Apple Color 1.0 User Manual Page 187
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Chapter 9 Primary In 187
Highlights Color Adjustments
Adjustments made using the Highlight color balance control apply a multiply operation
to the image (the color that’s selected in the Highlight color control is simply multiplied
with that of every pixel in the image). By definition, multiply color correction
operations fall off in the darker portions of an image and have no effect whatsoever in
regions of 0 percent black.
The Highlight color control is extremely useful for correcting color balance problems
resulting from the dominant light source that’s creating the highlights, without
inadvertently tinting the shadows. In the following example, a bit of blue is added to
the highlights to neutralize the orange from the tungsten lighting.
Color Balance Control Overlap
The broadly overlapping nature of color correction adjustments made with the three
color balance controls is necessary to ensure a smooth transition from adjustments
made in one tonal zone to another, in order to prevent banding and other artifacts. In
general, adjustments made to the color in one tonal zone also affect other tonal zones
in the following ways:
 Adjustments made to the Shadow color controls overlap the midtones and the
darker portion of the highlights, but exclude areas of the image at the highest
percentages.
- User Manual 1
- Contents 3
- Contents 7 7
- Color Documentation and 9
- Resources 9
- Using the Color Documentation 10
- Color Websites 10
- Color Correction Basics 13
- Camera Negative 17
- Telecine Video Tapes 17
- Final Film Print 19
- TelecineVideo Tapes 20
- Offline Edit 20
- Master Tape 20
- Tape Suite 20
- Color Correction in Color 22
- Image Encoding Standards 24
- Bit Depth 26
- Contrast 28
- What Is Setup 30
- Chroma (Chrominance) 31
- Color Relationships 32
- The HSL Color Space Model 33
- Color Correction Workflows 35
- Limitations in Color 37
- A Tape-Based Workflow 40
- Pull List 53
- Database 53
- 0632368.dpx 57
- Using the Color Interface 59
- Using the Onscreen Controls 60
- Using the Mouse 61
- Timecode Fields 62
- Color Controls 63
- The File Browser 64
- The Shots Browser 65
- The Grades Bin 66
- Correction Bins 66
- Grades Versus Corrections 67
- 71 71
- Creating and Opening Projects 72
- Saving Projects and Archives 72
- Saving and Opening Archives 73
- Automatic Saving 73
- What Is a Color Project? 74
- Reconforming Projects 79
- Importing EDLs 80
- Exporting EDLs 82
- Relinking QuickTime Media 82
- Compatible Media Formats 84
- Â AJA Kona 10-bit Log RGB 85
- Â AJA Kona 10-bit RGB 85
- Compatible Image Formats 87
- Importing Color Corrections 89
- Exporting JPEG Images 89
- Goto Shot and Find Fields 93
- Column Headers 94
- Customizing the Shots Browser 95
- Adding Notes to Shots 95
- 96 Chapter 5 Setup 96
- Grades Bin 97
- Project Settings Tab 98
- About Deinterlacing 99
- Broadcast Safe Settings 100
- Chapter 5 Setup 101 101
- Messages Tab 102
- User Preferences Tab 102
- Media and Project Directories 103
- Control Surface Settings 103
- User Interface Settings 104
- Using Proxies 105
- 106 Chapter 5 Setup 106
- Chapter 5 Setup 107 107
- 108 Chapter 5 Setup 108
- Auto Save Settings 109
- Monitoring 111
- The Preview Display 112
- Video Scopes 112
- Bit Depth and Monitoring 113
- Choose Your Monitor Carefully 114
- Using Display LUTs 115
- What Is a LUT? 116
- Chapter 6 Monitoring 117 117
- When Do You Need a LUT? 118
- When Don’t You Need a LUT? 118
- Generating LUTs 118
- Using LUTs 119
- Monitoring the Still Store 120
- 121 121
- Basic Timeline UI Elements 122
- Working with Tracks 125
- Selecting the Current Shot 126
- Timeline Playback 126
- Toggling the Playback Mode 127
- Color and JKL 127
- Timeline Navigation 128
- The Settings Tabs 132
- The Settings 2 Tab 133
- Select Tool 134
- Roll Tool 135
- Ripple Tool 135
- Slip Tool 136
- Split Tool 137
- Splice Tool 137
- Create an Edit 138
- Merge Edits 138
- Snapping 139
- 142 Chapter 8 Video Scopes 142
- Video Scopes Accuracy 143
- Video Scope Options 144
- Waveform 145
- 146 Chapter 8 Video Scopes 146
- Chapter 8 Video Scopes 147 147
- 148 Chapter 8 Video Scopes 148
- Chapter 8 Video Scopes 149 149
- 150 Chapter 8 Video Scopes 150
- Chapter 8 Video Scopes 151 151
- Vectorscope 152
- Chapter 8 Video Scopes 153 153
- 154 Chapter 8 Video Scopes 154
- Histogram 155
- 156 Chapter 8 Video Scopes 156
- 3D Color Space Scope 157
- 158 Chapter 8 Video Scopes 158
- Chapter 8 Video Scopes 159 159
- 160 Chapter 8 Video Scopes 160
- Sampling Color 161
- 162 Chapter 8 Video Scopes 162
- Primary In 163
- Where to Start? 164
- Chapter 9 Primary In 165 165
- 166 Chapter 9 Primary In 166
- Contrast Ratio 167
- 168 Chapter 9 Primary In 168
- Chapter 9 Primary In 169 169
- 170 Chapter 9 Primary In 170
- Adjusting the Midtones 171
- 172 Chapter 9 Primary In 172
- Chapter 9 Primary In 173 173
- 174 Chapter 9 Primary In 174
- Chapter 9 Primary In 175 175
- 176 Chapter 9 Primary In 176
- Chapter 9 Primary In 177 177
- What Exactly Is Image Detail? 178
- Using Color Balance Controls 179
- 180 Chapter 9 Primary In 180
- Chapter 9 Primary In 181 181
- 182 Chapter 9 Primary In 182
- Chapter 9 Primary In 183 183
- Shadows Color Adjustments 184
- Chapter 9 Primary In 185 185
- Midtones Color Adjustments 186
- Highlights Color Adjustments 187
- Color Balance Control Overlap 187
- 188 Chapter 9 Primary In 188
- Curves Controls 189
- How Curves Affect the Image 190
- Chapter 9 Primary In 191 191
- 192 Chapter 9 Primary In 192
- Chapter 9 Primary In 193 193
- 194 Chapter 9 Primary In 194
- Chapter 9 Primary In 195 195
- 196 Chapter 9 Primary In 196
- Using Curves to Adjust Color 197
- 198 Chapter 9 Primary In 198
- Chapter 9 Primary In 199 199
- 200 Chapter 9 Primary In 200
- Basic Tab 201
- 202 Chapter 9 Primary In 202
- Chapter 9 Primary In 203 203
- Advanced Tab 204
- RGB Controls 205
- Printer Points Controls 205
- Auto Balance 206
- Chapter 9 Primary In 207 207
- Secondaries 209
- 210 Chapter 10 Secondaries 210
- 212 Chapter 10 Secondaries 212
- Chapter 10 Secondaries 213 213
- 214 Chapter 10 Secondaries 214
- The HSL Controls 215
- 216 Chapter 10 Secondaries 216
- Chapter 10 Secondaries 217 217
- The Color Swatches 218
- Key Blur 218
- Previews Tab 219
- 220 Chapter 10 Secondaries 220
- Chapter 10 Secondaries 221 221
- Vignette Controls 222
- Chapter 10 Secondaries 223 223
- 224 Chapter 10 Secondaries 224
- Animating Vignettes 225
- 226 Chapter 10 Secondaries 226
- Chapter 10 Secondaries 227 227
- 228 Chapter 10 Secondaries 228
- Using the Secondary Curves 229
- 230 Chapter 10 Secondaries 230
- Chapter 10 Secondaries 231 231
- Hue Curve Tab 232
- Sat Curve Tab 233
- Reset Controls 234
- Color FX 235
- How to Make Color FX 236
- Node Inputs and Outputs 237
- Creating and Connecting Nodes 238
- Adjusting Node Parameters 239
- 240 Chapter 11 Color FX 240
- Bypassing Nodes 241
- Using Single Input Nodes 242
- Using Layering Nodes 243
- 244 Chapter 11 Color FX 244
- Math Layering Nodes Explained 245
- 246 Chapter 11 Color FX 246
- Chapter 11 Color FX 247 247
- 248 Chapter 11 Color FX 248
- Node Reference Guide 249
- 250 Chapter 11 Color FX 250
- Effects Nodes 251
- 252 Chapter 11 Color FX 252
- Chapter 11 Color FX 253 253
- 254 Chapter 11 Color FX 254
- Chapter 11 Color FX 255 255
- 256 Chapter 11 Color FX 256
- Utility Nodes 257
- 258 Chapter 11 Color FX 258
- Primary Out 259
- 260 Chapter 12 Primary Out 260
- Using the Ceiling Controls 261
- 263 263
- Disabling All Grades 274
- Choosing Grades in Icon View 276
- Grouping and Ungrouping Shots 277
- Working with Groups 279
- Doing Everything in One Room 281
- Grading Across Multiple Rooms 282
- Keyframing 285
- 286 Chapter 14 Keyframing 286
- Keyframing Color FX 287
- Keyframing User Shapes 287
- 288 Chapter 14 Keyframing 288
- Chapter 14 Keyframing 289 289
- Keyframe Interpolation 290
- Chapter 14 Keyframing 291 291
- Geometry 293
- The Pan & Scan Tab 294
- Chapter 15 Geometry 295 295
- 296 Chapter 15 Geometry 296
- Chapter 15 Geometry 297 297
- Shapes Tab 298
- Controls in the Shapes Tab 299
- Drawing Shapes 300
- Chapter 15 Geometry 301 301
- 302 Chapter 15 Geometry 302
- Chapter 15 Geometry 303 303
- 304 Chapter 15 Geometry 304
- Chapter 15 Geometry 305 305
- Tracking Tab 306
- Using Motion Tracking 307
- Controls in the Tracking Tab 307
- Working with the Tracking Tab 308
- Chapter 15 Geometry 309 309
- 310 Chapter 15 Geometry 310
- Chapter 15 Geometry 311 311
- 312 Chapter 15 Geometry 312
- Chapter 15 Geometry 313 313
- Still Store 315
- 316 Chapter 16 Still Store 316
- Chapter 16 Still Store 317 317
- 318 Chapter 16 Still Store 318
- Chapter 16 Still Store 319 319
- 320 Chapter 16 Still Store 320
- Render Queue 321
- The Render Queue Interface 323
- Render Queue Controls 324
- Gather Rendered Media 328
- Calibrating Your Monitor 329
- When monitor brightness and 331
- Rendering and Color Bars 332
- Keyboard Shortcuts 333
- Switching Rooms and Windows 334
- Playback and Navigation 334
- Grade Shortcuts 335
- Timeline Specific Shortcuts 335
- Editing Shortcuts 335
- Keyframing Shortcuts 336
- Still Store Shortcuts 337
- Render Queue Shortcuts 337
- Setting Up a Control Surface 339
- 12345678 342
- Controls in the CP100 345
- F1 F2 F3 346
- F4 F5 F6 346
- F7 F8 F9 346
- Setup room 351
- 353 353
- 354 Index 354
- Index 355 355
- 356 Index 356
- Index 357 357
- 358 Index 358
- Index 359 359
- 360 Index 360
- Index 361 361
- 362 Index 362
- Index 363 363
- 364 Index 364
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