Apple Final Cut Pro 5 User Manual Page 78
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78 Chapter 3
Other Windows You Will Use
Although you do most of your work in Final Cut Pro’s four main windows, you also
occasionally use several other windows to perform other important tasks.
Log and Capture
To collect your source material together and store it on disk, you use the Log and Capture
window. Log and Capture functions are explained in detail in Chapter 5, “Getting Media Into
Final Cut Pro,” on page 113.
Pen Delete Deletes a keyframe
Pen Smooth Smooths a curve by adding bezier handles to the selected keyframe
1
This arrow may sometimes function as a custom “wait” cursor during render processes. It will be hollow and gradually fill with
black as rendering takes place.
Tool Name Icon Function
- Final Cut Pro 1
- User’s Manual 1
- Apple Computer, Inc 2
- Contents 3
- 10 Trimming Edits 201 9
- 13 Rendering 241 10
- Contents 11
- Appendix A 12
- FXScript Reference 285 12
- Appendix B 13
- Appendix C 14
- Keyboard Shortcuts 339 14
- Index 357 15
- Getting Started 17
- Chapter 1 18
- Getting Started 19
- About Apple FireWire 22
- Apple FireWire Basic 22
- System Configurations 23
- 1 through 6 Available 25
- 7 SCSI PCI card (terminated) 25
- 8 through 15 Available 25
- 68-pin connector 26
- Getting Started 27 27
- Final Cut Pro Tutorial 29
- Chapter 2 30
- Browser Timeline 30
- Viewer Canvas 30
- Tool palette 30
- Final Cut Pro Tutorial 31 31
- Final Cut Pro Tutorial 33 33
- Playhead 33
- Final Cut Pro Tutorial 35 35
- Play button 35
- Overwrite section 35
- Mark In button 36
- Mark Out button 36
- Final Cut Pro Tutorial 37 37
- In point Out point 37
- Target track indicators 37
- Final Cut Pro Tutorial 39 39
- Shuttle control 40
- Final Cut Pro Tutorial 41 41
- Final Cut Pro Tutorial 43 43
- Marker in Canvas 43
- Marker in Timeline 43
- Match Frame button 43
- Jog control 43
- Replace section 44
- Final Cut Pro Tutorial 45 45
- Overwrite with 45
- Transition section 45
- Transition icon 46
- Render bar (red) over 46
- Final Cut Pro Tutorial 47 47
- Final Cut Pro Tutorial 49 49
- Drag Hand 50
- Clip Overlays button 50
- Final Cut Pro Tutorial 51 51
- Keyframe indicator 51
- Final Cut Pro Tutorial 53 53
- Add Keyframe button 53
- Playhead in the 54
- Scrubber 54
- 3 Click the Filters tab 55
- Color Level 56
- Final Cut Pro Tutorial 57 57
- Drop Shadow 57
- Target Track indicator 57
- (yellow when on) 57
- Final Cut Pro Tutorial 59 59
- Overlay and numeric value 59
- Distort tool 60
- Final Cut Pro Tutorial 61 61
- Keyframe symbol 61
- Rotation graph 62
- Rotation text box 62
- Final Cut Pro Tutorial 63 63
- Final Cut Pro Tutorial 65 65
- Final Cut Pro Tutorial 67 67
- Timecode 67
- Final Cut Pro Tutorial 69 69
- Visibility indicator 69
- Rendering the Sequence 70
- Final Cut Pro Tutorial 71 71
- Understanding Final Cut Pro 73
- The Canvas 74
- The Timeline 74
- The Browser 75
- The Tool Palette 76
- Tool Name Icon Function 77
- Pen Delete Deletes a keyframe 78
- Tape,” on page 251 79
- Presets,” on page 95 80
- Sequence Settings 81
- Project Properties 81
- Item Properties 82
- Trim Edit 82
- Shortcut Menus 83
- Tabbed Windows 84
- Scrubber bar 85
- Customizing the Screen Layout 86
- 2 Click the General tab 87
- Chapter 3 88
- Using Both Systems Together 89
- Timecode Keyboard Shortcuts 90
- Overwrite 91
- Preferences and Presets 95
- Preferences and Presets 97 97
- Preferences and Presets 99 99
- Chapter 4 100
- Preferences and Presets 101 101
- 2 Click the Capture tab 102
- Preferences and Presets 103 103
- Preferences and Presets 105 105
- 2 Select the preset you want 106
- Preferences and Presets 107 107
- Preferences and Presets 109 109
- Preferences and Presets 111 111
- Chapter 5 114
- 7 Click OK 128
- 2 Do one of the following: 130
- Chapter 6 134
- Sorting Items in the Browser 136
- About the Browser Columns 137
- 2 Click the name 139
- The Video Tab 144
- The Audio Tab 145
- The Filters Tab 146
- The Motion Tab 147
- Chapter 7 148
- 3 Click Mark In or Mark Out 149
- 2 Open the Mark menu 150
- Viewing Overlays 156
- Understanding Audio Formats 157
- Compressed Audio Formats 157
- Turning Off Audio Scrubbing 157
- Synchronizing Audio and Video 159
- Chapter 8 164
- Mixing Audio in Real Time 165
- 1 Select the Hand tool 167
- Marking Edit Points 171
- The Canvas Edit Overlay 172
- Editing in the Timeline 174
- The Canvas Two-Up Display 175
- Locating a Match Frame 176
- Chapter 9 178
- Name Element Function 179
- Scaling the Timeline Display 182
- Selecting Clips 188
- Linked Selection 188
- 1 Select the clip 190
- Using Offline Clips 193
- 4 Click OK 195
- Trimming Edits 201
- Types of Trimming Operations 202
- Trimming Edits 203 203
- Chapter 10 204
- Trimming Edits 205 205
- Trimming Edits 207 207
- Trimming Edits 209 209
- Creating Transitions 211
- Chapter 11 212
- 1 Do one of the following: 213
- Center on 214
- Begin on 214
- Creating Transitions 215 215
- 1 Select the transition 217
- Using the Viewer Effects Tabs 219
- Chapter 12 220
- In point 221
- Out point 221
- Duration bar 221
- Custom User Interfaces 224
- Performance 224
- Additional Filters 225
- The Motion Properties 226
- Types of Keyframes 233
- Previous Keyframe 234
- Next Keyframe 234
- Set Keyframe 234
- Editing a Motion Path 237
- 2 Select the Arrow tool 238
- 3 Click the curve keyframe 238
- 4 Do one of the following: 238
- Importing Transparent Images 239
- Rendering 241
- Editing Render Quality Levels 242
- Rendering 243 243
- Video Rendering 244
- Audio Rendering 244
- Using Nested Sequences 244
- Rendering 245 245
- Chapter 13 246
- Rendering 247 247
- Creating Final Output 249
- Chapter 14 250
- Creating Final Output 251 251
- Edit to Tape Operations 252
- Creating Final Output 253 253
- 3 Insert a tape 255
- Setting Mastering Options 255
- Edit to Tape Device Settings 256
- Creating Final Output 257 257
- Setting EDL Export Options 258
- Creating Final Output 259 259
- Creating Final Output 261 261
- Creating Final Output 263 263
- Batch Export Columns 264
- Creating Final Output 265 265
- Naming Options Dialog Box 266
- Managing Complex Projects 267
- Chapter 15 268
- Opening and Applying Scripts 272
- The FXBuilder Tabs 273
- Chapter 16 274
- How Is a Script Structured? 275
- 276 Chapter 16 276
- 3 Name your text file 277
- Statements 279
- 280 Chapter 16 280
- Conditional Statements 280
- Input Statements 280
- Subroutines 281
- Variables 281
- Comments 283
- FXScript Reference 285
- Operators 286
- Compound Operators 287
- Operators and Regions 287
- Operators and Strings 287
- Data Type Syntax Description 287
- Functions 288
- Geometry 289
- 290 Appendix A 290
- Command Syntax Description 290
- 292 Appendix A 292
- Transform 293
- 294 Appendix A 294
- 296 Appendix A 296
- 298 Appendix A 298
- 300 Appendix A 300
- 302 Appendix A 302
- Composite 303
- 304 Appendix A 304
- 306 Appendix A 306
- External 308
- 310 Appendix A 310
- 312 Appendix A 312
- 314 Appendix A 314
- Formatting 315
- 318 Appendix A 318
- Variable Description 318
- Statement Syntax Description 318
- Definition 320
- Assignment 321
- Flow Control 322
- 324 Appendix A 324
- Audio Transitions 325
- Audio Filters 326
- Filter Description 327
- Video Transitions 328
- Page Peel 329
- Transition Description 331
- Video Filters 332
- Image Control 333
- Using a Color Key 334
- Perspective 336
- Video Generators 338
- Keyboard Shortcuts 339
- Application Windows 340
- Select, Cut, Copy, and Paste 341
- Navigation 342
- Finding Items 343
- Scrolling 344
- Screen Layout and Display 344
- Projects and Sequences 344
- Timeline 345
- Logging and Capturing 346
- Playing Video 347
- In and Out Points 347
- Keyboard Shortcuts 349 349
- Keyboard Shortcuts 351 351
- Keyboard Shortcuts 353 353
- Tools and Modifier Keys 354
- Keyboard Shortcuts 355 355
- 358 Index 358
- Index 359 359
- 360 Index 360
- Index 361 361
- 362 Index 362
- Index 363 363
- 364 Index 364
- Index 365 365
- 366 Index 366
- Index 367 367
- 368 Index 368
- Index 369 369
- 370 Index 370
- Index 371 371
- 372 Index 372
- Index 373 373
- 374 Index 374
- Index 375 375
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