highlight indicates 550
Auto Select is turned on 550
A cyan border indicates 554
Drag to select clips 554
Noncontiguous selection 555
Range Selection tool 556
Drag with the Range 556
Selection tool to select 556
Enter text or a timecode 560
Choose additional 560
Auto Select is enabled for 562
Before deleting 562
After deleting; only 563
Auto Select control 563
Option-click the control 564
Moving by Dragging 566
Moving Clips Numerically 567
The number of 568
Clip items to be moved 568
Clip Collision message 568
Performing Shuffle Edits 569
Finding and Closing Gaps 578
Track gap 579
In and Out points set 581
Keyboard ShortcutLabelColor 582
Command-Option-6B-RollGreen 582
Cutting Clips and Adjusting 583
Durations 583
The Razor Blade tool lets 584
The Razor Blade All tool 585
Linking and Editing Video and 589
Audio in Sync 589
Audio moved away 591
Audio moved back 591
Names of linked clip 596
Moving a Clip into Sync 598
Before syncing 601
After syncing 601
Marking a Clip as In Sync 602
not the 603
Split Edits 607
608 Chapter 41 Split Edits 608
609Chapter 41 Split Edits 609
610 Chapter 41 Split Edits 610
611Chapter 41 Split Edits 611
612 Chapter 41 Split Edits 612
Split Edit Examples 613
614 Chapter 41 Split Edits 614
615Chapter 41 Split Edits 615
616 Chapter 41 Split Edits 616
Working with Multiclips 617
About Multiclips 618
Multiclip Workflow 619
Creating a Multiclip 625
Creating Multiclip Sequences 626
Offset value 628
Creating a Multiclip Sequence 630
Timecode offset 633
Minimum Overlap Is 100% 635
4-up view 9-up view 637
View pop-up menu 637
Viewing Multiclip Overlays 639
Drag a clip to an angle 641
New Angle 641
Angle Affiliates 642
Switching Angles 647
Cutting Between Angles 648
Cut Video to Angle 649
1–4 buttons 649
Angle with effects 655
Switching Angles with Effects 656
Audio Editing Basics 661
Waveforms for a stereo 663
Waveform display area 666
Level overlay line 666
Pan overlay line 666
Reset button 667
Editing Audio in the Viewer 668
Mono (a1) and (a2) tabs 669
Stereo audio tab 670
Audio track A1 670
Audio track A2 670
Zoom control Zoom slider 671
Use the drag hand to 673
Audio selected 674
Linked Selection button 674
The audio opens in 675
New Out point set 675
Editing Audio in the Timeline 676
Naming Audio Tracks 679
A wide playhead bar in 684
The long pause in your 685
Paste the pause section 686
Roll Edits 691
Sliding Clips in the Timeline 692
You slide items using 693
The clip moves to a new 693
This clip is longer 694
This clip’s duration 694
This clip is shorter 694
The timecode entry field 695
You slip items using 695
These clips move left 704
This clip shortens 704
Tips for Using the Roll Tool 710
Edit being rolled 711
After the roll edit, the 711
Learning About Trimming Clips 715
Click here to turn linked 717
Click here to turn 717
Selecting Single Edit Points 719
Multiple edit points 720
Trimming Clips in the Viewer 724
Moving Clips Using Timecode 727
Media Limit message 729
Outgoing clip 732
Incoming clip 732
Green bar 732
Go to Previous Edit 735
Go to Next Edit 735
Play Around Edit Loop 735
Next FramePrevious Frame 736
Dynamic Trimming 737
Using the Trim Edit Window 739
Adding Transitions 747
Common Types of Transitions 748
Having Handles at Edit Points 749
A transition starting 750
A transition centered 750
A transition ending 751
Select an edit point 752
The added transition 753
Deleting Transitions 758
Enter a new 760
Replacing Transitions 761
Deleting Favorite Transitions 763
3D Simulation 765
Dissolve 765
Page Peel 766
QuickTime 766
Using Alpha Transitions 769
parameter allows you 771
, you can time the 774
Transition Editor 777
Tab with the name 778
Effects (specific 778
Alignment buttons 779
Recent Clips 779
Reverse Transition button 783
Rendering Transitions 790
Sequence-to-Sequence Editing 791
4 Do one of the following: 793
Nesting Sequences 795
When Do You Nest Sequences? 796
This nested sequence 799
Nested sequence B 800
Adding clips to sequence B 800
Nesting It 801
Using the Command key 802
A highlighted area shows 804
Matching Frames and Playhead 805
Synchronization 805
Sprocket holes 806
The current frame in the 809
Viewer matches the 809
Playhead 811
Playhead Sync pop-up 812
The Out point is the 813
Working with Timecode 815
Frame Rate Versus Timecode 816
Clip Time Versus Source Time 819
Timecode Overlays 821
Timecode Viewer 821
The Modify Timecode 824
Modifying Sequence Timecode 825
Working with 60 fps Timecode 827
Audio Fundamentals 829
Fundamentals of a Sound Wave 830
Frequency Spectrum of Sounds 831
Measuring Sound Intensity 833
What Is a Decibel? 834
Decibel Units 834
Signal-to-Noise Ratio 835
Headroom and Distortion 835
Dynamic Range and Compression 836
Stereo Audio 837
Identifying Stereo Recordings 838
Digital Audio 839
Sine Square 841
2-bit1-bit 841
16-bit4-bit 841
Assigning Output Channels and 843
External Audio Monitors 843
Audio Tracks 844
Hardware Outputs 845
Configuring Audio Outputs 847
Choose an audio output 851
Audio Output Export Settings 853
Config Pop-Up Menu 854
All output channels are 856
Downmix button 856
Downmixing During Export 857
Evaluating Levels with Audio 865
Analog Versus Digital Meters 866
Yellow peak level 868
Red clipping 869
Setting Proper Audio Levels 870
Setting Levels for Capture 871
Detecting Audio Peaks 871
20 dBTheatrical Dolby Digital 875
12 dBAverage videotape 875
6 dBTelevision broadcast 875
Labeling Your Tapes 876
Overview of the Audio Mixer 877
Track Visibility Area 878
Output Channel 879
Track Strips Area 880
Master Area 882
View Buttons 884
Record Audio Keyframes Option 884
Using Audio Mixer Views 885
These tracks are hidden 887
Using the Audio Mixer 889
Mute button in the 890
Audio Mixer 890
Mute button 891
Audio Controls button 891
Solo button in 892
Solo button 892
Changes made to faders 893
...affect only the audio 893
Changing a Clip’s Pan 898
Place the pointer over 902
Modifying Recorded Keyframes 905
Select one or both 907
What Is MIDI? 908
Installing a MIDI Interface 908
Choosing a Control Surface 908
Connecting a Control Surface 908
Tracks 1–8 911
Tracks 9–16 911
Working with Fader Banks 912
Clip Overlays 918
Change in audio 918
Audio level overlay 918
The keyframe appears as 919
Enter a new value 923
Adjust Line Segment 924
Panning Audio in the Timeline 925
Tools for Adjusting Keyframes 928
Working with Keyframes 930
Pen tool 931
Keyframe being moved 933
Release the mouse 933
With the Delete Point 934
Keyframes set 936
Lowered level 936
Adjust the slope of 937
When you’ve zoomed in 938
The problem samples 939
The overlay looks 939
Using the Voice Over Tool 943
20-second point 947
First frame of the ending 947
The newly recorded 954
Recording a Voiceover 955
Recording Multiple Takes 957
Placed in Timeline 958
Out pointIn point5-second 958
2-second 958
Using Audio Filters 959
Overview of Audio Filters 960
Equalization Filters 962
Gain Filter 964
Compressor/Limiter Filter 965
Expander/Noise Gate Filter 966
Noise Reduction Filters 966
Hum Remover 967
Vocal DeEsser 967
Vocal DePopper 967
Echo filter settings 968
Reverberation filter 968
Drag a filter from 969
...to the Timeline 969
...then drag them to 970
Select several filters in 970
Click here to create 975
The Pen tool lets you 975
Trash can icon 977
In and Out points in the 979
Exporting Audio for Mixing in 983
Other Applications 983
Choose the Bars and 987
Tone generator that 987
This shows the sync 989
All other tracks 990
Make sure just the audio 990
Exporting Audio to AIFF Files 994
Exporting OMF Audio Files 995
Disabled tracks are 997
Exporting Audio for DVD 999
Tips for Better Audio 1001
Tips for Cutting Dialogue 1002
Tips for Cutting Music 1004
Instead of 1005
...do this 1005
Logic Pro 1007
Soundtrack Pro 1008
About Soundtrack Pro Scripts 1011
About Conforming Manually 1017
Using Soundtrack Pro Conform 1017
Using Video Filters 1021
Applying a Filter to a Clip 1022
List of video filters 1023
Different Blur filters 1023
Drag the filter from 1023
...to a clip in the Timeline 1023
Viewing a Filter’s Parameters 1026
Using Filter Controls 1030
Angle control 1032
Clip well 1034
Filters bar for 1034
Clip Keyframes control 1034
Move the selected filter 1035
Removing Filters from Clips 1036
Installing and Managing Video 1039
Installing Video Filters 1040
Installing FXScript Plug-ins 1041
Viewing Preferred Effects 1041
FxPlug Plug-in Restrictions 1044
Video Filters Available in 1047
Final Cut Pro 1047
Border Filters 1048
Channel Filters 1048
Color Correction Filters 1049
Distort Filters 1049
Image Control Filters 1050
Key Filters 1051
Matte Filters 1053
Perspective Filters 1055
Sharpen Filters 1055
Stylize Filters 1056
Video Filters 1057
FxPlug Plug-ins 1058
Changing Motion Parameters 1059
Distort attribute 1060
Basic Motion parameters 1060
Some parameters must 1061
Drop Shadow parameters 1061
Motion Blur parameters 1061
Controls in the Motion Tab 1062
–360 pixels +360 pixels 1066
–240 pixels 1066
+240 pixels 1066
Canvas center point 1066
Initial background layer 1069
Sequence In and 1069
Out points 1069
The two clips are now 1075
The fourth clip is now 1075
Both selected clips now 1080
The background clip 1080
Selected clip in 1081
Image+Wireframe mode 1081
Choose one of the 1081
Which View Should You Use? 1082
Zooming In to the Canvas 1083
Magnification levels 1084
Use the Distort tool to 1091
Adjusting Parameters for 1093
Keyframed Effects 1093
How Keyframing Works 1094
Two keyframes let you 1095
Timecode field 1098
Setting Keyframes 1099
Add Motion Keyframe 1101
Choose a motion 1101
As you drag, a box 1102
Drag the area up or 1103
Control-click a keyframe 1103
Moving Between Keyframes 1104
Zoom slider 1106
Thumb tabs on either 1106
Zoom In tool 1106
Zoom Out tool 1106
With a zoom tool selected 1107
Zoom control 1107
A box displays the opacity 1112
Create five keyframes 1112
Smoothing Keyframes 1115
What Are Motion Paths? 1117
Creating Motion Paths 1119
The pointer changes 1126
Drag the Resize pointer up 1131
Editor Resize column 1131
Reusing Effect and Motion 1133
Parameters 1133
Checkboxes are available 1136
Auto Select controls 1137
The Favorites bin holds 1138
It can be organized with 1138
Enter the new name for 1141
Changing Clip Speed 1143
(now 20 seconds long) 1144
Using the Speed Tool 1152
Motion bar (blue) 1160
Speed indicators 1160
At normal speed, the 1161
Slow speed Fast speed 1161
Reverse-speed indicators 1162
Last frame of clip 1163
First frame of clip 1163
Length of clip’s media file 1163
(in frames) 1163
Linear time 1165
Slow motion 1165
Fast-forward 1165
Reverse speed 1166
Acceleration 1166
Performing a Fit to Fill Edit 1167
Before edit 1168
After edit 1168
Still Images 1173
Creating a Freeze Frame 1174
Exporting Still Images 1175
Video Is Not 72 Dots per Inch 1177
Gray borders appear 1178
1 Refers to ITU-R BT.601 1180
Looks right 1181
Looks wrong 1181
Using Alpha Channels 1183
Enter a new duration in 1185
Enter a new duration here 1185
4000 x 3000 1186
720 x 480 1186
Still image 1186
Set the Scale parameter 1187
Starting position 1189
Add Motion 1189
Keyframe button 1189
Center parameter 1189
Ending keyframe 1190
Drag the velocity 1191
Compositing and Layering 1193
Methods of Compositing 1194
Opacity is used to blend 1195
Clip Overlays control 1196
The opacity overlay can 1196
Working with Composite Modes 1198
All composite modes 1200
Boxes clip Monkey clip 1201
Subtract 1202
Difference 1203
Multiply 1203
Hard Light 1205
Soft Light 1206
Travel Matte - Alpha 1208
Travel Matte - Luma 1208
An imported Photoshop 1210
Control-click in the Alpha 1215
Dark areas are 1216
White areas are solid 1216
Choosing a Background 1218
Clip item with 1221
Overlapping clip 1221
Keying, Mattes, and Masks 1223
A four-point matte outlining 1224
Using Proper Lighting 1227
Bright areas appear 1228
Shadows appear as small 1228
Three sliders at the bottom 1235
Before clicking with the 1236
The image is cropped 1240
Click the Point 1 point 1242
The finished matte image 1244
Click keyframe buttons 1244
Create keyframes for 1244
The clip now has a 1247
The clip’s image remains 1247
Using Generator Clips 1249
Matte Color and Slug 1250
FxPlug Generators 1255
Click the Controls tab to 1256
Using the SmoothCam Filter 1257
Applying the SmoothCam Filter 1258
About Motion Analysis States 1259
Number of clips in the 1260
Pause/Resume button 1260
Stop button 1260
Reanalyzing Clips 1262
Camera Motion 1263
Smoothness parameters 1263
Analysis status 1263
Scale parameters 1263
Remove the rapid 1266
Remove the person 1266
Using the Media Manager 1268
Creating Titles 1271
Installing and Choosing Fonts 1272
Working with Motion and Shake 1281
Unsupported Media and Effects 1288
Working with Master Templates 1289
Previewing Master Templates 1291
Modifying Master Templates 1295
Measuring and Setting Video 1299
Color Model 1300
Color Difference Channels 1301
Blacks, Midtones, and Whites 1302
Opening Video Scopes Tabs 1304
This dip in the waveform 1306
An image with high saturation 1307
An image with low saturation 1307
Red of clothing 1308
Blue of background 1308
Distribution of blues 1308
High blue levels 1311
This image contains 1312
The shortcut menu in 1312
Choosing Video Scope Accuracy 1314
Legal Broadcast Colors 1316
Turning on Range Checking 1317
Clamping and Clipping 1318
Using the RGB Limit Filter 1323
RGB Limit Filter Controls 1324
Working with Analog Video 1325
Analog Video Levels 1326
Waveform Monitor Vectorscope 1329
Choose Targets from the 1329
About Color Bars 1331
, green, and blue signals 1333
About Color Correction 1337
Example of a chip chart used 1339
Telecine Color Correction 1340
Tape-to-Tape Color Correction 1341
Color Correction Features 1345
To move the split screen 1350
The Color Corrector Filter 1353
Drag Filter 1354
Copy To 2nd Clip Forward 1354
Copy To 1st Clip Forward 1354
Copy From 1st Clip Back 1354
Copy From 2nd Clip Back 1354
This render bar indicates 1355
A render bar over the 1356
Previous clip 1357
Copy From 1357
1st Clip Back 1357
Current clip 1357
Next clip 1358
Color balance indicator 1359
Shift key 1359
Level sliders 1361
Auto Black Level button 1361
Saturation slider 1361
Auto White Level button 1361
Auto Contrast button 1361
Invert Selection button 1365
Select Color eyedropper 1365
Keyframe controls 1366
Enable/Disable checkbox 1366
Numeric button 1366
Blacks Reset button 1373
Blacks Auto-Balance 1373
Color balance controls 1373
RGB Balance Filter 1382
RBG Balance Filter Controls 1383
Color Correction Examples 1385
Click the eyedropper 1388
Click in a white area 1388
The color balance 1389
Click the Color Corrector 1391
3-way tab to view the 1391
Click the eyedropper in 1393
The Whites color balance 1394
Before After 1394
Adjust the Mids control 1396
AfterBefore 1396
Flesh Tone line 1397
Before adjusting 1398
After adjusting the 1398
Multiple Edits layout 1399
Move the playhead so it’s 1401
Split-screen mode 1401
The Multiple Edits 1402
Second clip 1402
First clip 1402
Controls 1404
Click a highlight 1405
Highlighted eyedropper 1406
Match Color indicator 1406
Click the Whites 1406
Auto-Balance 1406
Click a highlight in clip 2 1407
Color Against Grayscale 1408
Color Correction with Color 1415
Using RT Extreme 1417
What Are Dropped Frames? 1420
A tooltip tells you the 1421
Real-time effects appear 1421
Many of the same 1422
RT pop-up menu 1423
Settings in the 1424
Unlimited RT 1425
Play Base Layer Only 1426
Scrub High Quality 1428
Playback Video Quality 1428
Playback Frame Rate 1428
Multiclip Playback 1429
Pull-down Pattern 1429
Gamma Correction 1430
Record Settings 1430
Video Scopes Playback 1431
Controls in the QuickView Tab 1439
Playback in the QuickView Tab 1440
Settings 1443
Video Render Status Bars 1444
Audio Render Status Bars 1446
The Rendering Process 1447
Order of Effects Rendering 1448
Selecting Clips for Rendering 1448
Video and audio 1449
In and Out points for the 1450
Using the Mixdown Command 1453
This message appears 1455
Render Settings 1457
Color space and 1459
Maximum RGB white 1459
Motion filtering quality 1459
Compositing in Y′C 1460
Adjusting Gamma 1464
Choosing a Gamma Setting 1466
Managing Your Render Files 1468
Using the Render Manager 1469
Tips for Reducing Render Time 1471
Working with Mixed-Format 1473
Sequences 1473
Mixing Frame Rates 1479
Using the Shift Fields Filter 1481
Nesting Nonmatching Sequences 1482
Combining SD and HD Video 1483
Downconverting HD Video 1483
1080 to 480 1484
720 to 480 1484
Cropping 16:9 Video to 4:3 1485
Pan and Scan 1486
16:9 Anamorphic 1487
Upconverting SD Video 1488
480 anamorphic to 1080 1489
480 anamorphic to 720 1489
Media Management 1493
Reel Name Conventions 1496
Clip Name Conventions 1497
Media Filename Conventions 1497
Using the Autosave Feature 1499
Autosave files for 1500
Restoring Autosaved Projects 1501
Choose the project file 1502
Archiving Completed Projects 1503
Before Updating Projects 1504
Click here to update 1505
Media Files 1509
Types of Clips 1510
Clip Properties 1514
Media File Properties 1524
Working with Master Clips 1525
Identifying Master Clips 1526
Working with Affiliate Clips 1527
Creating Independent Clips 1528
Moving Clips Between Projects 1531
Offline and Online Editing 1535
Online Editing 1536
These are offline clips 1552
Making Clips Offline 1554
Click an option 1555
Select the files you want 1560
You can select which 1563
Overview of the Media Manager 1567
Move the pointer 1571
Specify additional 1572
Choose what you 1572
How Subclips Are Processed 1579
Media Manager Workflow 1583
A message appears 1585
Decide what you want to 1586
Select the sequence 1587
Computer 1592
Subclips 1593
Press Command-A or 1595
Archiving 1596
Diagnostic Tools for Clips 1599
Locate the file you 1601
Video track information 1602
Audio track information 1602
Timecode track 1602
File information 1602
A long frame marker 1604
Importing and Exporting EDLs 1605
Learning to Read an EDL 1606
Elements of an EDL 1606
Exporting EDLs 1610
Reviewing an EDL 1616
Importing EDLs 1617
Problems Importing EDL Files 1618
Maintaining Accurate Timecode 1620
6 charactersSony 9100 1621
Join Through Edits 1624
Avoid Nested Sequences 1625
Using Final Cut Pro XML and 1629
QuickTime Metadata 1629
About XML 1630
Attributes of XML Elements 1631
Whitespace 1632
Document Type Definitions 1632
Remote Previewing with iChat 1639
Using iChat Theater Preview 1643
Working with Film and 1645
Cinema Tools 1645
About the Telecine Process 1646
Exporting a Film Cut List 1647
Standard Reverse Telecine 1652
Removing Advanced Pull-Down 1652
About Film Lists 1659
About Change Lists 1659
About Audio EDLs 1659
Exporting a Film List 1660
Exporting a Change List 1662
Exporting an Audio EDL 1664
Preparing to Output to Tape 1667
Output Requirements 1668
Make sure the external 1671
Stage 7: Cueing the Videotape 1674
Edit to Tape 1677
About Insert Editing to Tape 1678
About Tracks on Videotape 1679
About the Edit to Tape Window 1680
Video Tab 1681
PlayStop 1684
Fast Forward 1684
Play In to Out 1684
Play Around Current 1684
Mastering Settings Tab 1685
Using the Edit to Tape Window 1688
The preview option is 1689
DV equipment 1689
Choose a mode from this 1689
Audio Insert 1695
Printing to Video 1700
Recording from the Timeline 1702
Move the playhead 1703
Outputting to VHS Tape 1704
Learning About QuickTime 1707
Codecs Supported in QuickTime 1709
Movie File Formats 1711
Audio File Formats 1714
Using Share 1717
1718 Chapter 104 Using Share 1718
About the Share Window 1719
Post-Transcoding Actions 1720
1721Chapter 104 Using Share 1721
1722 Chapter 104 Using Share 1722
1723Chapter 104 Using Share 1723
1724 Chapter 104 Using Share 1724
1725Chapter 104 Using Share 1725
1726 Chapter 104 Using Share 1726
1727Chapter 104 Using Share 1727
1728 Chapter 104 Using Share 1728
1729Chapter 104 Using Share 1729
Types of Group Selections 1730
1731Chapter 104 Using Share 1731
1732 Chapter 104 Using Share 1732
Creating Multiple Outputs 1733
Using Share with Compressor 1734
Sending Outputs to Compressor 1735
1736 Chapter 104 Using Share 1736
1737Chapter 104 Using Share 1737
1738 Chapter 104 Using Share 1738
1739Chapter 104 Using Share 1739
1740 Chapter 104 Using Share 1740
1741Chapter 104 Using Share 1741
1742 Chapter 104 Using Share 1742
1743Chapter 104 Using Share 1743
1744 Chapter 104 Using Share 1744
1745Chapter 104 Using Share 1745
1746 Chapter 104 Using Share 1746
1747Chapter 104 Using Share 1747
1748 Chapter 104 Using Share 1748
1749Chapter 104 Using Share 1749
1750 Chapter 104 Using Share 1750
1751Chapter 104 Using Share 1751
1752 Chapter 104 Using Share 1752
Exporting QuickTime Movies 1753
Reference movie 1754
Original media files 1754
A dialog shows you the 1757
Exporting Using QuickTime 1761
Conversion 1761
About Color Space Conversion 1763
Key frame 1767
Delta frames 1767
Select a filter in this list 1769
Click a disclosure triangle 1769
Adjust settings for the 1769
16:9 within 1772
320 x 180 (16:9) 1772
Internet Streaming Settings 1774
Classic Aperture Mode 1776
Clean Aperture Mode 1776
Production Aperture Mode 1777
Exporting a DV Stream 1778
Exporting an AVI File 1779
Exporting Sequences for DVD 1783
Video for Standard DVDs 1784
HD DVD Editing Formats 1785
Audio for DVD 1787
About Surround Sound Audio 1788
More About Chapter Markers 1789
Using iDVD 1791
Using DVD Studio Pro 1791
DVD Studio Pro 1792
Using Compressor with 1793
Previewing Video Output 1794
Compressor Droplets 1794
Move the playhead to 1800
Choose a setting from 1800
Exporting Image Sequences 1801
A file is saved for each 1803
Batch Exporting Clips and 1805
If you want, enter a 1807
Select the bin that 1808
Then click Settings 1808
Choose a format here 1809
Doing a Batch Export 1812
Redoing Batch Exports 1814
Changing User Preferences 1817
General Tab 1819
About Audio Playback Quality 1819
Editing Tab 1823
These ten frames are used 1824
Five additional frames 1825
...and here 1825
Ten duplicate frames 1825
Labels Tab 1828
Timeline Options Tab 1828
Changing System Settings 1829
Scratch Disks Tab 1830
Search Folders Tab 1831
Memory & Cache Tab 1832
Playback Control Tab 1834
External Editors Tab 1834
Effect Handling Tab 1835
Audio/Video Settings and Easy 1837
Choosing Easy Setups 1839
Changing Audio/Video Presets 1841
Viewing Settings in a Preset 1842
Creating a New Preset 1843
Editing a Preset 1845
Deleting Presets 1845
Creating an Easy Setup 1846
Capture Settings and Presets 1851
Click Compression 1854
Specify the settings 1854
Device Control Settings and 1859
Using FireWire Device Control 1864
Using Serial Device Control 1865
Sequence Settings and Presets 1871
General tab 1872
General Tab for Sequences 1873
Render Control Tab 1878
Audio Outputs Tab 1879
Audio Outputs tab 1880
Changing Sequence Settings 1881
Solving Problems 1883
Problems During Playback 1884
Problems with Audio Quality 1888
Contacting AppleCare Support 1889
Video Formats 1891
1892 Appendix B Video Formats 1892
Storage Medium 1893
Video Standards 1894
Types of Video Signals 1895
1896 Appendix B Video Formats 1896
Letterboxing 1898
Anamorphic 1899
Pillarboxing 1899
Number of Lines 1899
Pixels per Line 1900
Pixel Aspect Ratio 1901
Frame Rate 1902
Scanning Method 1902
About Interlaced Scanning 1903
About Progressive Scanning 1903
Color Recording Method 1904
Color Sample Ratio 1905
Bit Depth 1906
Video Compression 1907
Lossless Codecs 1908
Lossy Codecs 1909
About Uncompressed Video 1909
About MPEG Compression 1909
1910 Appendix B Video Formats 1910
1911Appendix B Video Formats 1911
1912 Appendix B Video Formats 1912
1913Appendix B Video Formats 1913
MPEG-4 Part 10, or H.264 1914
DV Formats 1914
24p Video 1915
High Definition Video Formats 1915
Data Rate Comparisons 1916
Frame Rate and Timecode 1919
One second 1920
Choosing a Frame Rate 1922
01:32:15:28 1924
Timecode on Tape 1927
1799 and 1800 1928
Working with 24p Video 1931
24 Versus 23.98 fps 1932
Standard 3:2 Pull-Down 1932
A A B B B C C D D D 1934
A A B B C C D D 1934
2:3:3:2 Advanced Pull-Down 1936
A A B B C D D 1937
A A B B B C C C D D 1937
2:2:2:4 Pull-Down 1938
A B B C C DCC CCB 1940
24 @ 25 Pull-Down 1941
Working with 24p NTSC Video 1942
Pull-Down 1943
Stage 3: Editing at 23.98 fps 1944
Working with Anamorphic 16:9 1945
Recording Anamorphic Video 1946
Capturing Anamorphic Media 1947
Select this checkbox 1950
Anamorphic option 1950
Glossary 1955
1956 Glossary 1956
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1958 Glossary 1958
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