Apple Color 1.0 User Manual Page 332
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332 Appendix A Calibrating Your Monitor
Note: The step in the second bullet also applies to the monitoring of composite signals,
but you really, really shouldn't be monitoring a composite signal if you're doing color
correction.
Once your monitor is correctly calibrated, all the gray bars will be evenly gray and all
the black bars evenly black.
Y´C
B
C
R
Rendering and Color Bars
Y´C
B
C
R
rendering must be supported by the codec used in a sequence in order for
Final Cut Pro to render color bars with a PLUGE (Picture Lineup Generation
Equipment) area that includes a super-black (4 IRE in NTSC, 2 IRE in PAL) signal for
calibration. The PLUGE part of the test signal cannot be rendered using an RGB-based
codec.
When the phase (similar to hue) of
the monitor is correctly adjusted,
you should see alternating bars of
gray and black, as shown.
- User Manual 1
- Contents 3
- Contents 7 7
- Color Documentation and 9
- Resources 9
- Using the Color Documentation 10
- Color Websites 10
- Color Correction Basics 13
- Camera Negative 17
- Telecine Video Tapes 17
- Final Film Print 19
- TelecineVideo Tapes 20
- Offline Edit 20
- Master Tape 20
- Tape Suite 20
- Color Correction in Color 22
- Image Encoding Standards 24
- Bit Depth 26
- Contrast 28
- What Is Setup 30
- Chroma (Chrominance) 31
- Color Relationships 32
- The HSL Color Space Model 33
- Color Correction Workflows 35
- Limitations in Color 37
- A Tape-Based Workflow 40
- Pull List 53
- Database 53
- 0632368.dpx 57
- Using the Color Interface 59
- Using the Onscreen Controls 60
- Using the Mouse 61
- Timecode Fields 62
- Color Controls 63
- The File Browser 64
- The Shots Browser 65
- The Grades Bin 66
- Correction Bins 66
- Grades Versus Corrections 67
- 71 71
- Creating and Opening Projects 72
- Saving Projects and Archives 72
- Saving and Opening Archives 73
- Automatic Saving 73
- What Is a Color Project? 74
- Reconforming Projects 79
- Importing EDLs 80
- Exporting EDLs 82
- Relinking QuickTime Media 82
- Compatible Media Formats 84
- Â AJA Kona 10-bit Log RGB 85
- Â AJA Kona 10-bit RGB 85
- Compatible Image Formats 87
- Importing Color Corrections 89
- Exporting JPEG Images 89
- Goto Shot and Find Fields 93
- Column Headers 94
- Customizing the Shots Browser 95
- Adding Notes to Shots 95
- 96 Chapter 5 Setup 96
- Grades Bin 97
- Project Settings Tab 98
- About Deinterlacing 99
- Broadcast Safe Settings 100
- Chapter 5 Setup 101 101
- Messages Tab 102
- User Preferences Tab 102
- Media and Project Directories 103
- Control Surface Settings 103
- User Interface Settings 104
- Using Proxies 105
- 106 Chapter 5 Setup 106
- Chapter 5 Setup 107 107
- 108 Chapter 5 Setup 108
- Auto Save Settings 109
- Monitoring 111
- The Preview Display 112
- Video Scopes 112
- Bit Depth and Monitoring 113
- Choose Your Monitor Carefully 114
- Using Display LUTs 115
- What Is a LUT? 116
- Chapter 6 Monitoring 117 117
- When Do You Need a LUT? 118
- When Don’t You Need a LUT? 118
- Generating LUTs 118
- Using LUTs 119
- Monitoring the Still Store 120
- 121 121
- Basic Timeline UI Elements 122
- Working with Tracks 125
- Selecting the Current Shot 126
- Timeline Playback 126
- Toggling the Playback Mode 127
- Color and JKL 127
- Timeline Navigation 128
- The Settings Tabs 132
- The Settings 2 Tab 133
- Select Tool 134
- Roll Tool 135
- Ripple Tool 135
- Slip Tool 136
- Split Tool 137
- Splice Tool 137
- Create an Edit 138
- Merge Edits 138
- Snapping 139
- 142 Chapter 8 Video Scopes 142
- Video Scopes Accuracy 143
- Video Scope Options 144
- Waveform 145
- 146 Chapter 8 Video Scopes 146
- Chapter 8 Video Scopes 147 147
- 148 Chapter 8 Video Scopes 148
- Chapter 8 Video Scopes 149 149
- 150 Chapter 8 Video Scopes 150
- Chapter 8 Video Scopes 151 151
- Vectorscope 152
- Chapter 8 Video Scopes 153 153
- 154 Chapter 8 Video Scopes 154
- Histogram 155
- 156 Chapter 8 Video Scopes 156
- 3D Color Space Scope 157
- 158 Chapter 8 Video Scopes 158
- Chapter 8 Video Scopes 159 159
- 160 Chapter 8 Video Scopes 160
- Sampling Color 161
- 162 Chapter 8 Video Scopes 162
- Primary In 163
- Where to Start? 164
- Chapter 9 Primary In 165 165
- 166 Chapter 9 Primary In 166
- Contrast Ratio 167
- 168 Chapter 9 Primary In 168
- Chapter 9 Primary In 169 169
- 170 Chapter 9 Primary In 170
- Adjusting the Midtones 171
- 172 Chapter 9 Primary In 172
- Chapter 9 Primary In 173 173
- 174 Chapter 9 Primary In 174
- Chapter 9 Primary In 175 175
- 176 Chapter 9 Primary In 176
- Chapter 9 Primary In 177 177
- What Exactly Is Image Detail? 178
- Using Color Balance Controls 179
- 180 Chapter 9 Primary In 180
- Chapter 9 Primary In 181 181
- 182 Chapter 9 Primary In 182
- Chapter 9 Primary In 183 183
- Shadows Color Adjustments 184
- Chapter 9 Primary In 185 185
- Midtones Color Adjustments 186
- Highlights Color Adjustments 187
- Color Balance Control Overlap 187
- 188 Chapter 9 Primary In 188
- Curves Controls 189
- How Curves Affect the Image 190
- Chapter 9 Primary In 191 191
- 192 Chapter 9 Primary In 192
- Chapter 9 Primary In 193 193
- 194 Chapter 9 Primary In 194
- Chapter 9 Primary In 195 195
- 196 Chapter 9 Primary In 196
- Using Curves to Adjust Color 197
- 198 Chapter 9 Primary In 198
- Chapter 9 Primary In 199 199
- 200 Chapter 9 Primary In 200
- Basic Tab 201
- 202 Chapter 9 Primary In 202
- Chapter 9 Primary In 203 203
- Advanced Tab 204
- RGB Controls 205
- Printer Points Controls 205
- Auto Balance 206
- Chapter 9 Primary In 207 207
- Secondaries 209
- 210 Chapter 10 Secondaries 210
- 212 Chapter 10 Secondaries 212
- Chapter 10 Secondaries 213 213
- 214 Chapter 10 Secondaries 214
- The HSL Controls 215
- 216 Chapter 10 Secondaries 216
- Chapter 10 Secondaries 217 217
- The Color Swatches 218
- Key Blur 218
- Previews Tab 219
- 220 Chapter 10 Secondaries 220
- Chapter 10 Secondaries 221 221
- Vignette Controls 222
- Chapter 10 Secondaries 223 223
- 224 Chapter 10 Secondaries 224
- Animating Vignettes 225
- 226 Chapter 10 Secondaries 226
- Chapter 10 Secondaries 227 227
- 228 Chapter 10 Secondaries 228
- Using the Secondary Curves 229
- 230 Chapter 10 Secondaries 230
- Chapter 10 Secondaries 231 231
- Hue Curve Tab 232
- Sat Curve Tab 233
- Reset Controls 234
- Color FX 235
- How to Make Color FX 236
- Node Inputs and Outputs 237
- Creating and Connecting Nodes 238
- Adjusting Node Parameters 239
- 240 Chapter 11 Color FX 240
- Bypassing Nodes 241
- Using Single Input Nodes 242
- Using Layering Nodes 243
- 244 Chapter 11 Color FX 244
- Math Layering Nodes Explained 245
- 246 Chapter 11 Color FX 246
- Chapter 11 Color FX 247 247
- 248 Chapter 11 Color FX 248
- Node Reference Guide 249
- 250 Chapter 11 Color FX 250
- Effects Nodes 251
- 252 Chapter 11 Color FX 252
- Chapter 11 Color FX 253 253
- 254 Chapter 11 Color FX 254
- Chapter 11 Color FX 255 255
- 256 Chapter 11 Color FX 256
- Utility Nodes 257
- 258 Chapter 11 Color FX 258
- Primary Out 259
- 260 Chapter 12 Primary Out 260
- Using the Ceiling Controls 261
- 263 263
- Disabling All Grades 274
- Choosing Grades in Icon View 276
- Grouping and Ungrouping Shots 277
- Working with Groups 279
- Doing Everything in One Room 281
- Grading Across Multiple Rooms 282
- Keyframing 285
- 286 Chapter 14 Keyframing 286
- Keyframing Color FX 287
- Keyframing User Shapes 287
- 288 Chapter 14 Keyframing 288
- Chapter 14 Keyframing 289 289
- Keyframe Interpolation 290
- Chapter 14 Keyframing 291 291
- Geometry 293
- The Pan & Scan Tab 294
- Chapter 15 Geometry 295 295
- 296 Chapter 15 Geometry 296
- Chapter 15 Geometry 297 297
- Shapes Tab 298
- Controls in the Shapes Tab 299
- Drawing Shapes 300
- Chapter 15 Geometry 301 301
- 302 Chapter 15 Geometry 302
- Chapter 15 Geometry 303 303
- 304 Chapter 15 Geometry 304
- Chapter 15 Geometry 305 305
- Tracking Tab 306
- Using Motion Tracking 307
- Controls in the Tracking Tab 307
- Working with the Tracking Tab 308
- Chapter 15 Geometry 309 309
- 310 Chapter 15 Geometry 310
- Chapter 15 Geometry 311 311
- 312 Chapter 15 Geometry 312
- Chapter 15 Geometry 313 313
- Still Store 315
- 316 Chapter 16 Still Store 316
- Chapter 16 Still Store 317 317
- 318 Chapter 16 Still Store 318
- Chapter 16 Still Store 319 319
- 320 Chapter 16 Still Store 320
- Render Queue 321
- The Render Queue Interface 323
- Render Queue Controls 324
- Gather Rendered Media 328
- Calibrating Your Monitor 329
- When monitor brightness and 331
- Rendering and Color Bars 332
- Keyboard Shortcuts 333
- Switching Rooms and Windows 334
- Playback and Navigation 334
- Grade Shortcuts 335
- Timeline Specific Shortcuts 335
- Editing Shortcuts 335
- Keyframing Shortcuts 336
- Still Store Shortcuts 337
- Render Queue Shortcuts 337
- Setting Up a Control Surface 339
- 12345678 342
- Controls in the CP100 345
- F1 F2 F3 346
- F4 F5 F6 346
- F7 F8 F9 346
- Setup room 351
- 353 353
- 354 Index 354
- Index 355 355
- 356 Index 356
- Index 357 357
- 358 Index 358
- Index 359 359
- 360 Index 360
- Index 361 361
- 362 Index 362
- Index 363 363
- 364 Index 364
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