Apple Final Cut Express 4 User Manual Page 96
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96 Part II Learning About the Final Cut Express Interface
 Zoom pop-up menu: This lets you enlarge or shrink the image that appears in
the Canvas.
 Current Timecode field: This field displays the timecode of the frame at the current
position of the playhead. You can enter timecode numbers here to navigate to a new
position in your sequence.
 Timecode Duration field: This field shows the current duration between the sequence
In and Out points. You can change the duration here, which automatically adjusts the
the sequence Out point.
Edit Overlay in the Canvas
The Canvas can perform five basic types of edits to place a clip in the Viewer into the
current sequence. The clip is placed in the Timeline according to the In and Out points
set in the clip and the sequence, following the rules of three-point editing.
To place a clip, you can drag it from the Viewer into the Canvas, which then displays
editing overlays. You then drag the clip to the overlay section you want.
The basic edit types are:
 Overwrite: Replaces the clip items in the destination sequence track with the clip in
the Viewer.
 Insert: Pushes clip items in the sequence forward to accommodate the clip from
the Viewer.
 Replace: Replaces the clip item beneath the Canvas/Timeline playhead with the clip in
the Viewer, using the playhead position in both windows as a synchronization point.
 Fit to Fill: Speeds up or slows down the clip in the Viewer to fit between the In and
Out points set in the Canvas and Timeline.
 Superimpose: Edits the clip in the Viewer into a track above the sequence clip that
intersects the playhead.
Drag a clip to
the image display area
of the Canvas.
The Edit Overlay appears.
- Final Cut Express 4 1
- User Manual 1
- Contents 3
- Part VI Rough Editing 8
- Contents 9 9
- 10 Contents 10
- Contents 11 11
- 12 Contents 12
- Contents 13 13
- Part VIII Audio Mixing 14
- Contents 15 15
- 16 Contents 16
- Contents 17 17
- 18 Contents 18
- Contents 19 19
- 20 Contents 20
- Part XII Output 21
- Part XIII Appendixes 22
- Contents 23 23
- Documentation and Resources 25
- Apple Websites 26
- Part I: An Introduction 27
- About the Post-Production 29
- Workflow 29
- The Post-Production Workflow 30
- Video Format Basics 37
- Understanding Projects 39
- Clips, and Sequences 39
- What Are Clips? 40
- What Are Sequences? 41
- What Are Projects? 42
- Organizing Your Projects 44
- Creating and Saving Projects 44
- Opening and Closing Projects 46
- To switch between 47
- Filenaming Considerations 49
- Avoiding Special Characters 50
- Using Filename Extensions 51
- Using Multiple Hard Disks 51
- Part II: Learning About 53
- Overview of the 55
- Final Cut Express Interface 55
- Using Button Bars 57
- Using Shortcut Menus 58
- Moving Windows 62
- Undoing and Redoing Changes 63
- Browser Basics 65
- Learning About the Browser 66
- Working in the Browser 67
- Using Columns in the Browser 69
- Choosing Views in the Browser 70
- Thumbnails appear as 72
- The thumbnail you’re 73
- Enter the new 73
- Thumbnails of 74
- Video clip with audio 74
- Audio clip 74
- Before using the 76
- Arrange command 76
- After using the 76
- Setting the Poster Frame 77
- Viewer Basics 79
- Opening a Clip in the Viewer 80
- Learning About the Viewer 81
- Tabs in the Viewer 83
- Playhead Controls 85
- Jog Control 86
- Shuttle Control 86
- Chapter 6 Viewer Basics 89 89
- View Pop-Up Menu 90
- Recent Clips Pop-Up Menu 91
- Generator Pop-Up Menu 91
- Canvas Basics 93
- Learning About the Canvas 95
- Edit Overlay in the Canvas 96
- Chapter 7 Canvas Basics 99 99
- Marking Controls 100
- Zoom and View Pop-Up Menus 101
- 103 103
- Playing Clips and Sequences 104
- To move around, drag the 106
- { Moves through 107
- “ Moves through 107
- To move precisely 109
- Looping Playback 110
- Dragging Timecode Values 112
- Timeline Basics 113
- Learning About the Timeline 116
- Editing Controls 117
- Vertical Multitrack Controls 118
- Horizontal Time Controls 119
- Current Timecode field 120
- Zoom control 120
- Timeline Display Controls 121
- Audio Controls 122
- Other Miscellaneous Controls 123
- Speed change is shown 124
- Stereo pair indicator 124
- RT pop-up menu 124
- Click here to view 126
- Audio waveform 128
- Without audio 128
- Navigating in the Timeline 130
- Before zooming in 134
- The playhead remains in 134
- After zooming in 134
- Position of playhead 135
- One-minute increment 135
- Scroll bar 136
- Customizing the Interface 137
- Default Two Up layout 138
- Layout after making the 138
- Browser and Timeline 138
- Using Window Layouts 139
- Customizing Window Layouts 140
- Tooltip for a shortcut 141
- Icon for a shortcut 141
- Spacer added 142
- Removing Shortcut Buttons 143
- Part III: Setting Up 145
- Your Editing System 145
- Connecting DV Video Equipment 147
- Connecting Your Camcorder 149
- Choosing an Easy Setup 150
- Specifying Scratch Disks 151
- About FireWire 154
- Determining Your Hard Disk 155
- Storage Options 155
- Know Your Shooting Ratio 156
- Choosing a Hard Disk 159
- Types of Hard Disk Drives 160
- FireWire Disk Drives 161
- SCSI Disk Drives 161
- Using a RAID or Disk Array 162
- Computer Disk array 163
- Storage Area Networks 164
- External Video Monitoring 165
- FireWire 166
- Composite 166
- Chapter 17 Working with HDV 173
- 175 175
- Transport Controls 178
- Jog and Shuttle Controls 178
- Capture Tab 179
- Logging Fields 180
- Marker Controls 181
- Using Slate Buttons 181
- Preparing to Capture 182
- Logging Your Tapes 183
- Choosing a Filenaming Scheme 184
- The slate icon appears 186
- Using Capture Now 190
- Recapturing Clips 194
- Using Capture Project 195
- Number on a Single Tape 202
- Importing Media Files 205
- About Importing Video Files 209
- About Importing Audio Files 211
- Drag the clips to 217
- Ingesting Media Files 219
- Working with AVCHD Footage 220
- Transferring AVCHD Footage 221
- Than Native AVCHD Files 221
- Sample Media File Workflow 222
- Using the Browse Area 225
- Controls in the Browse Area 226
- Using the Preview Area 228
- Restrictions During Preview 229
- Using the Logging Area 229
- Incrementing Logging Fields 230
- Using the Transfer Queue 231
- Pausing and Stopping Ingest 232
- Working with HDV 233
- About MPEG-2 Compression 234
- More About Long-GOP Video 235
- HDV Format Specifications 240
- Part V: Organizing Footage 243
- Organizing Footage 245
- Creating New Bins 246
- Opening Bins in the Browser 247
- Drag the bin’s tab above 250
- The bin now has its own 250
- Moving Items Between Bins 251
- You can also move 252
- About Search Options 255
- Search Commands 257
- A list of unused clips is 258
- Results window 258
- Using Markers 261
- Types of Markers 263
- Working with Markers 264
- Quickly Adding Markers 265
- Navigating with Markers 269
- Moving a Marker 271
- Enter the new time here 272
- Extending a Marker’s Duration 274
- Creating Subclips 277
- A new subclip appears in 278
- Removing Subclip Limits 279
- Turning Markers into Subclips 280
- All of the material 281
- Creating Subclips Manually 282
- Editing with Subclips 283
- Markers for a clip 284
- Part VI: Rough Editing 287
- 289 289
- Working with Projects 290
- Returning to Saved Projects 292
- Types of Clips 293
- About Offline Clips 294
- Sequences as Clips 295
- Finding a Clip’s Media File 296
- 298 Part VI Rough Editing 298
- Opening and Closing Sequences 299
- Duplicating a Sequence 300
- Nesting a Sequence 301
- 302 Part VI Rough Editing 302
- The Fundamentals 303
- 304 Part VI Rough Editing 304
- Undoing and Redoing Actions 306
- Drag-to-Timeline Editing 307
- Three-Point Editing 307
- 308 Part VI Rough Editing 308
- 310 Part VI Rough Editing 310
- Arrange the clips in the 311
- Setting Edit Points 313
- 314 Part VI Rough Editing 314
- The Out point includes 315
- 316 Part VI Rough Editing 316
- Mark Out button (O) 317
- Mark In button (I) 317
- 318 Part VI Rough Editing 318
- Reviewing Your Edit Points 319
- 320 Part VI Rough Editing 320
- 322 Part VI Rough Editing 322
- In point 323
- The new clip begins at 323
- 324 Part VI Rough Editing 324
- In and Out points are 325
- The new clip’s duration is 325
- 326 Part VI Rough Editing 326
- Move the playhead 327
- Auto Select is enabled for 327
- 328 Part VI Rough Editing 328
- Select the desired clips 329
- 330 Part VI Rough Editing 330
- Moving In and Out Points 331
- Clearing In and Out Points 332
- Working with Tracks 335
- Adding and Deleting Tracks 336
- Chapter 24 337
- Deleting Tracks 338
- Setting Destination Tracks 340
- 342 Part VI Rough Editing 342
- 344 Part VI Rough Editing 344
- Resizing Timeline Tracks 346
- Drag a boundary 347
- Timeline patch panel 347
- 348 Part VI Rough Editing 348
- Saving Track Layouts 349
- 350 Part VI Rough Editing 350
- Drag the center slider 351
- To eliminate audio tracks 351
- 354 Part VI Rough Editing 354
- 356 Part VI Rough Editing 356
- While Dragging 358
- 362 Part VI Rough Editing 362
- Using Keyboard Shortcuts 363
- 364 Part VI Rough Editing 364
- Performing an Insert Edit 365
- 366 Part VI Rough Editing 366
- A B C 367
- Performing an Overwrite Edit 368
- 370 Part VI Rough Editing 370
- Performing a Replace Edit 371
- 372 Part VI Rough Editing 372
- Replace section 373
- 374 Part VI Rough Editing 374
- 376 Part VI Rough Editing 376
- Superimposing Clips 377
- 378 Part VI Rough Editing 378
- Before a 379
- Three-Point Editing Examples 380
- Move the playhead to the 381
- The new clip starts 381
- 382 Part VI Rough Editing 382
- The new clip fills 383
- Out point 383
- 384 Part VI Rough Editing 384
- Finding and Selecting 387
- Content in the Timeline 387
- 388 Part VI Rough Editing 388
- 390 Part VI Rough Editing 390
- Selecting Clips 392
- Selecting an Individual Clip 393
- Selecting Multiple Clips 394
- 396 Part VI Rough Editing 396
- Select All Tracks Forward 397
- Select All Tracks 397
- Backward 397
- 398 Part VI Rough Editing 398
- Enter the desired 399
- Choose additional 399
- 400 Part VI Rough Editing 400
- 402 Part VI Rough Editing 402
- After deleting; only 403
- Auto Select control 403
- 404 Part VI Rough Editing 404
- 405 405
- 406 Part VI Rough Editing 406
- Moving by Dragging 407
- Moving Clips Numerically 408
- The number 409
- Clip items to be moved 409
- Clip Collision message 409
- Performing Shuffle Edits 410
- 412 Part VI Rough Editing 412
- 414 Part VI Rough Editing 414
- 416 Part VI Rough Editing 416
- 418 Part VI Rough Editing 418
- Selected clip items 419
- After the ripple delete, the 419
- Finding and Closing Gaps 420
- 422 Part VI Rough Editing 422
- Cutting Clips 423
- 424 Part VI Rough Editing 424
- The Razor Blade All 425
- 426 Part VI Rough Editing 426
- 428 Part VI Rough Editing 428
- Linking and Editing 429
- Video and Audio in Sync 429
- 430 Part VI Rough Editing 430
- Audio moved away 431
- Audio moved back 431
- Audio Items 432
- A mixed-sync indicator 433
- Out-of-sync indicators 433
- 434 Part VI Rough Editing 434
- Names of linked clip 435
- 436 Part VI Rough Editing 436
- Moving a Clip into Sync 437
- 438 Part VI Rough Editing 438
- Before syncing 439
- After syncing 439
- 440 Part VI Rough Editing 440
- Between Linked Clip Items 441
- Marking a Clip as In Sync 442
- The out-of-sync indicators 443
- 444 Part VI Rough Editing 444
- Split Edits 445
- 446 Part VI Rough Editing 446
- Chapter 31 Split Edits 447 447
- 448 Part VI Rough Editing 448
- Chapter 31 Split Edits 449 449
- 450 Part VI Rough Editing 450
- Split Edit Examples 451
- 452 Part VI Rough Editing 452
- Chapter 31 Split Edits 453 453
- 454 Part VI Rough Editing 454
- Audio Editing Basics 455
- 456 Part VI Rough Editing 456
- Waveforms for a stereo 457
- 458 Part VI Rough Editing 458
- 460 Part VI Rough Editing 460
- Editing Audio in the Viewer 461
- 462 Part VI Rough Editing 462
- Zoom slider 463
- 464 Part VI Rough Editing 464
- 466 Part VI Rough Editing 466
- Audio selected 467
- Linked Selection 467
- Editing Audio in the Timeline 468
- 470 Part VI Rough Editing 470
- 472 Part VI Rough Editing 472
- 474 Part VI Rough Editing 474
- A wide playhead bar in 475
- 476 Part VI Rough Editing 476
- The long pause in your 477
- Paste the pause section 477
- 478 Part VI Rough Editing 478
- 480 Part VI Rough Editing 480
- 483 483
- Sliding Clips in the Timeline 484
- The clip moves to a new 485
- Drag point 488
- Entire length of media 488
- The timecode entry field 490
- Without Leaving a Gap 491
- Performing Ripple Edits 492
- These clips move left 495
- This clip shortens 495
- Selected edit point 503
- Edit being rolled 504
- After the roll edit, the 504
- Tips for Using the Roll Tool 506
- Learning About Trimming Clips 507
- Click here to turn linked 509
- Click here to turn 509
- Selecting Single Edit Points 512
- Trimming Clips in the Viewer 516
- Timecode Numbers 518
- Moving Clips Using Timecode 519
- Media Limit message 521
- Trimming Clips 523
- Using the Trim Edit Window 523
- Outgoing clip 524
- Incoming clip 524
- Green bar 524
- Go to Previous Edit 527
- Go to Next Edit 527
- Play Around Edit Loop 527
- Play In to Out 527
- Dynamic Trimming 531
- Adding Transitions 537
- Common Types of Transitions 538
- A transition between 539
- Having Handles at Edit Points 540
- The added transition 542
- Drag the transition to 546
- Deleting Transitions 547
- Before a roll edit 549
- After a roll edit with the 549
- Replacing Transitions 550
- Refining Transitions 557
- Using the Transition Editor 557
- Alignment buttons 559
- Recent Clips 559
- Drag hand 559
- Reverse Transition button 561
- Reset button 562
- Canvas to help you determine 566
- Rendering Transitions 569
- Sequence-to-Sequence Editing 571
- 4 Do one of the following: 573
- Nesting Sequences 576
- After the Nested Sequence 577
- Nested sequence B 578
- Adding clips to sequence B 578
- Without Nesting It 579
- A highlighted area shows 582
- Matching Frames 585
- Part VIII: Audio Mixing 591
- Setting Up for Audio Mixing 593
- Sample Rate 594
- Chapter 40 595
- 2-bit1-bit 596
- 16-bit4-bit 596
- Timeline 597
- Speakers 597
- 598 Part VIII Audio Mixing 598
- 600 Part VIII Audio Mixing 600
- Using Headphones 602
- Evaluating Levels 603
- Analog Versus Digital Meters 604
- Original 605
- Too much gain 605
- Clipping remains 605
- Setting Proper Audio Levels 606
- 0 dBFS 0 dBFS 0 dBFS 607
- Reapplying Normalization Gain 608
- Average videotape 12 dB 609
- Television broadcast 6 dB 609
- Labeling Your Tapes 610
- Mixing Audio 611
- 612 Part VIII Audio Mixing 612
- The keyframe appears as 613
- 614 Part VIII Audio Mixing 614
- 616 Part VIII Audio Mixing 616
- Enter a new value 617
- Adjust Line Segment 617
- Panning Audio in the Timeline 618
- Pan slider 619
- 620 Part VIII Audio Mixing 620
- The pointer turns into an 621
- As you drag, a box displays 621
- Tools for Adjusting Keyframes 622
- Level Keyframe 623
- Pan Keyframe button 623
- 624 Part VIII Audio Mixing 624
- 626 Part VIII Audio Mixing 626
- 628 Part VIII Audio Mixing 628
- Keyframes set 629
- 630 Part VIII Audio Mixing 630
- When you’ve zoomed in 631
- 632 Part VIII Audio Mixing 632
- 634 Part VIII Audio Mixing 634
- Using the Voice Over Tool 637
- 638 Part VIII Audio Mixing 638
- 640 Part VIII Audio Mixing 640
- 642 Part VIII Audio Mixing 642
- 644 Part VIII Audio Mixing 644
- 646 Part VIII Audio Mixing 646
- The newly recorded 647
- Recording a Voiceover 648
- Recording Multiple Takes 650
- Appears in Your Sequence 651
- Using Audio Filters 653
- Overview of Audio Filters 654
- 656 Part VIII Audio Mixing 656
- Gain Filter 657
- Compressor/Limiter Filter 657
- Expander/Noise Gate Filter 658
- Noise Reduction Filters 659
- Vocal DeEsser 660
- Vocal DePopper 660
- Working with Audio Filters 662
- 664 Part VIII Audio Mixing 664
- Select several filters 665
- ...then drag them 665
- 666 Part VIII Audio Mixing 666
- 668 Part VIII Audio Mixing 668
- 670 Part VIII Audio Mixing 670
- 672 Part VIII Audio Mixing 672
- Part IX: Effects and 675
- Color Correction 675
- Using Video Filters 677
- Applying a Filter to a Clip 678
- Drag the filter from 679
- ...to a clip in the Timeline 679
- Drag the Start or End 681
- The End point dragged 681
- Viewing a Filter’s Parameters 682
- Using Filter Controls 685
- Point control 687
- X and y coordinates 687
- Angle control 687
- Clip well 689
- Removing Filters from Clips 691
- Telecine Color Correction 696
- Tape-to-Tape Color Correction 698
- The Color Correction Process 701
- A Color Corrector tab 703
- The Color Corrector Filter 704
- General Controls 705
- Copy Filter Controls 706
- Copy From 709
- 1st Clip Back 709
- button 709
- Current clip 709
- Previous clip 709
- Next clip 710
- Color Balance Controls 711
- Color balance indicator 712
- Shift key 712
- Level and Saturation Controls 713
- Match Hue Controls 714
- The color balance 717
- After color correction 717
- Before color correction 717
- Highlight Desaturation 719
- Lows Desaturation 719
- Unwanted reds in the 720
- Changing Motion Parameters 723
- Basic motion parameters 724
- Distort attribute 724
- Some parameters must 725
- Motion Blur parameters 725
- Drop Shadow parameters 725
- Controls in the Motion Tab 726
- Canvas center point 729
- –360 pixels +360 pixels 729
- –240 pixels 729
- +240 pixels 729
- Initial background layer 731
- Sequence In and 731
- Out points 731
- Adjust the settings for 740
- Both selected clips now 740
- The background clip now 741
- Selected clip in 741
- Image+Wireframe mode 741
- Crop and Distort Tools 742
- Zooming In to the Canvas 743
- Adjusting Parameters 751
- How Keyframing Works 752
- Using Three Keyframes 754
- Smooth Point tool 756
- Pen tool 756
- Pen Delete tool 756
- Setting Keyframes 757
- As you drag, a box shows 758
- Drag the area up or down 758
- Moving Between Keyframes 759
- Thumb tabs on either 761
- Layer the clips, with one 764
- A box displays the opacity 766
- Create five keyframes at 766
- 1-second intervals 766
- One-Sided Bezier Handles 768
- Two-Sided Bezier Handles 769
- Smoothing Keyframes 770
- What Are Motion Paths? 772
- Creating Motion Paths 772
- Starting point 773
- With the Selection tool 773
- Two commands in the 777
- The pointer changes 778
- Reusing Effect 779
- Checkboxes are available 782
- Auto Select controls 783
- Changing Clip Speed 785
- Performing a Fit to Fill Edit 786
- A D C 787
- D Before edit 787
- Constant Speed Settings 789
- Working with Freeze Frames 791
- Creating a Freeze Frame 792
- Video Is Not 72 Dots per Inch 795
- Refers to ITU-R BT.601 798
- Looks right 799
- Looks wrong 799
- Using Alpha Channels 800
- Enter a new duration in 803
- 4000 x 3000 804
- 720 x 480 804
- Center parameter 805
- Compositing and Layering 807
- Methods of Compositing 808
- Opacity is used to blend 809
- Clip Overlays control 810
- The opacity overlay can 810
- Working with Composite Modes 812
- Normal composite mode 813
- In this example, the 814
- Screen composite mode 814
- Boxes clip Monkey clip 815
- Subtract 817
- Difference 817
- Multiply 818
- Top layer Bottom layer 819
- Screen composite 819
- Hard Light 821
- Soft Light 821
- Travel Matte - Alpha 823
- Travel Matte - Luma 824
- Choosing a Background 832
- Clip item with 835
- Overlapping clip items on 835
- Keying, Mattes, and Masks 837
- A four-point matte outlining 838
- Using Proper Lighting 841
- Select Color eyedropper 847
- Invert Selection button 847
- The image is cropped 852
- Click the Point 1 point 854
- The finished matte image 856
- Create keyframes for 856
- Click keyframe buttons 856
- The four points are 857
- The clip now has a 859
- Border.tif clip 859
- The clip’s image remains 859
- Using Generator Clips 861
- Matte Color and Slug 864
- Click the Controls tab to 868
- Creating Titles 869
- Installing and Choosing Fonts 870
- Chapter 56 Using RT Extreme 879
- Using RT Extreme 881
- About Render Status Bars 884
- What Are Dropped Frames? 884
- A tooltip tells you the 885
- Real-time effects appear 885
- Red render bars indicate 888
- Unlimited RT 889
- Play Base Layer Only 890
- Playback Video Quality 891
- Playback Frame Rate 891
- Record Settings 892
- Rendering and Video 899
- Processing Settings 899
- Render bars in the 900
- Timeline: the upper 900
- Video Render Status Bars 901
- Audio Render Status Bars 902
- Bar color Description 903
- The Rendering Process 904
- Render Selection 905
- In and Out points for the 906
- Render All 907
- Render Only 907
- Using the Mixdown Command 909
- This message appears in 910
- Changing Render Settings 912
- Render Settings 913
- Managing Your Render Files 914
- Preserving Render Files 915
- Render Time 916
- Working with Mixed-Format 919
- Sequences 919
- Mixing Frame Rates 924
- Using the Shift Fields Filter 926
- Progressive None 927
- Interlaced Upper (Odd) 927
- Lower (Even) 927
- Combining SD and HD Video 928
- 720 to 480 929
- 1080 to 480 929
- Cropping 16:9 Video to 4:3 930
- 16:9 Anamorphic 932
- Upconverting SD Video 933
- Part XI: Project Management 935
- Backing Up 937
- Using the Autosave Feature 938
- ProjectName_MM-DD-YY_HHMM 939
- Restoring Autosaved Projects 940
- Archiving Completed Projects 941
- Master and Affiliate Clips 943
- Working with Master Clips 945
- Identifying Master Clips 946
- Working with Affiliate Clips 947
- Creating Independent Clips 948
- Clip Relationships 950
- Moving Clips Between Projects 951
- Reconnecting Clips 955
- These are offline clips 958
- Can Be Broken 959
- You can select which 966
- Choosing Settings 969
- General Tab 970
- Editing Tab 975
- When handle 976
- Timeline Options Tab 977
- Render Control Tab 977
- Changing System Settings 978
- Scratch Disks Tab 979
- Search Folders Tab 980
- Memory & Cache Tab 981
- Playback Control Tab 982
- External Editors Tab 982
- The path is shown 983
- Part XII: Output 985
- Preparing to Output to Tape 987
- 988 Part XII Output 988
- Selecting Playback Settings 990
- Selecting Render Settings 991
- Cueing the Videotape 991
- Printing to Video 993
- Mark In and Out 995
- 996 Part XII Output 996
- Recording from the Timeline 997
- 998 Part XII Output 998
- Outputting to VHS Tape 999
- Learning About QuickTime 1001
- QuickTime for Media Authoring 1002
- Codecs Supported in QuickTime 1003
- 1004 Part XII Output 1004
- Movie File Formats 1006
- 1008 Part XII Output 1008
- Audio File Formats 1010
- 1012 Part XII Output 1012
- Exporting QuickTime Movies 1013
- 1014 Part XII Output 1014
- 1016 Part XII Output 1016
- Exporting Using 1019
- QuickTime Conversion 1019
- 1020 Part XII Output 1020
- About Color Space Conversion 1021
- 1022 Part XII Output 1022
- 1024 Part XII Output 1024
- Key frame 1025
- Delta frames 1025
- 1026 Part XII Output 1026
- Select a filter in this list 1027
- Click a disclosure triangle 1027
- Adjust settings for the 1027
- 1028 Part XII Output 1028
- 16:9 letterboxed within 1029
- 320 x 240 (4:3) 1029
- 16:9 cropped 1029
- 1030 Part XII Output 1030
- Internet Streaming Settings 1032
- Classic Aperture Mode 1034
- Clean Aperture Mode 1034
- Production Aperture Mode 1035
- Exporting to an Apple Device 1036
- Exporting a DV Stream 1037
- Exporting an AVI File 1038
- 1040 Part XII Output 1040
- Exporting Sequences for DVD 1041
- Video for Standard DVDs 1042
- Audio for DVD 1043
- About Surround Sound Audio 1044
- More About Chapter Markers 1045
- 1046 Part XII Output 1046
- Using iDVD 1047
- Exporting Still Images 1049
- 1050 Part XII Output 1050
- Exporting Image Sequences 1051
- 1052 Part XII Output 1052
- A file is saved for each 1053
- Part XIII: Appendixes 1055
- Video Formats 1057
- Storage Medium 1058
- Video Standards 1059
- Types of Video Signals 1060
- ; R-Y, B-Y; and U,V 1061
- 1062 Part XIII Appendixes 1062
- Letterboxing 1063
- Pan and Scan 1063
- Anamorphic 1064
- Pillarboxing 1064
- Pixel Aspect Ratio 1066
- Frame Rate 1067
- Scanning Method 1067
- About Progressive Scanning 1068
- About Field Dominance 1069
- Color Recording Method 1070
- Color Sample Ratio 1071
- Bit Depth 1071
- Video Compression 1072
- Lossless Codecs 1073
- Lossy Codecs 1074
- About Uncompressed Video 1074
- About MPEG Compression 1074
- 1076 Part XIII Appendixes 1076
- 1078 Part XIII Appendixes 1078
- DV Formats 1079
- High Definition Video Formats 1080
- Data Rate Comparisons 1081
- Frame Rate and Timecode 1085
- 1086 Part XIII Appendixes 1086
- Choosing a Frame Rate 1088
- 01:32:15:28 1090
- Working with 1095
- Anamorphic 16:9 Media 1095
- 1096 Part XIII Appendixes 1096
- About Letterboxing 1097
- Why Shoot 16:9 Video? 1098
- Recording Anamorphic Video 1099
- Capturing Anamorphic Media 1100
- If your media is 1101
- 1102 Part XIII Appendixes 1102
- 1104 Part XIII Appendixes 1104
- Solving Common Problems 1105
- Solutions to Common Problems 1106
- 1108 Part XIII Appendixes 1108
- Problems with Audio Quality 1110
- Contacting AppleCare Support 1111
- 1114 Index 1114
- Index 1115 1115
- 1116 Index 1116
- Index 1117 1117
- 1118 Index 1118
- Index 1119 1119
- 1120 Index 1120
- Index 1121 1121
- 1122 Index 1122
- Index 1123 1123
- 1124 Index 1124
- Index 1125 1125
- 1126 Index 1126
- Index 1127 1127
- 1128 Index 1128
- Index 1129 1129
- 1130 Index 1130
- Index 1131 1131
- 1132 Index 1132
- Index 1133 1133
- 1134 Index 1134
- Index 1135 1135
- 1136 Index 1136
- Index 1137 1137
- 1138 Index 1138
- Index 1139 1139
- 1140 Index 1140
- Index 1141 1141
- 1142 Index 1142
- Index 1143 1143
- 1144 Index 1144
- Index 1145 1145
- 1146 Index 1146
- Index 1147 1147
- 1148 Index 1148
- Index 1149 1149
- 1150 Index 1150
- Index 1151 1151
- 1152 Index 1152
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