Apple Color 1.0 User Manual Page 113

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Chapter 6 Monitoring 113
Monitoring Broadcast Video Output
For the most accurate monitoring of broadcast programs, Color ouputs standard and
high definition video using supported third-party video interfaces. The drivers installed
for the interface you have determine what resolutions, bit depths, and frame rates are
available for outputting to an external monitor.
To turn on external video monitoring:
m Choose an option from the Video Output pop-up menu, in the User Prefs tab of the
Setup room.
To turn off external video monitoring:
m Choose Disabled from the Video Output pop-up menu.
Mixing and Matching Program and Viewing Resolutions
Ideally, you should monitor your program at its native resolution (in other words, the
resolution of its source media). However, Color will do its best to output the video at
whatever resolution is set in the Video Output pop-up menu of the User Prefs tab. If the
Video Output pop-up menu is set to a different resolution than the currently selected
Resolution Preset, then Color will automatically scale the image up or down as
necessary to fit the image to the display size.
Bit Depth and Monitoring
The working bit depth can have a significant impact on the quality of your monitored
image. The monitored bit depth depends on three factors:
 The bit depth of the source media
 The bit depth selected in the Video Output pop-up menu
 The bit depth selected in the Internal Pixel Format pop-up menu
Other then specifying or choosing the initial shooting or transfer format, the bit depth
of the source media on disk is predetermined (usually 8-bit, 10-bit, or 10-bit log). Since
low bit depths can be prone to banding and other artifacts during the color correction
process (especially when gradients are involved), it’s usually advantageous to process
the video at a higher bit depth than that of the original source media (secondary
corrections and vignettes can especially benefit).
Color will process and output your video at whatever bit depth you select. However,
most broadcast video interfaces max out at 10-bit resolution. For maximum quality
while monitoring, you should set the Internal Pixel Format to the highest bit depth you
want to work at, and make sure the Video Output pop-up is set to a 10-bit option.
Note: Video noise and film grain often minimize the types of artifacts caused by color-
correction operations at low bit depths, so the advantages of working at higher bit
depths are not always obvious to the naked eye.
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