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3
39
3 Understanding Projects, Clips,
and Sequences
The basic elements in Final Cut Express HD are projects, clips,
and sequences. Once you learn what these are and how you
can use them, you can begin working in Final Cut Express HD.
This chapter covers the following:
 The Building Blocks of Projects (p. 39)
 Working With Projects (p. 43)
 About the Connection Between Clips and Media Files (p. 47)
 Filenaming Considerations (p. 49)
The Building Blocks of Projects
Media files, clips, and sequences are the elements that provide the main foundation for
your work in Final Cut Express HD. You use projects and bins to organize these
elements in your program.
What Are Media Files?
Media files are the raw materials you use to create your movie. A media file is a video,
audio, or graphics file on your hard disk that contains footage captured from videotape
or originally created on your computer. Since media files—especially video files—tend
to be quite large, projects that use a lot of footage require one or more high-capacity
hard disks.
Many media files contain multiple tracks. For example, a typical DV media file has a
video track, audio track, and timecode track. In a Final Cut Express HD sequence, you
can work with each of these media tracks as separate items, either in sync or separately.
Before you can edit in Final Cut Express HD, you need to capture media files from a
video deck or camcorder to your hard disk. For more information about capturing
media files, see “Capturing Your Footage to Disk” on page 171.
- Final Cut Express HD 1
- User Manual 1
- © 2005 Jean-Paul Bonjour; 2
- © 2005 Eric Escobar 2
- Contents 3
- Part VI Rough Editing 7
- 8 Contents 8
- Contents 9 9
- 10 Contents 10
- Contents 11 11
- 12 Contents 12
- Contents 13 13
- Part VIII Audio Mixing 14
- Contents 15 15
- Part IX Effects 16
- Contents 17 17
- 18 Contents 18
- Contents 19 19
- 20 Contents 20
- Part XII Output 21
- 22 Contents 22
- Part XIII Appendixes 23
- 24 Contents 24
- Documentation and Resources 25
- Apple Websites 26
- Part I: An Introduction 27
- About the Post-Production 29
- Workflow 29
- The Post-Production Workflow 30
- Video Formats and Timecode 35
- Video Format Basics 36
- What Are Media Files? 39
- What Are Clips? 40
- What Are Sequences? 41
- What Are Projects? 42
- Organizing Your Projects 44
- Creating and Saving Projects 44
- Opening and Closing Projects 46
- To switch between 47
- Filenaming Considerations 49
- Avoiding Special Characters 50
- Using Filename Extensions 51
- Using Multiple Hard Disks 51
- Part II: Learning About the 53
- Overview of the 55
- Using Button Bars 57
- Using Shortcut Menus 58
- Moving Windows 62
- Undoing and Redoing Changes 63
- Browser Basics 65
- Learning About the Browser 66
- Working in the Browser 67
- Using Columns in the Browser 69
- Choosing Views in the Browser 70
- Thumbnails appear as 72
- The thumbnail you’re 73
- Enter the new 73
- Thumbnails of 74
- Video clip with audio 74
- Audio clip 74
- Before using the 76
- Arrange command 76
- After using the 76
- Setting the Poster Frame 77
- Viewer Basics 79
- Opening a Clip in the Viewer 80
- Chapter 6 Viewer Basics 81 81
- Learning About the Viewer 82
- Tabs in the Viewer 83
- Filters Tab 84
- Motion Tab 84
- Controls Tab 84
- Playhead Controls 85
- Jog Control 86
- Shuttle Control 86
- Zoom and View Pop-Up Menus 88
- View Pop-Up Menu 89
- Recent Clips Pop-Up Menu 90
- Generator Pop-Up Menu 90
- Canvas Basics 91
- Learning About the Canvas 93
- Edit Overlay 95
- Chapter 7 Canvas Basics 97 97
- 101 101
- Playing Clips and Sequences 102
- To move around, drag the 104
- { Moves through 105
- “ Moves through 105
- Looping Playback 107
- Current Timecode field 108
- Timecode Duration field 108
- Dragging Timecode Values 110
- Timeline Basics 111
- Learning About the Timeline 114
- Editing Controls 115
- Vertical Multitrack Controls 116
- Horizontal Time Controls 117
- Zoom control 118
- Timeline Display Controls 119
- Audio Controls 120
- Other Miscellaneous Controls 120
- Speed change 121
- Stereo pair indicator 121
- Click here to view the 124
- Track Layout pop-up 124
- Audio waveform 125
- Without audio 125
- Pop-Up Menu 126
- Navigating in the Timeline 127
- Before zooming in 131
- The playhead remains 131
- After zooming in 131
- Position of playhead 132
- One-minute increment 132
- Scroll bar 133
- Customizing the Interface 135
- Default Two Up layout 136
- Layout after making the 136
- Browser and Timeline 136
- Using Screen Layouts 137
- Choosing a Screen Layout 138
- Customizing Screen Layouts 138
- Removing Shortcut Buttons 141
- Part III: Setting Up Your 143
- Editing System 143
- Connecting Your Equipment 145
- What Is an Easy Setup? 146
- Choosing an Easy Setup 147
- What Is FireWire? 150
- What Is Device Control? 151
- Device status 152
- Determining Your Hard Disk 153
- Storage Options 153
- Know Your Shooting Ratio 154
- Choosing a Hard Disk 156
- Types of Hard Disk Drives 157
- FireWire Disk Drives 158
- SCSI Disk Drives 159
- Using a RAID or Disk Array 160
- External Video Monitoring 161
- FireWire 162
- Chapter 16 Working With HDV 169
- 171 171
- Transport Controls 174
- Jog and Shuttle Controls 174
- Marking Controls 175
- Capture Tab 175
- Logging Fields 176
- Marker Controls 177
- Using Slate Buttons 177
- Preparing to Capture 178
- Logging Your Tapes 179
- Choosing a Filenaming Scheme 180
- The slate icon appears 182
- Enter the Out point 183
- Enter the In point 183
- Using Capture Now 185
- Setting Markers 188
- Recapturing Clips 189
- Number on a Single Tape 196
- Importing Media Files 199
- Into Your Project 199
- About Importing Video Files 203
- About Importing Audio Files 204
- Working With HDV 207
- About MPEG-2 Compression 208
- More About Long-GOP Video 209
- HDV Format Specifications 214
- Part V: Organizing Footage 217
- Organizing Footage 219
- Creating New Bins 220
- Opening Bins in the Browser 221
- Drag the bin’s tab above 224
- The bin now has its own 224
- Moving Items Between Bins 225
- You can also move 226
- About Search Options 228
- Search Commands 230
- Specify your 231
- Then click here 231
- A list of unused clips is 233
- Results window 233
- Using Markers 235
- Types of Markers 237
- Working With Markers 238
- Add Marker button 239
- Navigating With Markers 243
- Moving a Marker 245
- Enter the new time here 246
- Extending a Marker’s Duration 248
- Creating Subclips 251
- Removing Subclip Limits 253
- Turning Markers Into Subclips 254
- Creating Subclips Manually 256
- Editing With Subclips 256
- Markers for a clip 257
- All of the material 258
- Part VI: Rough Editing 259
- 261 261
- Working With Projects 262
- Returning to Saved Projects 264
- Types of Clips 265
- Sequences as Clips 266
- Finding a Clip’s Media File 268
- 270 Part VI Rough Editing 270
- Opening and Closing Sequences 271
- Duplicating a Sequence 272
- Nesting a Sequence 273
- When Rendering Is Required 274
- The Fundamentals 275
- 276 Part VI Rough Editing 276
- Undoing and Redoing Actions 278
- 280 Part VI Rough Editing 280
- 282 Part VI Rough Editing 282
- Setting Edit Points 283
- 284 Part VI Rough Editing 284
- The Out point includes 285
- 286 Part VI Rough Editing 286
- Mark Out button (O) 287
- Mark In button (I) 287
- 288 Part VI Rough Editing 288
- Reviewing Your Edit Points 289
- 290 Part VI Rough Editing 290
- 292 Part VI Rough Editing 292
- In point 293
- The new clip begins at 293
- 294 Part VI Rough Editing 294
- In and Out points are 295
- The new clip’s duration is 295
- 296 Part VI Rough Editing 296
- Move the playhead 297
- Auto Select is enabled for 297
- 298 Part VI Rough Editing 298
- Select the desired clips 299
- 300 Part VI Rough Editing 300
- Moving In and Out Points 301
- 302 Part VI Rough Editing 302
- Clearing In and Out Points 303
- Working With Tracks 305
- Adding Tracks 306
- Deleting Tracks 308
- Setting Destination Tracks 310
- 312 Part VI Rough Editing 312
- 314 Part VI Rough Editing 314
- Resizing Timeline Tracks 316
- Track Height control 317
- 318 Part VI Rough Editing 318
- Drag the center slider 319
- To eliminate audio tracks 319
- Drag-to-Timeline Editing 321
- 322 Part VI Rough Editing 322
- 324 Part VI Rough Editing 324
- 326 Part VI Rough Editing 326
- Three-Point Editing 329
- 330 Part VI Rough Editing 330
- Using Keyboard Shortcuts 331
- 332 Part VI Rough Editing 332
- Performing an Insert Edit 333
- 334 Part VI Rough Editing 334
- Insert with Transition 335
- Overlay in the Canvas 335
- Performing an Overwrite Edit 336
- 338 Part VI Rough Editing 338
- Performing a Replace Edit 339
- 340 Part VI Rough Editing 340
- Replace section 341
- 342 Part VI Rough Editing 342
- 344 Part VI Rough Editing 344
- Before a replace edit 345
- After a replace edit 345
- New clip replaces the 345
- Superimposing Clips 346
- Three-Point Editing Examples 348
- Move the playhead to the 349
- The new clip starts 349
- 350 Part VI Rough Editing 350
- In and Out points 351
- The new clip fills 351
- 352 Part VI Rough Editing 352
- You can use this method 352
- Into Your Sequence 353
- 354 Part VI Rough Editing 354
- 355 355
- 356 Part VI Rough Editing 356
- 358 Part VI Rough Editing 358
- Selecting Clips 360
- Drag to select the 361
- Selecting Multiple Clips 362
- 364 Part VI Rough Editing 364
- Select All Tracks Forward 365
- Select All Tracks 365
- Backward 365
- 366 Part VI Rough Editing 366
- 368 Part VI Rough Editing 368
- 370 Part VI Rough Editing 370
- After deleting; only 371
- Auto Select control 371
- 372 Part VI Rough Editing 372
- 373 373
- 374 Part VI Rough Editing 374
- Moving by Dragging 375
- Moving Clips Numerically 376
- The number 377
- Clip items to be moved 377
- Clip Collision message 377
- Performing Shuffle Edits 378
- 380 Part VI Rough Editing 380
- 382 Part VI Rough Editing 382
- 384 Part VI Rough Editing 384
- Before edit 385
- After edit 385
- Selected clip 385
- 386 Part VI Rough Editing 386
- Finding and Closing Gaps 387
- 388 Part VI Rough Editing 388
- 390 Part VI Rough Editing 390
- Cutting Clips 391
- 392 Part VI Rough Editing 392
- The Razor Blade All 393
- 394 Part VI Rough Editing 394
- 396 Part VI Rough Editing 396
- Linking and Editing 397
- Video and Audio in Sync 397
- 398 Part VI Rough Editing 398
- Audio moved away 399
- Audio moved back 399
- 400 Part VI Rough Editing 400
- Linked Audio Items 401
- 402 Part VI Rough Editing 402
- 404 Part VI Rough Editing 404
- Moving a Clip Into Sync 406
- 408 Part VI Rough Editing 408
- Before syncing 409
- After syncing 409
- 410 Part VI Rough Editing 410
- Between Linked Clip Items 411
- 412 Part VI Rough Editing 412
- Split Edits 415
- 416 Part VI Rough Editing 416
- Chapter 30 Split Edits 417 417
- 418 Part VI Rough Editing 418
- Chapter 30 Split Edits 419 419
- 420 Part VI Rough Editing 420
- Split Edit Examples 421
- 422 Part VI Rough Editing 422
- Chapter 30 Split Edits 423 423
- 424 Part VI Rough Editing 424
- Audio Editing Basics 425
- 426 Part VI Rough Editing 426
- Waveforms for a stereo 427
- 428 Part VI Rough Editing 428
- 430 Part VI Rough Editing 430
- Editing Audio in the Viewer 431
- 432 Part VI Rough Editing 432
- Zoom slider 433
- 434 Part VI Rough Editing 434
- 436 Part VI Rough Editing 436
- Audio selected 437
- Linked Selection 437
- Editing Audio in the Timeline 438
- 440 Part VI Rough Editing 440
- 442 Part VI Rough Editing 442
- 444 Part VI Rough Editing 444
- A wide playhead bar in 445
- 446 Part VI Rough Editing 446
- The long pause in your 447
- Paste the pause section 447
- 448 Part VI Rough Editing 448
- 450 Part VI Rough Editing 450
- Sliding Clips in the Timeline 453
- The timecode entry field 456
- You slip items using 457
- Drag point 458
- Entire length of media 458
- Performing Ripple Edits 462
- These clips move left 465
- This clip shortens 465
- Roll edits are done 471
- Selected edit point 472
- Edit being rolled 473
- After the roll edit, the 473
- Tips for Using the Roll Tool 475
- Learning About Trimming Clips 477
- Click here to turn linked 479
- Click here to turn 479
- Selecting Single Edit Points 482
- One edit per track is 483
- Trimming Clips in the Viewer 486
- Moving Clips Using Timecode 488
- The clips move forward 489
- Media Limit message 491
- Trimming Clips 493
- Using the Trim Edit Window 493
- Outgoing clip 494
- Incoming clip 494
- Green bar 494
- Go to Previous Edit 497
- Go to Next Edit 497
- Play Around Edit Loop 497
- Play In to Out 497
- Dynamic Trimming 501
- Adding Transitions 507
- Common Types of Transitions 508
- A transition between 509
- The center line 509
- Having Handles at Edit Points 510
- The added transition 512
- Drag the transition to 516
- Deleting Transitions 517
- Enter the desired 518
- Before a roll edit 519
- After a roll edit with the 519
- Replacing Transitions 520
- Sequence Settings window 521
- Refining Transitions 525
- Using the Transition Editor 525
- Alignment buttons 527
- Recent Clips pop-up 527
- Drag hand 527
- Reverse Transition button 529
- Reset button 530
- Canvas to help you determine 534
- Rendering Transitions 537
- Sequence to Sequence Editing 539
- 4 Do one of the following: 541
- Nesting Sequences 544
- After the Nested Sequence 546
- Without Nesting It 547
- A highlighted area shows 550
- Matching Frames 551
- Working With Timecode 557
- Clip Time Versus Source Time 558
- Part VIII: Audio Mixing 559
- Overview of Audio Mixing 561
- 562 Part VIII Audio Mixing 562
- Cleaning Up Audio 564
- Adding Audio Filters 564
- Making the Final Mix 565
- Adjusting Pan 566
- Setting Up Audio Equipment 567
- Choosing an Audio Interface 568
- Flat Not flat 569
- Amplifiers and Signal Levels 570
- Using Headphones 571
- About Balanced Audio Signals 572
- Inverted signal 573
- (inverted again) 573
- Combined signals 573
- (noise eliminated) 573
- Audio Connectors 574
- 576 Part VIII Audio Mixing 576
- 578 Part VIII Audio Mixing 578
- Audio Fundamentals 579
- Fundamentals of a Sound Wave 580
- Frequency Spectrum of Sounds 581
- Measuring Sound Intensity 582
- Decibel Units 583
- Signal-to-Noise Ratio 584
- Headroom and Distortion 584
- Dynamic Range 585
- Stereo Audio 586
- Identifying Stereo Recordings 587
- Digital Audio 588
- Sample Rate 589
- 2 bit1 bit 591
- 16 bit4 bit 591
- Audio Levels, Meters 593
- 594 Part VIII Audio Mixing 594
- Analog Versus Digital Meters 595
- What Does 0 dB Mean? 596
- Avoiding Audio Clipping 597
- Setting Proper Audio Levels 598
- Stereo Versus Dual Mono Audio 600
- Mixing Audio 601
- 602 Part VIII Audio Mixing 602
- 604 Part VIII Audio Mixing 604
- 606 Part VIII Audio Mixing 606
- Panning Audio in the Timeline 607
- 608 Part VIII Audio Mixing 608
- The pointer turns into an 609
- Adjust Line Segment pointer 609
- As you drag, a box displays 609
- Tools for Adjusting Keyframes 610
- Pen tool 611
- 612 Part VIII Audio Mixing 612
- Adjust Line Segment 613
- Keyframe being moved 613
- 614 Part VIII Audio Mixing 614
- 616 Part VIII Audio Mixing 616
- Lowered levels 617
- Adjust the slope of 617
- 618 Part VIII Audio Mixing 618
- The problem samples 619
- The overlay looks 619
- 620 Part VIII Audio Mixing 620
- Using the Voice Over Tool 623
- 624 Part VIII Audio Mixing 624
- Microphone 625
- USB audio 625
- PowerBook 625
- Headphones 625
- 626 Part VIII Audio Mixing 626
- 628 Part VIII Audio Mixing 628
- 630 Part VIII Audio Mixing 630
- 632 Part VIII Audio Mixing 632
- 634 Part VIII Audio Mixing 634
- The newly recorded 635
- Recording a Voiceover 636
- Recording Multiple Takes 637
- 638 Part VIII Audio Mixing 638
- Using Audio Filters 639
- Overview of Audio Filters 640
- Compression 642
- Expansion 643
- Noise Reduction Filters 644
- Echo and Reverb Filters 645
- 646 Part VIII Audio Mixing 646
- Working With Audio Filters 647
- 648 Part VIII Audio Mixing 648
- Select several filters 649
- ...then drag them to the 649
- Timeline 649
- 650 Part VIII Audio Mixing 650
- 652 Part VIII Audio Mixing 652
- Tips for Better Audio 653
- Tips for Cutting Dialogue 654
- Shows how you can 655
- 656 Part VIII Audio Mixing 656
- Tips for Cutting Music 658
- Instead of placing audio 659
- ... do this 659
- Organizing Your Tracks 660
- Part IX: Effects 661
- Video Filters 663
- Applying a Filter to a Clip 664
- Drag the filter from 665
- ... to a clip in the 665
- 666 Part IX Effects 666
- Select multiple filters 667
- Then, drag the filters to 667
- 668 Part IX Effects 668
- Using Filter Controls 669
- 670 Part IX Effects 670
- Angle control 671
- 672 Part IX Effects 672
- Filter bar for a video track 673
- Clip Keyframes button 673
- 674 Part IX Effects 674
- Removing Filters From Clips 675
- Blur Filters 676
- Border Filters 676
- Channel Filters 677
- Color Correction Filters 677
- Distort Filters 678
- Image Control Filters 679
- Key Filters 680
- Matte Filters 682
- Perspective Filters 684
- Sharpen Filters 684
- Stylize Filters 685
- Changing Motion Parameters 689
- 690 Part IX Effects 690
- Some parameters must 691
- Motion Blur parameters 691
- Drop Shadow parameters 691
- Controls in the Motion Tab 692
- 694 Part IX Effects 694
- Canvas center point 695
- -360 pixels +360 pixels 695
- -240 pixels 695
- +240 pixels 695
- 696 Part IX Effects 696
- Initial background layer 697
- Sequence In and 697
- Out points 697
- 698 Part IX Effects 698
- 700 Part IX Effects 700
- 702 Part IX Effects 702
- 704 Part IX Effects 704
- 706 Part IX Effects 706
- Choosing a Wireframe Mode 707
- 708 Part IX Effects 708
- Zooming In to the Canvas 709
- 710 Part IX Effects 710
- 712 Part IX Effects 712
- 714 Part IX Effects 714
- 716 Part IX Effects 716
- Use the Distort tool to 717
- Adjusting Parameters 719
- How Keyframing Works 720
- Keyframe 2 721
- Keyframe 1 721
- Keyframe 3 721
- 722 Part IX Effects 722
- Setting Keyframes 723
- 724 Part IX Effects 724
- Moving Between Keyframes 725
- 726 Part IX Effects 726
- 728 Part IX Effects 728
- Layer the clips, with one 729
- 730 Part IX Effects 730
- 732 Part IX Effects 732
- Smoothing Keyframes 734
- What Are Motion Paths? 735
- Creating Motion Paths 736
- With the Selection tool 737
- 738 Part IX Effects 738
- 740 Part IX Effects 740
- 742 Part IX Effects 742
- The pointer changes 743
- Reusing Effect 745
- 746 Part IX Effects 746
- 748 Part IX Effects 748
- Auto Select controls 749
- Changing Clip Speed 751
- Performing a Fit to Fill Edit 752
- DBefore edit 753
- 754 Part IX Effects 754
- Speed Settings 755
- 756 Part IX Effects 756
- Making Speed Changes 757
- Working With Still Images 759
- 760 Part IX Effects 760
- 762 Part IX Effects 762
- Video Is Not 72 Dots per Inch 763
- 764 Part IX Effects 764
- 766 Part IX Effects 766
- Using Alpha Channels 767
- 768 Part IX Effects 768
- Enter a new duration in 769
- 770 Part IX Effects 770
- 772 Part IX Effects 772
- Compositing and Layering 775
- Methods of Compositing 776
- Opacity is used to blend 777
- 778 Part IX Effects 778
- Working With Composite Modes 780
- 782 Part IX Effects 782
- Subtract 784
- Difference 784
- Multiply 785
- 786 Part IX Effects 786
- Hard Light 788
- Soft Light 789
- 790 Part IX Effects 790
- Travel Matte - Alpha 791
- Travel Matte - Luma 792
- 794 Part IX Effects 794
- 796 Part IX Effects 796
- 798 Part IX Effects 798
- 800 Part IX Effects 800
- Dark areas are 801
- White areas are solid 801
- 802 Part IX Effects 802
- 804 Part IX Effects 804
- Keying, Mattes, and Masks 805
- 806 Part IX Effects 806
- 808 Part IX Effects 808
- Use Proper Lighting 809
- 810 Part IX Effects 810
- 812 Part IX Effects 812
- 814 Part IX Effects 814
- 816 Part IX Effects 816
- 818 Part IX Effects 818
- 820 Part IX Effects 820
- The background image now 821
- The background image is 821
- 822 Part IX Effects 822
- 824 Part IX Effects 824
- 826 Part IX Effects 826
- Color Correcting Clips 827
- 828 Part IX Effects 828
- Luma (Luminance) 830
- Chrominance (Chroma) 831
- Illegal Broadcast Levels 832
- The Color Correction Process 833
- 834 Part IX Effects 834
- Looking at the Picture 835
- 836 Part IX Effects 836
- The Color Corrector Filter 837
- 838 Part IX Effects 838
- Level sliders 839
- Auto Black Level button 839
- Saturation control 839
- Auto White Level button 839
- Auto Contrast button 839
- 840 Part IX Effects 840
- 842 Part IX Effects 842
- The balance control 843
- After color correction 843
- Before color correction 843
- 844 Part IX Effects 844
- Hue Matching Controls 845
- 846 Part IX Effects 846
- Click a highlight 847
- Click the Whites Select 847
- Auto-balance Color 847
- 848 Part IX Effects 848
- What Is a Generator Clip? 849
- 850 Part IX Effects 850
- Some generators 853
- 854 Part IX Effects 854
- Creating Titles 855
- Installing and Choosing Fonts 856
- 860 Part IX Effects 860
- 862 Part IX Effects 862
- Chapter 59 Using RT Extreme 863
- Chapter 60 Rendering 863
- Using RT Extreme 865
- About Safe Real-Time Playback 867
- Orange video render bars 868
- Available Real-Time Effects 870
- About Render Status Bars 872
- Real-Time Effects 873
- Rendering 877
- Reasons for Rendering 878
- Chapter 60 Rendering 879 879
- Video Render Status Bars 880
- Audio Render Status Bars 881
- About Item-Level Render Bars 882
- The Rendering Process 883
- Chapter 60 Rendering 885 885
- Chapter 60 Rendering 887 887
- Rendering Part of a Sequence 888
- Using the Mixdown Command 889
- This message appears in 890
- Chapter 60 Rendering 891 891
- Preserving Render Files 893
- Reducing Render Time 895
- Part XI: Project Management 897
- Media Management 899
- Reasons to Manage your Media 900
- Backing Up 903
- Using the Autosave Feature 904
- ProjectName_MM-DD-YY_HHMM 905
- Restoring Autosaved Projects 906
- Archiving Completed Projects 907
- Click here to update 909
- Elements of a 911
- Final Cut Express HD Project 911
- Sequences 914
- Clip Properties 916
- Master and Affiliate Clips 921
- Identifying Master Clips 922
- Independent Clips 926
- Relationships 928
- Finding a Clip’s Master Clip 929
- Master Clip Properties 930
- Affiliate Clip Properties 931
- Media File Properties 931
- Reconnecting Clips 933
- Can Be Broken 934
- Select the files you 939
- You can select which 943
- Choosing Settings 945
- General Tab 946
- Editing Tab 950
- Timeline Options Tab 951
- Changing System Settings 952
- Scratch Disks Tab 953
- Search Folders Tab 953
- Missing Search Folders 954
- Memory & Cache Tab 955
- Playback Control Tab 956
- External Editors Tab 957
- The path is shown 958
- Part XII: Output 959
- Preparing to Output to Tape 961
- 962 Part XII Output 962
- Selecting Preferences 963
- Cueing the Videotape 963
- Printing To Video and Output 965
- From the Timeline 965
- Printing to Video 966
- Recording From the Timeline 968
- Move the playhead where you 969
- Outputting to VHS Tape 970
- Exporting Sequences for DVD 971
- Video for Standard DVDs 972
- About the MPEG Format 973
- Audio for iDVD Projects 974
- More About Chapter Markers 975
- 976 Part XII Output 976
- Learning About QuickTime 979
- QuickTime for Media Authoring 980
- Codecs Supported in QuickTime 981
- 982 Part XII Output 982
- Export, and Capture 983
- Movie File Formats 984
- 986 Part XII Output 986
- Audio File Formats 988
- 990 Part XII Output 990
- Exporting QuickTime Movies 991
- 992 Part XII Output 992
- 994 Part XII Output 994
- 995 995
- 996 Part XII Output 996
- 998 Part XII Output 998
- 1000 Part XII Output 1000
- 1002 Part XII Output 1002
- 1004 Part XII Output 1004
- Exporting a DV Stream 1005
- 1006 Part XII Output 1006
- Exporting an AVI File 1007
- 1008 Part XII Output 1008
- Exporting Still Images 1009
- 1010 Part XII Output 1010
- Exporting Image Sequences 1012
- Exporting Audio for 1015
- Mixing in Other Applications 1015
- 1016 Part XII Output 1016
- 1018 Part XII Output 1018
- 1020 Part XII Output 1020
- All other tracks are 1021
- Make sure just the 1021
- 1022 Part XII Output 1022
- Part XIII: Appendixes 1023
- Video Formats 1025
- Storage Medium 1026
- Video Standards 1027
- Type of Video Signal 1028
- ; R-Y, B-Y; or U,V 1029
- 1030 Part XIII Appendixes 1030
- Pixel Aspect Ratio 1033
- Frame Rate 1034
- Scanning Method 1035
- About Progressive Scanning 1036
- About Field Dominance 1036
- Color Recording Method 1037
- Color Sampling Ratio 1038
- Bit Depth 1039
- Video Compression 1040
- Lossy Codecs 1041
- Uncompressed Video 1041
- Composite 1042
- Component YUV (Y´C 1043
- ) and Component RGB 1043
- 1044 Part XIII Appendixes 1044
- Frame Rate and Timecode 1047
- Persistence of Vision 1048
- Choosing a Frame Rate 1050
- 01:32:15:28 1052
- Timecode on Tape 1055
- Working With 1059
- Anamorphic 16:9 Media 1059
- 1060 Part XIII Appendixes 1060
- About Letterboxing 1061
- Why Shoot 16:9 Video? 1062
- Recording Anamorphic Video 1063
- Capturing Anamorphic Media 1064
- 1066 Part XIII Appendixes 1066
- 1068 Part XIII Appendixes 1068
- Solving Common Problems 1069
- Solutions to Common Problems 1070
- 1072 Part XIII Appendixes 1072
- General Performance Issues 1074
- Problems With Audio Quality 1074
- Contacting AppleCare Support 1075
- Glossary 1077
- 1078 Glossary 1078
- Glossary 1079 1079
- 1080 Glossary 1080
- Glossary 1081 1081
- 1082 Glossary 1082
- Glossary 1083 1083
- 1084 Glossary 1084
- Glossary 1085 1085
- 1086 Glossary 1086
- Glossary 1087 1087
- 1088 Glossary 1088
- Glossary 1089 1089
- 1090 Glossary 1090
- 1092 Glossary 1092
- Glossary 1093 1093
- 1094 Glossary 1094
- Glossary 1095 1095
- 1096 Glossary 1096
- Glossary 1097 1097
- 1098 Glossary 1098
- Glossary 1099 1099
- 1100 Glossary 1100
- Glossary 1101 1101
- 1102 Glossary 1102
- Glossary 1103 1103
- 1104 Glossary 1104
- Glossary 1105 1105
- 1107 1107
- 1108 Index 1108
- Index 1109 1109
- 1110 Index 1110
- 1112 Index 1112
- Index 1113 1113
- 1114 Index 1114
- Index 1115 1115
- Index 1117 1117
- 1118 Index 1118
- Index 1119 1119
- 1120 Index 1120
- Index 1121 1121
- 1122 Index 1122
- Index 1123 1123
- 1124 Index 1124
- Index 1125 1125
- 1126 Index 1126
- Index 1127 1127
- 1128 Index 1128
- 1130 Index 1130
- Index 1133 1133
- 1134 Index 1134
- Index 1135 1135
- 1136 Index 1136
- Index 1137 1137
- 1138 Index 1138
- Index 1139 1139
- 1140 Index 1140
- Index 1141 1141
- 1142 Index 1142
- Index 1143 1143
- 1144 Index 1144
- Index 1145 1145
- 1146 Index 1146
- Index 1147 1147
- 1148 Index 1148
- Index 1149 1149
- Index 1151 1151
- 1152 Index 1152
- Index 1153 1153
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