Apple Final Cut Pro 7 User Manual Page 150
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Chapter 7 Creating Voiceovers
To record a second take, click the Record button again and record the second take.6
Multiple takes appear stacked in the audio tracks, aligned with the In and Out points
you set. Experiment with creating multiple takes of a recording within a set duration.
To remove the In and Out points, choose Mark > Clear In and Out.7
Key Concepts
Voice Over tool: You can use the Voice Over tool to record narration or sounds to
accompany your sequence. You can connect a microphone to your computer or use a
built-in microphone and record clips in your sequence.
Audio sample rate:
The audio sample rate is the number of times an analog signal is
measured—or sampled—per second. You can also think of the sample rate as the
number of electronic snapshots made of the sound wave per second. Higher sample
rates result in higher sound quality because the analog waveform is more closely
approximated by the discrete samples.
Next, you’ll explore placing video transitions in between clips and applying video lters
that create special eects and change the look of clips.
- Contents 3
- A First Look at Final Cut Pro 7
- Opening Final Cut Pro 8
- Click Continue.3 9
- Explore the BrowserJump In: 10
- Sequence tabs 13
- Explore the ViewerJump In: 14
- Play button 15
- Scrubber bar 15
- Play In to Out button 17
- In point marker 17
- Out point marker 17
- Navigate between edit points: 18
- Explore the CanvasJump In: 19
- Go to Previous Edit button 22
- Go to Next Edit button 22
- View pop-up menu 23
- Explore the TimelineJump In: 24
- Drag the clip to move it 25
- Razor Blade tool 26
- Selection tool 26
- Track Height control 27
- Learning About Sequences 29
- Capture Clip button 38
- Capture Batch button 39
- Capture Now button 39
- Drag the audio clip 50
- ...into the sequence 50
- Preparing Clips in the Viewer 55
- Current Timecode field 59
- Timecode Duration field 59
- Create a Title ClipJump In: 62
- Font Color color picker 64
- Add Motion 69
- Move the playhead 70
- Drag the title clip 72
- Drag to rotate 73
- Opacity keyframe button 75
- Keyframe graph area 75
- The opacity increases here 75
- Add a keyframe here 76
- Add a last keyframe here 76
- Working with the Canvas 81
- Show Match Frame button 84
- Playhead Sync 84
- Source controls 88
- Add new tracks to a sequence: 90
- Connect the v1 Source 91
- Destination control 91
- Drag the a1 and a2 Source 92
- A4 Destination controls 92
- Sequence In and Out 94
- Sequence In point marking 95
- Basic Editing 99
- Getting Ready 100
- Chapter 5 Basic Editing 102
- Set In and Out points 102
- Try This 103
- Play Around Current 110
- Frame button 110
- Place a sequence In point 111
- Sequence Out point 111
- Set an In point here 112
- Disconnected 112
- Key Concepts 115
- Working with Audio 117
- Audio Mixer 118
- Track level faders 118
- Master fader 118
- Audio tab 121
- Shuttle control 121
- Jog control 121
- A1 and A2 fader sliders 122
- Level slider 123
- Pan slider 123
- Add Marker button 123
- Reset button 124
- Increase in audio level 125
- Drag the slider until the 127
- Position the playhead here 128
- Drag the Level slider to 129
- Edit a sound using keyframes: 130
- Place a keyframe 131
- Drag the audio level 132
- Keyframe navigation 133
- Level Keyframe button 133
- Audio level overlay in pink 134
- Track Layout pop-up menu 136
- Audio waveforms 136
- Clip Overlays control 137
- Creating Voiceovers 141
- Drag the a2 Source 144
- Track Visibility button 145
- Review button 146
- Discard Last Recording 146
- Voiceover clips 147
- Multiple takes 148
- Sequence In and Out points 149
- “Tint type” pop-up menu 155
- Keyframe button 156
- Place an Out point here 160
- Place an In point here 160
- Linked Selection button 161
- Learning About Transitions 165
- Handle before the In point 168
- Handle after the Out point 168
- Getting Answers 177
- What’s Next? 178
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