Apple Soundtrack Pro User Manual Page 285
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- Table of contents
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Appendix B Soundtrack Pro Keyboard Shortcuts 285
Recording
Key command Function
Makes Take 1 the active take for the selected clip.
Makes Take 2 the active take for the selected clip.
Makes Take 3 the active take for the selected clip.
Makes Take 4 the active take for the selected clip.
Makes Take 5 the active take for the selected clip.
Makes Take 6 the active take for the selected clip.
Makes Take 7 the active take for the selected clip.
Makes Take 8 the active take for the selected clip.
Makes Take 9 the active take for the selected clip.
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- Soundtrack Pro 1
- User Manual 1
- © 2004 Jean-Paul Bonjour; 2
- © 2004 Eric Escobar 2
- Contents 3
- An Introduction 7
- Apple Websites 10
- Other Apple Websites 11
- Setting Up Your System 13
- Hard Disk Space 14
- Connecting Audio Equipment 15
- FireWire 400 (6-pin) 16
- (Sometimes labeled iLINK) 16
- FireWire 400 (4-pin) 16
- USB (Universal Serial Bus) 16
- Audio Cabling 17
- Audio Output 18
- Example Hardware Setups 19
- The Soundtrack Pro Interface 23
- Project Window 24
- Transport Controls 25
- Timeline Controls 28
- Action Insert bar 32
- Actions/Analysis buttons 32
- Actions menu 32
- Effects button 32
- Media and Effects Manager 33
- Browser Tab 34
- Favorites Tab 35
- Search Tab 36
- File list 38
- Preview controls 38
- Media pop-up menu 38
- Effects Tab 39
- Utility Window 40
- Recording Tab 41
- Meters Tab 42
- Details Tab 43
- Getting Started 45
- Audio File Projects 46
- Setting Up Your Workspace 47
- Using Project Layouts 48
- Customizing the Toolbar 49
- Playing Projects 50
- Setting the Playhead 51
- Enter a time position 52
- Enter a beat position 52
- Scrubbing a Project 54
- Looping and Non-Looping Files 57
- Double-click an 59
- Using Search to Locate Files 60
- Select a keyword 61
- Search Results area 61
- Click a match category 62
- These are files that 62
- Click a button to display 63
- These are files that match 64
- Select additional keywords 64
- Choose Custom from 65
- Control-click a button, then 65
- Storing Files in the Bin 67
- Previewing Audio Files 68
- Using the Preview Controls 69
- Using Undo and Redo 71
- Using Snap 72
- Reconnecting Media Files 74
- General Preferences 75
- Project Preferences 76
- Recording Preferences 77
- Synchronization Preferences 78
- Control Surfaces Preferences 79
- Video Out Preferences 80
- 81 81
- Closing Multitrack Projects 82
- Setting Project Properties 82
- Sample Rate 83
- Time Signature 84
- Overlap Mode 85
- Setting the Project Length 86
- Saving Multitrack Projects 86
- Drag the file from the 88
- Tracks, Busses, and Outputs 90
- Tracks, busses, and outputs 92
- Tracks, busses, and 92
- Working in the Timeline 93
- Using the Scroll Bars 94
- Using the Zoom Control 95
- Setting Track Height 97
- Using the Time Ruler 98
- Drag handle 100
- Chapter 5 101
- Working in the Timeline 101
- Using the Track Controls 102
- Click the Mute button to mute 103
- Click the Solo button to solo 103
- Click the Effects button 104
- Click the envelopes 106
- The envelopes appear 106
- Timeline 106
- Selecting Audio Clips 107
- Moving Audio Clips 109
- Resizing Audio Clips 110
- Notches indicate the 111
- Drag the clip to the left 111
- Truncate Mode 112
- Crossfade Mode 112
- Crossfade 112
- Split Tool button 113
- Transpose the clip down 115
- Transpose the clip up 115
- Command-Option-drag left 116
- The waveform moves inside 116
- Working With Markers 119
- Types of Markers 120
- Inserting Markers 120
- Naming Markers 121
- Moving Markers 121
- Deleting Markers 122
- Working in the Mixer 123
- Steps in Mixing 124
- Channel strip 125
- Selecting Channel Strips 126
- Reordering Channel Strips 127
- Copying Channel Strips 127
- Volume value slider 128
- Setting Channel Strip Output 129
- Solo button 130
- Mute button 130
- Record Enable button 130
- Channel strip name 130
- Renaming Channel Strips 131
- Changing a Channel Strip Icon 131
- Show (Mixer) pop-up menu 132
- Channel Strip 132
- Peak indicator 133
- Level meters 133
- Removing Channel Strips 134
- Turning Effects Off and On 136
- Replacing an Effect 136
- Reordering Sends in the Mixer 137
- Showing Send Settings 137
- Turning Sends Off and On 137
- Go buttons 138
- Value and Location 138
- Using the Peak Indicators 139
- Recording Audio in the Mixer 140
- Creating Multiple Mixes 141
- 143 143
- Supported Audio File Formats 144
- Closing Audio File Projects 145
- Saving Audio File Projects 146
- Drag this rectangle to 150
- Spectrum View button 151
- Waveform View button 151
- Selected area 154
- Left channel selected 155
- Right channel selected 156
- Moving Between Selections 157
- Selection Tool button 159
- Sample Edit Tool button 159
- Stretch Tool button 160
- Zoom Tool button 160
- Processing Audio Files 161
- Fade Out 162
- Normalize 162
- Time Stretch 166
- Adding Ambient Noise 166
- Convert to Mono 167
- Resample 167
- Reducing Noise 168
- Working With Actions 170
- Applying Actions 171
- Editing Actions 172
- Turning Actions On and Off 172
- Reordering Actions 172
- Using the Action Insert Bar 173
- Flattening Actions 174
- Deleting Actions 176
- Analyzing an Audio File 177
- Types of Audio Analysis 178
- Setting Analysis Parameters 179
- Reading Analysis Results 179
- Fixing Analyzed Problems 180
- Working With Video 183
- Adding a Video to a Project 184
- Playing the Video 185
- Resizing the Video Tab 186
- Using Video Output Devices 187
- Viewing Video Details 188
- Working With a Video’s Audio 189
- The Time ruler units adjust 190
- The Time display adjusts to 190
- Using Markers With Video 191
- With Markers selected 192
- The marker is scored 193
- Working With Audio Effects 195
- Processing Effects 196
- Dynamics Effects 197
- Distortion Effects 198
- EQ and Filter Effects 198
- Modulation Effects 201
- Reverb and Delay Effects 202
- Meters and Diagnostic Effects 204
- Miscellaneous Effects 206
- Working With Realtime Effects 207
- Adding Realtime Effects 208
- Bypassing Realtime Effects 211
- Adding Sends to Tracks 212
- Reordering Sends 212
- Adjusting Send Volume 213
- Adjusting Send Pan Position 213
- Bypassing Sends 213
- Removing Realtime Effects 214
- Working With Effect Presets 217
- Working With Automation 219
- Master Envelopes 220
- Adding Envelope Points 221
- Selecting Envelope Points 222
- Moving Envelope Points 222
- Nudging Envelope Points 225
- Deleting Envelope Points 226
- Click the Auto checkbox for 227
- Recording Automation Data 228
- Working With Timeslices 229
- Drag in the selection bar 231
- Deleting Timeslices 232
- Recording Audio 235
- Recording a Single Take 237
- Recording Multiple Takes 238
- Saving Recorded Clips 239
- Recorded area 241
- Using Control Surfaces 243
- With Soundtrack Pro 243
- Premapped Controls 245
- Exporting Multitrack Projects 247
- Exporting a Project Mix 248
- Exporting With Compressor 250
- Files Together 252
- Using Soundtrack Pro With 253
- Waveform Editor 254
- Clips or Sequences 256
- 258 Chapter 14 258
- 260 Chapter 14 260
- Using Apple Loops Utility 263
- Assets drawer 264
- Playback controls 264
- Main window 264
- Tags Tab 265
- Transients Tab 266
- Assets Drawer 267
- Working With Transients 271
- Saving Changes to Files 273
- General and File 275
- Navigation 275
- Key and Scale Type Tagging 276
- Descriptor Tagging 277
- Transients 278
- Keyboard Shortcuts 279
- General Editing 281
- Navigating in the Timeline 282
- Tracks and Markers 284
- Video Out 284
- Recording 285
- Audio Basics 287
- Musical Sounds 288
- Recording Sound 289
- Analog Recording 290
- Digital Recording 290
- Sample Rate and Bit Depth 291
- Digital Distortion 292
- Solutions to Common Problems 293
- Calling AppleCare Support 295
- 297 297
- 298 Index 298
- Index 299 299
- 300 Index 300
- Index 301 301
- 302 Index 302
- Index 303 303
- 304 Index 304
- Index 305 305
- 306 Index 306
- Index 307 307
- 308 Index 308
- Index 309 309
- 310 Index 310
- Index 311 311
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