Apple GarageBand User Manual Page 66

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Index 313
Router for pedal control, 200–201
selecting pedals, 202
pedals. See stompboxes (pedals)
percussion
building rhythm, 95–96
comparing melody and rhythm,
93–94
non-instrumental, 285
searching for instruments using
keywords, 86–87
Percussion slider, drum kit controls, 65–66
percussion tracks. See also drummer
tracks
adding regions to Loop Library,
264–267
building rhythm tracks, 95–96
controlling timing using Groove
tracks, 240–243
following rhythm of another track,
244–246
making recorded audio regions
loop ready, 257–259
making recorded MIDI regions
loop ready, 254–256
merging audio regions, 262–264
overdubbing preferences, 248
overview of, 239
recording arpeggiated drum beats,
251–253
recording multipass drum beats,
246–247
recording rough draft, 248–250
review, 271
working with flex markers in Audio
Editor, 260–262
working with tempo track, 267–270
performance controls, drummer options, 61
piano. See also keyboards
changing Software Instrument
tracks, 43–44
exercise arranging songs, 105,
107–108
searching for loops by keyword, 80
selecting favorite loops, 102
sorting loops by beat, 83
Twilight Piano, 81–82, 95
working with tempo track, 268
Piano Roll Editor (E)
Catch button, 113
editing multiple musical notes
simultaneously, 136–139
fixing notes, 121–123, 134–136
quantizing notes in a region,
124–125, 256
types of editors, 21
viewing Software Instrument
regions, 23–24
pitch, using library to change, 15
Play button, 8
playback
Amp Designer and, 211
auditioning and adding loops to
projects, 29–31
keyboard options, 116
positioning playhead in ruler, 9–11
stompboxes (pedals), 203–204
transport controls for, 8–9
playhead
Catch mode for keeping visible,
112–114
moving with Audio Editor, 170
positioning, 9–11
splitting regions in timeline,
178–182
understanding Tracks area, 7–8
preferences
Cycle Recording, 130–131
iTunes, 297–298
loop, 77–79
overdubbing, 248
presence, amp parameters, 213
presets
amp, 215–216
drummer, 61, 62–63
EQ effects, 276–278
Project Chooser, 74, 155
projects, working with
adjusting track volume, 31–32
auditioning and adding loops to
projects, 29–31
changing track name and icon,
32–34
downloading lesson files, 2–3
exploring editors, 21–24
exploring library, 14–17
exploring Smart Controls
pane, 18–21
exploring window interface, 5–6
identifying music parts in
workspace, 11–12
identifying regions and tracks in
workspace, 13–14
opening/saving, 3–5
overview of, 1
positioning playhead in ruler, 9–11
review, 34–35
Tracks area of interface, 6–8
transport controls, 8–9
using cycle areas, 17–18
viewing project note pad, 24–25
working with Apple Loops, 26–29
properties, audio tracks
adjusting project settings, 158–159,
162–164
default settings for project, 154–158
purple color, for metronome when on, 84
Q
Quality pop-up menu, 299
Quantize button, 124–126
Quantize pop-up menu, 256
quantizing notes
with Piano Roll Editor, 134–136
in regions, 124–126, 256
R
Ready Set Dance, 285
Real Instruments
region of Audio Editor, 22
track capacity and, 37
Record Enable button
preparing to record electric
guitar, 192
recording on multiple tracks, 235
on tracks, 149
recording
audio. See audio tracks
drums. See drummer tracks
keyboard options and, 116
MIDI regions, 13
mono vs. stereo, 161–162
multiple-take. See multiple-take
recording
multiple tracks of Software
Instruments, 146–150
rough draft of MIDI keyboard,
248–250
single-takes. See single-take
recording
using Piano Roll Editor to fix notes,
121–123
waveform of horn recording, 16
recording, electric guitar
connecting guitar and
preparing for, 192
elements of, 191
making the recording, 193–195
opening project, 190–191
Recording Level slider, microphone, 235
red color
danger indicator for volume
level, 280
indicating recording, 119, 250
regions
adding to Loop Library, 264–267
copying/pasting in timeline,
227–228
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