Apple Final Cut Express 4 User Manual download pdf (Page 53)

Part II: Learning About

the Final Cut Express Interface

Get familiar with the Browser, Viewer, Canvas, and Timeline,

and learn how to customize the Final Cut Express interface

to meet your specific needs.

Chapter 4 Overview of the Final Cut Express Interface

Chapter 5 Browser Basics

Chapter 6 Viewer Basics

Chapter 7 Canvas Basics

Chapter 8 Navigating and Using Timecode in the Viewer and Canvas

Chapter 9 Timeline Basics

Chapter 10 Customizing the Interface

1 2 ... 48 49 50 51 52 53 54 55 56 57 58 ... 114 115

Final Cut Express 4 1
User Manual 1
Contents 3
Part VI Rough Editing 8
Contents 9 9
10 Contents 10
Contents 11 11
12 Contents 12
Contents 13 13
Part VIII Audio Mixing 14
Contents 15 15
16 Contents 16
Contents 17 17
18 Contents 18
Contents 19 19
20 Contents 20
Part XII Output 21
Part XIII Appendixes 22
Contents 23 23
Documentation and Resources 25
Apple Websites 26
Part I: An Introduction 27
About the Post-Production 29
Workflow 29
The Post-Production Workflow 30
Video Format Basics 37
Understanding Projects 39
Clips, and Sequences 39
What Are Clips? 40
What Are Sequences? 41
What Are Projects? 42
Organizing Your Projects 44
Creating and Saving Projects 44
Opening and Closing Projects 46
To switch between 47
Filenaming Considerations 49
Avoiding Special Characters 50
Using Filename Extensions 51
Using Multiple Hard Disks 51
Part II: Learning About 53
Overview of the 55
Final Cut Express Interface 55
Using Button Bars 57
Using Shortcut Menus 58
Moving Windows 62
Undoing and Redoing Changes 63
Browser Basics 65
Learning About the Browser 66
Working in the Browser 67
Using Columns in the Browser 69
Choosing Views in the Browser 70
Thumbnails appear as 72
The thumbnail you’re 73
Enter the new 73
Thumbnails of 74
Video clip with audio 74
Audio clip 74
Before using the 76
Arrange command 76
After using the 76
Setting the Poster Frame 77
Viewer Basics 79
Opening a Clip in the Viewer 80
Learning About the Viewer 81
Tabs in the Viewer 83
Playhead Controls 85
Jog Control 86
Shuttle Control 86
Chapter 6 Viewer Basics 89 89
View Pop-Up Menu 90
Recent Clips Pop-Up Menu 91
Generator Pop-Up Menu 91
Canvas Basics 93
Learning About the Canvas 95
Edit Overlay in the Canvas 96
Chapter 7 Canvas Basics 99 99
Marking Controls 100
Zoom and View Pop-Up Menus 101
103 103
Playing Clips and Sequences 104
To move around, drag the 106
{ Moves through 107
“ Moves through 107
To move precisely 109
Looping Playback 110
Dragging Timecode Values 112
Timeline Basics 113
Learning About the Timeline 116
Editing Controls 117
Vertical Multitrack Controls 118
Horizontal Time Controls 119
Current Timecode field 120
Zoom control 120
Timeline Display Controls 121
Audio Controls 122
Other Miscellaneous Controls 123
Speed change is shown 124
Stereo pair indicator 124
RT pop-up menu 124
Click here to view 126
Audio waveform 128
Without audio 128
Navigating in the Timeline 130
Before zooming in 134
The playhead remains in 134
After zooming in 134
Position of playhead 135
One-minute increment 135
Scroll bar 136
Customizing the Interface 137
Default Two Up layout 138
Layout after making the 138
Browser and Timeline 138
Using Window Layouts 139
Customizing Window Layouts 140
Tooltip for a shortcut 141
Icon for a shortcut 141
Spacer added 142
Removing Shortcut Buttons 143
Part III: Setting Up 145
Your Editing System 145
Connecting DV Video Equipment 147
Connecting Your Camcorder 149
Choosing an Easy Setup 150
Specifying Scratch Disks 151
About FireWire 154
Determining Your Hard Disk 155
Storage Options 155
Know Your Shooting Ratio 156
Choosing a Hard Disk 159
Types of Hard Disk Drives 160
FireWire Disk Drives 161
SCSI Disk Drives 161
Using a RAID or Disk Array 162
Computer Disk array 163
Storage Area Networks 164
External Video Monitoring 165
FireWire 166
Composite 166
Chapter 17 Working with HDV 173
175 175
Transport Controls 178
Jog and Shuttle Controls 178
Capture Tab 179
Logging Fields 180
Marker Controls 181
Using Slate Buttons 181
Preparing to Capture 182
Logging Your Tapes 183
Choosing a Filenaming Scheme 184
The slate icon appears 186
Using Capture Now 190
Recapturing Clips 194
Using Capture Project 195
Number on a Single Tape 202
Importing Media Files 205
About Importing Video Files 209
About Importing Audio Files 211
Drag the clips to 217
Ingesting Media Files 219
Working with AVCHD Footage 220
Transferring AVCHD Footage 221
Than Native AVCHD Files 221
Sample Media File Workflow 222
Using the Browse Area 225
Controls in the Browse Area 226
Using the Preview Area 228
Restrictions During Preview 229
Using the Logging Area 229
Incrementing Logging Fields 230
Using the Transfer Queue 231
Pausing and Stopping Ingest 232
Working with HDV 233
About MPEG-2 Compression 234
More About Long-GOP Video 235
HDV Format Specifications 240
Part V: Organizing Footage 243
Organizing Footage 245
Creating New Bins 246
Opening Bins in the Browser 247
Drag the bin’s tab above 250
The bin now has its own 250
Moving Items Between Bins 251
You can also move 252
About Search Options 255
Search Commands 257
A list of unused clips is 258
Results window 258
Using Markers 261
Types of Markers 263
Working with Markers 264
Quickly Adding Markers 265
Navigating with Markers 269
Moving a Marker 271
Enter the new time here 272
Extending a Marker’s Duration 274
Creating Subclips 277
A new subclip appears in 278
Removing Subclip Limits 279
Turning Markers into Subclips 280
All of the material 281
Creating Subclips Manually 282
Editing with Subclips 283
Markers for a clip 284
Part VI: Rough Editing 287
289 289
Working with Projects 290
Returning to Saved Projects 292
Types of Clips 293
About Offline Clips 294
Sequences as Clips 295
Finding a Clip’s Media File 296
298 Part VI Rough Editing 298
Opening and Closing Sequences 299
Duplicating a Sequence 300
Nesting a Sequence 301
302 Part VI Rough Editing 302
The Fundamentals 303
304 Part VI Rough Editing 304
Undoing and Redoing Actions 306
Drag-to-Timeline Editing 307
Three-Point Editing 307
308 Part VI Rough Editing 308
310 Part VI Rough Editing 310
Arrange the clips in the 311
Setting Edit Points 313
314 Part VI Rough Editing 314
The Out point includes 315
316 Part VI Rough Editing 316
Mark Out button (O) 317
Mark In button (I) 317
318 Part VI Rough Editing 318
Reviewing Your Edit Points 319
320 Part VI Rough Editing 320
322 Part VI Rough Editing 322
In point 323
The new clip begins at 323
324 Part VI Rough Editing 324
In and Out points are 325
The new clip’s duration is 325
326 Part VI Rough Editing 326
Move the playhead 327
Auto Select is enabled for 327
328 Part VI Rough Editing 328
Select the desired clips 329
330 Part VI Rough Editing 330
Moving In and Out Points 331
Clearing In and Out Points 332
Working with Tracks 335
Adding and Deleting Tracks 336
Chapter 24 337
Deleting Tracks 338
Setting Destination Tracks 340
342 Part VI Rough Editing 342
344 Part VI Rough Editing 344
Resizing Timeline Tracks 346
Drag a boundary 347
Timeline patch panel 347
348 Part VI Rough Editing 348
Saving Track Layouts 349
350 Part VI Rough Editing 350
Drag the center slider 351
To eliminate audio tracks 351
354 Part VI Rough Editing 354
356 Part VI Rough Editing 356
While Dragging 358
362 Part VI Rough Editing 362
Using Keyboard Shortcuts 363
364 Part VI Rough Editing 364
Performing an Insert Edit 365
366 Part VI Rough Editing 366
A B C 367
Performing an Overwrite Edit 368
370 Part VI Rough Editing 370
Performing a Replace Edit 371
372 Part VI Rough Editing 372
Replace section 373
374 Part VI Rough Editing 374
376 Part VI Rough Editing 376
Superimposing Clips 377
378 Part VI Rough Editing 378
Before a 379
Three-Point Editing Examples 380
Move the playhead to the 381
The new clip starts 381
382 Part VI Rough Editing 382
The new clip fills 383
Out point 383
384 Part VI Rough Editing 384
Finding and Selecting 387
Content in the Timeline 387
388 Part VI Rough Editing 388
390 Part VI Rough Editing 390
Selecting Clips 392
Selecting an Individual Clip 393
Selecting Multiple Clips 394
396 Part VI Rough Editing 396
Select All Tracks Forward 397
Select All Tracks 397
Backward 397
398 Part VI Rough Editing 398
Enter the desired 399
Choose additional 399
400 Part VI Rough Editing 400
402 Part VI Rough Editing 402
After deleting; only 403
Auto Select control 403
404 Part VI Rough Editing 404
405 405
406 Part VI Rough Editing 406
Moving by Dragging 407
Moving Clips Numerically 408
The number 409
Clip items to be moved 409
Clip Collision message 409
Performing Shuffle Edits 410
412 Part VI Rough Editing 412
414 Part VI Rough Editing 414
416 Part VI Rough Editing 416
418 Part VI Rough Editing 418
Selected clip items 419
After the ripple delete, the 419
Finding and Closing Gaps 420
422 Part VI Rough Editing 422
Cutting Clips 423
424 Part VI Rough Editing 424
The Razor Blade All 425
426 Part VI Rough Editing 426
428 Part VI Rough Editing 428
Linking and Editing 429
Video and Audio in Sync 429
430 Part VI Rough Editing 430
Audio moved away 431
Audio moved back 431
Audio Items 432
A mixed-sync indicator 433
Out-of-sync indicators 433
434 Part VI Rough Editing 434
Names of linked clip 435
436 Part VI Rough Editing 436
Moving a Clip into Sync 437
438 Part VI Rough Editing 438
Before syncing 439
After syncing 439
440 Part VI Rough Editing 440
Between Linked Clip Items 441
Marking a Clip as In Sync 442
The out-of-sync indicators 443
444 Part VI Rough Editing 444
Split Edits 445
446 Part VI Rough Editing 446
Chapter 31 Split Edits 447 447
448 Part VI Rough Editing 448
Chapter 31 Split Edits 449 449
450 Part VI Rough Editing 450
Split Edit Examples 451
452 Part VI Rough Editing 452
Chapter 31 Split Edits 453 453
454 Part VI Rough Editing 454
Audio Editing Basics 455
456 Part VI Rough Editing 456
Waveforms for a stereo 457
458 Part VI Rough Editing 458
460 Part VI Rough Editing 460
Editing Audio in the Viewer 461
462 Part VI Rough Editing 462
Zoom slider 463
464 Part VI Rough Editing 464
466 Part VI Rough Editing 466
Audio selected 467
Linked Selection 467
Editing Audio in the Timeline 468
470 Part VI Rough Editing 470
472 Part VI Rough Editing 472
474 Part VI Rough Editing 474
A wide playhead bar in 475
476 Part VI Rough Editing 476
The long pause in your 477
Paste the pause section 477
478 Part VI Rough Editing 478
480 Part VI Rough Editing 480
483 483
Sliding Clips in the Timeline 484
The clip moves to a new 485
Drag point 488
Entire length of media 488
The timecode entry field 490
Without Leaving a Gap 491
Performing Ripple Edits 492
These clips move left 495
This clip shortens 495
Selected edit point 503
Edit being rolled 504
After the roll edit, the 504
Tips for Using the Roll Tool 506
Learning About Trimming Clips 507
Click here to turn linked 509
Click here to turn 509
Selecting Single Edit Points 512
Trimming Clips in the Viewer 516
Timecode Numbers 518
Moving Clips Using Timecode 519
Media Limit message 521
Trimming Clips 523
Using the Trim Edit Window 523
Outgoing clip 524
Incoming clip 524
Green bar 524
Go to Previous Edit 527
Go to Next Edit 527
Play Around Edit Loop 527
Play In to Out 527
Dynamic Trimming 531
Adding Transitions 537
Common Types of Transitions 538
A transition between 539
Having Handles at Edit Points 540
The added transition 542
Drag the transition to 546
Deleting Transitions 547
Before a roll edit 549
After a roll edit with the 549
Replacing Transitions 550
Refining Transitions 557
Using the Transition Editor 557
Alignment buttons 559
Recent Clips 559
Drag hand 559
Reverse Transition button 561
Reset button 562
Canvas to help you determine 566
Rendering Transitions 569
Sequence-to-Sequence Editing 571
4 Do one of the following: 573
Nesting Sequences 576
After the Nested Sequence 577
Nested sequence B 578
Adding clips to sequence B 578
Without Nesting It 579
A highlighted area shows 582
Matching Frames 585
Part VIII: Audio Mixing 591
Setting Up for Audio Mixing 593
Sample Rate 594
Chapter 40 595
2-bit1-bit 596
16-bit4-bit 596
Timeline 597
Speakers 597
598 Part VIII Audio Mixing 598
600 Part VIII Audio Mixing 600
Using Headphones 602
Evaluating Levels 603
Analog Versus Digital Meters 604
Original 605
Too much gain 605
Clipping remains 605
Setting Proper Audio Levels 606
0 dBFS 0 dBFS 0 dBFS 607
Reapplying Normalization Gain 608
Average videotape 12 dB 609
Television broadcast 6 dB 609
Labeling Your Tapes 610
Mixing Audio 611
612 Part VIII Audio Mixing 612
The keyframe appears as 613
614 Part VIII Audio Mixing 614
616 Part VIII Audio Mixing 616
Enter a new value 617
Adjust Line Segment 617
Panning Audio in the Timeline 618
Pan slider 619
620 Part VIII Audio Mixing 620
The pointer turns into an 621
As you drag, a box displays 621
Tools for Adjusting Keyframes 622
Level Keyframe 623
Pan Keyframe button 623
624 Part VIII Audio Mixing 624
626 Part VIII Audio Mixing 626
628 Part VIII Audio Mixing 628
Keyframes set 629
630 Part VIII Audio Mixing 630
When you’ve zoomed in 631
632 Part VIII Audio Mixing 632
634 Part VIII Audio Mixing 634
Using the Voice Over Tool 637
638 Part VIII Audio Mixing 638
640 Part VIII Audio Mixing 640
642 Part VIII Audio Mixing 642
644 Part VIII Audio Mixing 644
646 Part VIII Audio Mixing 646
The newly recorded 647
Recording a Voiceover 648
Recording Multiple Takes 650
Appears in Your Sequence 651
Using Audio Filters 653
Overview of Audio Filters 654
656 Part VIII Audio Mixing 656
Gain Filter 657
Compressor/Limiter Filter 657
Expander/Noise Gate Filter 658
Noise Reduction Filters 659
Vocal DeEsser 660
Vocal DePopper 660
Working with Audio Filters 662
664 Part VIII Audio Mixing 664
Select several filters 665
...then drag them 665
666 Part VIII Audio Mixing 666
668 Part VIII Audio Mixing 668
670 Part VIII Audio Mixing 670
672 Part VIII Audio Mixing 672
Part IX: Effects and 675
Color Correction 675
Using Video Filters 677
Applying a Filter to a Clip 678
Drag the filter from 679
...to a clip in the Timeline 679
Drag the Start or End 681
The End point dragged 681
Viewing a Filter’s Parameters 682
Using Filter Controls 685
Point control 687
X and y coordinates 687
Angle control 687
Clip well 689
Removing Filters from Clips 691
Telecine Color Correction 696
Tape-to-Tape Color Correction 698
The Color Correction Process 701
A Color Corrector tab 703
The Color Corrector Filter 704
General Controls 705
Copy Filter Controls 706
Copy From 709
1st Clip Back 709
button 709
Current clip 709
Previous clip 709
Next clip 710
Color Balance Controls 711
Color balance indicator 712
Shift key 712
Level and Saturation Controls 713
Match Hue Controls 714
The color balance 717
After color correction 717
Before color correction 717
Highlight Desaturation 719
Lows Desaturation 719
Unwanted reds in the 720
Changing Motion Parameters 723
Basic motion parameters 724
Distort attribute 724
Some parameters must 725
Motion Blur parameters 725
Drop Shadow parameters 725
Controls in the Motion Tab 726
Canvas center point 729
–360 pixels +360 pixels 729
–240 pixels 729
+240 pixels 729
Initial background layer 731
Sequence In and 731
Out points 731
Adjust the settings for 740
Both selected clips now 740
The background clip now 741
Selected clip in 741
Image+Wireframe mode 741
Crop and Distort Tools 742
Zooming In to the Canvas 743
Adjusting Parameters 751
How Keyframing Works 752
Using Three Keyframes 754
Smooth Point tool 756
Pen tool 756
Pen Delete tool 756
Setting Keyframes 757
As you drag, a box shows 758
Drag the area up or down 758
Moving Between Keyframes 759
Thumb tabs on either 761
Layer the clips, with one 764
A box displays the opacity 766
Create five keyframes at 766
1-second intervals 766
One-Sided Bezier Handles 768
Two-Sided Bezier Handles 769
Smoothing Keyframes 770
What Are Motion Paths? 772
Creating Motion Paths 772
Starting point 773
With the Selection tool 773
Two commands in the 777
The pointer changes 778
Reusing Effect 779
Checkboxes are available 782
Auto Select controls 783
Changing Clip Speed 785
Performing a Fit to Fill Edit 786
A D C 787
D Before edit 787
Constant Speed Settings 789
Working with Freeze Frames 791
Creating a Freeze Frame 792
Video Is Not 72 Dots per Inch 795
Refers to ITU-R BT.601 798
Looks right 799
Looks wrong 799
Using Alpha Channels 800
Enter a new duration in 803
4000 x 3000 804
720 x 480 804
Center parameter 805
Compositing and Layering 807
Methods of Compositing 808
Opacity is used to blend 809
Clip Overlays control 810
The opacity overlay can 810
Working with Composite Modes 812
Normal composite mode 813
In this example, the 814
Screen composite mode 814
Boxes clip Monkey clip 815
Subtract 817
Difference 817
Multiply 818
Top layer Bottom layer 819
Screen composite 819
Hard Light 821
Soft Light 821
Travel Matte - Alpha 823
Travel Matte - Luma 824
Choosing a Background 832
Clip item with 835
Overlapping clip items on 835
Keying, Mattes, and Masks 837
A four-point matte outlining 838
Using Proper Lighting 841
Select Color eyedropper 847
Invert Selection button 847
The image is cropped 852
Click the Point 1 point 854
The finished matte image 856
Create keyframes for 856
Click keyframe buttons 856
The four points are 857
The clip now has a 859
Border.tif clip 859
The clip’s image remains 859
Using Generator Clips 861
Matte Color and Slug 864
Click the Controls tab to 868
Creating Titles 869
Installing and Choosing Fonts 870
Chapter 56 Using RT Extreme 879
Using RT Extreme 881
About Render Status Bars 884
What Are Dropped Frames? 884
A tooltip tells you the 885
Real-time effects appear 885
Red render bars indicate 888
Unlimited RT 889
Play Base Layer Only 890
Playback Video Quality 891
Playback Frame Rate 891
Record Settings 892
Rendering and Video 899
Processing Settings 899
Render bars in the 900
Timeline: the upper 900
Video Render Status Bars 901
Audio Render Status Bars 902
Bar color Description 903
The Rendering Process 904
Render Selection 905
In and Out points for the 906
Render All 907
Render Only 907
Using the Mixdown Command 909
This message appears in 910
Changing Render Settings 912
Render Settings 913
Managing Your Render Files 914
Preserving Render Files 915
Render Time 916
Working with Mixed-Format 919
Sequences 919
Mixing Frame Rates 924
Using the Shift Fields Filter 926
Progressive None 927
Interlaced Upper (Odd) 927
Lower (Even) 927
Combining SD and HD Video 928
720 to 480 929
1080 to 480 929
Cropping 16:9 Video to 4:3 930
16:9 Anamorphic 932
Upconverting SD Video 933
Part XI: Project Management 935
Backing Up 937
Using the Autosave Feature 938
ProjectName_MM-DD-YY_HHMM 939
Restoring Autosaved Projects 940
Archiving Completed Projects 941
Master and Affiliate Clips 943
Working with Master Clips 945
Identifying Master Clips 946
Working with Affiliate Clips 947
Creating Independent Clips 948
Clip Relationships 950
Moving Clips Between Projects 951
Reconnecting Clips 955
These are offline clips 958
Can Be Broken 959
You can select which 966
Choosing Settings 969
General Tab 970
Editing Tab 975
When handle 976
Timeline Options Tab 977
Render Control Tab 977
Changing System Settings 978
Scratch Disks Tab 979
Search Folders Tab 980
Memory & Cache Tab 981
Playback Control Tab 982
External Editors Tab 982
The path is shown 983
Part XII: Output 985
Preparing to Output to Tape 987
988 Part XII Output 988
Selecting Playback Settings 990
Selecting Render Settings 991
Cueing the Videotape 991
Printing to Video 993
Mark In and Out 995
996 Part XII Output 996
Recording from the Timeline 997
998 Part XII Output 998
Outputting to VHS Tape 999
Learning About QuickTime 1001
QuickTime for Media Authoring 1002
Codecs Supported in QuickTime 1003
1004 Part XII Output 1004
Movie File Formats 1006
1008 Part XII Output 1008
Audio File Formats 1010
1012 Part XII Output 1012
Exporting QuickTime Movies 1013
1014 Part XII Output 1014
1016 Part XII Output 1016
Exporting Using 1019
QuickTime Conversion 1019
1020 Part XII Output 1020
About Color Space Conversion 1021
1022 Part XII Output 1022
1024 Part XII Output 1024
Key frame 1025
Delta frames 1025
1026 Part XII Output 1026
Select a filter in this list 1027
Click a disclosure triangle 1027
Adjust settings for the 1027
1028 Part XII Output 1028
16:9 letterboxed within 1029
320 x 240 (4:3) 1029
16:9 cropped 1029
1030 Part XII Output 1030
Internet Streaming Settings 1032
Classic Aperture Mode 1034
Clean Aperture Mode 1034
Production Aperture Mode 1035
Exporting to an Apple Device 1036
Exporting a DV Stream 1037
Exporting an AVI File 1038
1040 Part XII Output 1040
Exporting Sequences for DVD 1041
Video for Standard DVDs 1042
Audio for DVD 1043
About Surround Sound Audio 1044
More About Chapter Markers 1045
1046 Part XII Output 1046
Using iDVD 1047
Exporting Still Images 1049
1050 Part XII Output 1050
Exporting Image Sequences 1051
1052 Part XII Output 1052
A file is saved for each 1053
Part XIII: Appendixes 1055
Video Formats 1057
Storage Medium 1058
Video Standards 1059
Types of Video Signals 1060
; R-Y, B-Y; and U,V 1061
1062 Part XIII Appendixes 1062
Letterboxing 1063
Pan and Scan 1063
Anamorphic 1064
Pillarboxing 1064
Pixel Aspect Ratio 1066
Frame Rate 1067
Scanning Method 1067
About Progressive Scanning 1068
About Field Dominance 1069
Color Recording Method 1070
Color Sample Ratio 1071
Bit Depth 1071
Video Compression 1072
Lossless Codecs 1073
Lossy Codecs 1074
About Uncompressed Video 1074
About MPEG Compression 1074
1076 Part XIII Appendixes 1076
1078 Part XIII Appendixes 1078
DV Formats 1079
High Definition Video Formats 1080
Data Rate Comparisons 1081
Frame Rate and Timecode 1085
1086 Part XIII Appendixes 1086
Choosing a Frame Rate 1088
01:32:15:28 1090
Working with 1095
Anamorphic 16:9 Media 1095
1096 Part XIII Appendixes 1096
About Letterboxing 1097
Why Shoot 16:9 Video? 1098
Recording Anamorphic Video 1099
Capturing Anamorphic Media 1100
If your media is 1101
1102 Part XIII Appendixes 1102
1104 Part XIII Appendixes 1104
Solving Common Problems 1105
Solutions to Common Problems 1106
1108 Part XIII Appendixes 1108
Problems with Audio Quality 1110
Contacting AppleCare Support 1111
1114 Index 1114
Index 1115 1115
1116 Index 1116
Index 1117 1117
1118 Index 1118
Index 1119 1119
1120 Index 1120
Index 1121 1121
1122 Index 1122
Index 1123 1123
1124 Index 1124
Index 1125 1125
1126 Index 1126
Index 1127 1127
1128 Index 1128
Index 1129 1129
1130 Index 1130
Index 1131 1131
1132 Index 1132
Index 1133 1133
1134 Index 1134
Index 1135 1135
1136 Index 1136
Index 1137 1137
1138 Index 1138
Index 1139 1139
1140 Index 1140
Index 1141 1141
1142 Index 1142
Index 1143 1143
1144 Index 1144
Index 1145 1145
1146 Index 1146
Index 1147 1147
1148 Index 1148
Index 1149 1149
1150 Index 1150
Index 1151 1151
1152 Index 1152

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