Apple Soundtrack Pro 2 User Manual Page 45
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Chapter 2 The Soundtrack Pro Interface 45
Each channel strip includes the following controls:
 Color label: Indicates the track color, which is applied to any clips on the track (unless
you choose to override the color for individual clips).
 Name field: You can type a new name for the channel strip.
 Icon: Icons let you visually distinguish channel strips in the Mixer. Double-click an
icon to change it.
 Effects slots: Show the effects and sends for the channel strip, and let you add effects
and sends.
 Panning controls: Set the pan position of a track or bus. In surround mode, drag
anywhere inside the black circle to position the puck. In stereo mode, drag the pan
slider left or right or change the value in the value slider. You can automate pan
changes by setting the appropriate automation mode for the project. These appear
in track and bus channel strips only, not in submix channel strips.
 Volume fader and value slider: Set the channel strip’s volume level by dragging the
fader or changing the value in the value slider. You can automate volume changes by
dragging the slider with the project set to the appropriate automation mode.
 Level meters with peak indicator: Show the volume level of the channel strip in real
time as the project plays. The peak indicator shows the highest level played and
changes color to indicate that clipping has occurred.
 Arm for Recording button: Click to enable the track for recording. When you click a
track’s Arm for Recording button, the Recording tab appears, showing the track’s
current recording settings. The button appears in track channel strips only, not in bus
or submix channel strips.
Icon
Volume fader
Effects slots
Solo button
Panning controls
Level meters and
peak indicator
Color label
Arm for Recording button
Name
Submix pop-up menu
Mute button
Volume value slider
- Soundtrack Pro 2 1
- User Manual 1
- Contents 3
- Contents 7 7
- 8 Contents 8
- Contents 9 9
- 10 Contents 10
- An Introduction 11
- Apple Websites 19
- Setting Up Your System 21
- Hard Disks 22
- Connecting Equipment 23
- Video Device 24
- Audio Device 24
- Video and Audio Interfaces 25
- Amplifiers 26
- Control Surfaces 26
- Example Hardware Setups 27
- The Soundtrack Pro Interface 33
- Showing and Hiding the Panes 34
- Rearranging Tabs 36
- Project Pane 37
- Transport Controls 38
- Timeline Controls 42
- Channel strips 44
- Channel Strip and Mixer 44
- Automation Mode 44
- Multitake Editor 46
- Item list 48
- Preview controls 48
- Media pop-up menu 48
- Items pop-up menu 48
- Columns pop-up menu 48
- Meters Tab 49
- Recording Tab 50
- Search Tab 52
- Favorites Tab 54
- Video Tab 55
- Project Tab 55
- Details Tab 57
- Effects Tab 60
- Tracks Tab 61
- Actions Tab 62
- Analysis Tab 63
- Timecode HUD 64
- Sound Palette 64
- Multipoint Video HUD 64
- Setting Up Soundtrack Pro 65
- Setting Up Your Workspace 67
- Using Tabs 68
- Using Project Layouts 68
- Customizing the Toolbar 69
- Playing Projects 71
- Setting the Playhead Quickly 72
- Enter a time position in 73
- Enter a beat position 73
- Using Value Sliders 75
- Using Timecode Value Sliders 76
- Scrubbing Audio 77
- Scrubbing Video 77
- Supported Audio File Formats 79
- Supported Video File Formats 79
- Looping and Non-Looping Files 79
- Double-click a folder to 80
- Using Search to Locate Files 81
- Select a keyword 82
- Search Results area 82
- Search Text field 82
- Click a button to display 84
- Using the Bin 87
- Previewing Audio Files 91
- Using Undo and Redo 93
- Using Snapping 94
- Reconnecting Media Files 96
- General Preferences 97
- Project Preferences 99
- Recording Preferences 100
- Synchronization Preferences 101
- Control Surfaces Preferences 102
- Video Out Preferences 103
- 105 105
- Closing Multitrack Projects 106
- Setting Project Properties 106
- Clips or Sequences 106
- Sample Rate 107
- Overlap Mode 108
- Envelope Selection Mode 108
- Project Time Format 109
- Setting the Project Length 110
- Saving Multitrack Projects 111
- Edited Media Location 112
- Scratch Location 112
- Recordings Location 112
- Drag the file from a media 113
- Clip Properties 114
- Setting Clip and Track Colors 116
- Choose a clip color from 117
- Enabling and Disabling Clips 118
- Choose Lock Clip from 119
- Choose Lock Selected Track 120
- Choose a channel from 121
- The clip’s waveform 121
- Drag multiple mono 123
- Timeline to create a 123
- Submix bus 124
- Submixes 125
- The Master Bus 126
- Working in the Timeline 127
- Using the Scroll Bars 128
- Using the Zoom Control 129
- { Moves through 130
- “ Moves through 130
- Setting Track Height 132
- Using the Time Ruler 133
- Working with the Cycle Region 134
- The selected track is 136
- Using the Track Controls 142
- Click the Solo button to 144
- Click the envelopes 146
- The envelopes appear 146
- Timeline 146
- The clips at and 150
- Removing Audio Clips 152
- The Spot to Timeline 153
- Moving Clips 154
- Moving Clips Numerically 155
- Resizing Audio Clips 156
- Logarithmic 159
- Exponential 159
- Crossfade Mode button 160
- Crossfade 160
- Selection Tool 164
- Timeslice Tool 164
- Blade and Blade All Tools 164
- Timeline Editing Tools HUD 165
- Editing in Place 166
- Multitrack Project 166
- Blade Tool button 171
- Click the clip with the 171
- Blade tool to split it 171
- Blade All Tool button 171
- Joining Audio Clips 173
- Timeslice selection 175
- File Editor selection 175
- Shift-click 177
- Timeslice 177
- Phase 179
- Choose Add or Replace 180
- Working with Markers 183
- Naming Markers 184
- Moving Markers 184
- Using Markers with Video 185
- With Markers selected 186
- Click the marker handle at 187
- The marker is scored 187
- Editing Audio Files 191
- Spectrum view 192
- Audio File Projects 193
- Select a clip in the 198
- ...to work with it in the 198
- File Editor 198
- Solo button 199
- Preview Volume slider 199
- Link button 199
- Scrubbing Audio Files 200
- Shift-drag to create 201
- Scrub tool 201
- Selected area 202
- Left channel selected 203
- Right channel 203
- Moving Between Selections 205
- Frequency Selection Tool 208
- Sample Edit Tool 209
- Audio Stretching Tool 210
- Zoom Tool 211
- Editing Multichannel Files 212
- Using Frequency Spectrum View 214
- Frequency Spectrum 215
- View button 215
- Waveform View button 215
- Using the Spectrum View HUD 216
- Processing Audio Files 219
- Fade Out 220
- Normalize 221
- Adjust Amplitude 221
- Time Stretch 224
- Noise Reduction 225
- Adding Ambient Noise 227
- Equalization Matching 228
- Convert to Mono 228
- Resample 229
- Swap Channels 229
- Reorder Channels 229
- Render to Action 229
- Working with Actions 230
- Editing Actions 231
- Turning Actions On and Off 231
- Reordering Actions 232
- Using the Action Insert Bar 232
- Flattening Actions 233
- Deleting Actions 235
- Analyzing an Audio File 236
- Phase Issues 237
- Setting Analysis Parameters 238
- Reading Analysis Results 238
- Fixing Analyzed Problems 240
- Closing Audio File Projects 242
- Drag this rectangle to a 249
- Using the Multitake Editor 251
- What Is ADR? 252
- Multitake Clips 252
- Creating Multitake Clips 252
- Slipping Take Regions 255
- Adding and Deleting Takes 256
- Renaming Takes 256
- Reordering Takes 257
- Drag the transition point 259
- 261 261
- Steps in Mixing 262
- Master bus 263
- Hardware 263
- Submix busTrack 263
- Tracks Submix bus 264
- Setting Hardware Outputs 265
- Creating Submixes 266
- Creating a Stereo Mix 267
- Using Sends and Busses 270
- Audio clip 272
- Volume fader 272
- Using the Mixer 273
- Selecting Channel Strips 276
- Reordering Channel Strips 276
- Copying Channel Strips 276
- Volume value slider 277
- Pan slider 278
- Pan value slider 278
- Setting Channel Strip Output 279
- Mute button 280
- Arm for Recording 280
- Bypass Effects button 280
- Renaming Channel Strips 281
- Changing a Channel Strip Icon 281
- Show (Mixer) pop-up menu 282
- Channel Strip 282
- Removing Channel Strips 283
- Turning Effects Off and On 285
- Replacing an Effect 286
- Reordering Sends in the Mixer 287
- Showing Send Settings 287
- Turning Sends Off and On 287
- Level meters 288
- Reset button 288
- Peak Value and 288
- Location display 288
- Using the Master Bus 290
- Recording Audio in the Mixer 291
- Creating Multiple Mixes 292
- Mixing Surround Sound 293
- Setting Up for Surround 294
- Using the Surround Panners 295
- Connecting Physical Outputs 297
- Stereo Mixdown 297
- Surround Speaker Placement 298
- The Mini Surround Panner 299
- The Surround Panner HUD 300
- ... to alter the angle from 301
- Drag the Rotation slider 301
- Collapse at 0 302
- Collapse at 95Collapse at 50 302
- Surround Panner Automation 303
- Surround Metering 304
- Mixer Meters 305
- Surround Mixing Strategies 306
- Set all panners to 308
- Using the Center Channel 310
- Using Surround Channels 310
- Accommodating Stereo Playback 312
- Mixdowns 312
- Project Files 313
- Working with Video 315
- Adding a Video to a Project 316
- Playing the Video 317
- Resizing the Video Tab 318
- Using Video Output Devices 318
- Viewing Video Details 320
- Working with a Video’s Audio 321
- The Time ruler units adjust 322
- The Time display adjusts 322
- Working with Audio Effects 327
- Applying Processing Effects 328
- Applying Realtime Effects 329
- Working with Effect Presets 330
- Dynamics Effects 332
- Distortion Effects 333
- EQ and Filter Effects 334
- Modulation Effects 336
- Reverb and Delay Effects 337
- Space Designer plug-in 338
- Meters and Diagnostic Effects 339
- Miscellaneous Effects 341
- Working with Realtime Effects 343
- Adding Realtime Effects 344
- Bypassing Realtime Effects 349
- Adding Sends to Tracks 349
- Adjusting Send Volume 350
- Adjusting Send Pan Position 351
- Reordering Sends 351
- Bypassing Sends 351
- Removing Realtime Effects 352
- Working with Automation 355
- Click the envelope 356
- The envelopes are 356
- Adding Envelope Points 357
- Selecting Envelope Points 357
- Moving Envelope Points 358
- Nudging Envelope Points 362
- Deleting Envelope Points 363
- Master Bus 364
- Recording Automation Data 365
- Recording Audio 367
- Enabling Tracks for Recording 368
- Adjusting Recording Settings 369
- Surround 370
- 4-channel 370
- Recording a Single Take 371
- Multitrack Recording 371
- Recording Multiple Takes 372
- Editing Multitake Clips 373
- Creating Podcasts 377
- Podcasting Media Production 378
- Choose Podcast Track 379
- Podcast track 379
- Video track 379
- Adding Markers to a Podcast 381
- Adding Images to a Podcast 384
- Exporting Podcasts 387
- Exporting Video Podcasts 388
- Using Control Surfaces 391
- Premapped Controls 393
- Exporting Multitrack Projects 395
- About the Export Dialog 396
- Exporting a Master Mix 397
- MP3 export options 400
- AAC Audio export options 402
- AAC Streaming 403
- AAC Podcast 404
- AC-3 Audio 405
- Choose the audio channel 406
- Coding Mode pop-up menu 406
- AC-3 Bitstream 408
- Using Compressor 411
- Choose an export 412
- Compressor Export 412
- Options dialog 412
- Output File Names 414
- Effect Tails 414
- Using Post-Export Actions 416
- Custom Actions 417
- Using Export Presets 418
- Exporting to AAF 419
- Using Soundtrack Pro 421
- About Soundtrack Pro Scripts 425
- Importing OMF and AAF Files 435
- Using OMF and AAF Files 436
- Exporting Audio Files 437
- About Conforming Manually 439
- Using Soundtrack Pro Conform 439
- Select “Save project with 440
- (recommended)” 440
- Filtering Out Unchanged Clips 444
- Approving Changes and Clips 446
- Filtering Out Approved Clips 447
- Finishing the Conform Process 448
- Soundtrack Pro 449
- Keyboard Shortcuts 449
- Layouts, Tabs, and HUDs 450
- Navigating the Timeline 451
- Project Playback 451
- Cycle Region 452
- General Editing 453
- Viewing the Timeline 455
- Timeline Tools 456
- Tracks, Busses, and Submixes 458
- Video Out 460
- Recording 460
- Working with Timeslices 461
- Audio Fundamentals 463
- In phase 464
- Separate signals 464
- Mixed signals 464
- Out of phase 464
- Frequency Spectrum of Sounds 465
- Measuring Sound Intensity 467
- What Is a Decibel? 468
- Signal-to-Noise Ratio 469
- Headroom and Distortion 470
- Dynamic Range and Compression 470
- Stereo Audio 471
- Identifying Stereo Recordings 472
- Digital Audio 473
- Bit Depth 474
- Analog waveform Audio sample 475
- Sine Square 475
- 2-bit1-bit 476
- 16-bit4-bit 476
- Video Interfaces 477
- PCI Video Interface Card 478
- Video Signals and Connectors 480
- Composite 481
- FireWire 400 482
- FireWire 800 483
- HDMI connector 484
- SCART connector 484
- Setting Up an Audio Interface 485
- TOSLINK optical 486
- Audio or video device 486
- Computer 486
- FireWire for Digital Audio 488
- USB Audio Interfaces 488
- PCI Audio Interface Cards 489
- RCA connector 491
- XLR connector 492
- TOSLINK connector 493
- TDIF connector 493
- About Balanced Audio Signals 494
- Combined signals 496
- (noise eliminated) 496
- Flat Not flat 497
- Analog or digital VTR 505
- Breakout box 505
- Blackburst 505
- Setting Up the MTC Generator 507
- MIDI Sync button 508
- Working with Apogee Hardware 509
- Global Parameters 510
- Units Parameters 511
- Inputs Tab 512
- Setup Buttons 514
- Solutions to Common Problems 515
- Calling AppleCare Support 517
- Using Apple Loops Utility 519
- Assets drawer 520
- Playback controls 520
- Main window 520
- Tags Tab 521
- Transients Tab 523
- Assets Drawer 524
- Working With Transients 528
- Saving Changes to Files 530
- General and File 532
- Navigation 532
- Key and Scale Type Tagging 533
- Descriptor Tagging 534
- Transients 535
- 537 537
- 538 Index 538
- Index 539 539
- 540 Index 540
- Index 541 541
- 542 Index 542
- Index 543 543
- 544 Index 544
- Index 545 545
- 546 Index 546
- Index 547 547
- 548 Index 548
- Index 549 549
- 550 Index 550
- Index 551 551
- 552 Index 552
- Index 553 553
- 554 Index 554
- Index 555 555
- 556 Index 556
- Index 557 557
- 558 Index 558
- Index 559 559
- 560 Index 560
- Index 561 561
- 562 Index 562
- Index 563 563
- 564 Index 564
- Index 565 565
- 566 Index 566
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