Apple Final Cut Pro 7 User Manual Page 142
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Chapter 7 Creating Voiceovers
To use the Voice Over tool, you need a microphone built in or attached to your
computer, and optionally you can use headphones to monitor your recording. If you
don’t have a microphone, you can skip this section for now, or just read it over to
familiarize yourself with recording features without actually recording any audio clips.
Although there are instructions for using headphones, you don’t need headphones to
complete the exercises in this section.
Getting Ready
Connect your microphone to the computer using the microphone’s USB cable or 1
FireWire cable or through a preamplier connected to your computer. (See your
microphone or preamplier documentation for instructions, if you need them.)
If you have headphones, connect them to your computer. (If you don’t have 2
headphones, you can skip the headphone instructions.)
In the Finder, choose Apple menu > System Preferences to open System Preferences.3
Click Sound to open the Sound pane, then click Input to view the Input options. Select 4
your microphone in the list of audio input devices. Select an input volume level to set
the base recording level of the microphone.
If you have headphones, click Output to view the Output options, then choose your 5
headphones in the audio output device list. You can set the output volume of your
headphones using the “Output volume” slider.
Choose File > New > Sequence to create a new empty sequence in your project. Name 6
the sequence “Voiceover” and press Return.
Double-click the Voiceover sequence in the Browser to open it in the Timeline.7
- Contents 3
- A First Look at Final Cut Pro 7
- Opening Final Cut Pro 8
- Click Continue.3 9
- Explore the BrowserJump In: 10
- Sequence tabs 13
- Explore the ViewerJump In: 14
- Play button 15
- Scrubber bar 15
- Play In to Out button 17
- In point marker 17
- Out point marker 17
- Navigate between edit points: 18
- Explore the CanvasJump In: 19
- Go to Previous Edit button 22
- Go to Next Edit button 22
- View pop-up menu 23
- Explore the TimelineJump In: 24
- Drag the clip to move it 25
- Razor Blade tool 26
- Selection tool 26
- Track Height control 27
- Learning About Sequences 29
- Capture Clip button 38
- Capture Batch button 39
- Capture Now button 39
- Drag the audio clip 50
- ...into the sequence 50
- Preparing Clips in the Viewer 55
- Current Timecode field 59
- Timecode Duration field 59
- Create a Title ClipJump In: 62
- Font Color color picker 64
- Add Motion 69
- Move the playhead 70
- Drag the title clip 72
- Drag to rotate 73
- Opacity keyframe button 75
- Keyframe graph area 75
- The opacity increases here 75
- Add a keyframe here 76
- Add a last keyframe here 76
- Working with the Canvas 81
- Show Match Frame button 84
- Playhead Sync 84
- Source controls 88
- Add new tracks to a sequence: 90
- Connect the v1 Source 91
- Destination control 91
- Drag the a1 and a2 Source 92
- A4 Destination controls 92
- Sequence In and Out 94
- Sequence In point marking 95
- Basic Editing 99
- Getting Ready 100
- Chapter 5 Basic Editing 102
- Set In and Out points 102
- Try This 103
- Play Around Current 110
- Frame button 110
- Place a sequence In point 111
- Sequence Out point 111
- Set an In point here 112
- Disconnected 112
- Key Concepts 115
- Working with Audio 117
- Audio Mixer 118
- Track level faders 118
- Master fader 118
- Audio tab 121
- Shuttle control 121
- Jog control 121
- A1 and A2 fader sliders 122
- Level slider 123
- Pan slider 123
- Add Marker button 123
- Reset button 124
- Increase in audio level 125
- Drag the slider until the 127
- Position the playhead here 128
- Drag the Level slider to 129
- Edit a sound using keyframes: 130
- Place a keyframe 131
- Drag the audio level 132
- Keyframe navigation 133
- Level Keyframe button 133
- Audio level overlay in pink 134
- Track Layout pop-up menu 136
- Audio waveforms 136
- Clip Overlays control 137
- Creating Voiceovers 141
- Drag the a2 Source 144
- Track Visibility button 145
- Review button 146
- Discard Last Recording 146
- Voiceover clips 147
- Multiple takes 148
- Sequence In and Out points 149
- “Tint type” pop-up menu 155
- Keyframe button 156
- Place an Out point here 160
- Place an In point here 160
- Linked Selection button 161
- Learning About Transitions 165
- Handle before the In point 168
- Handle after the Out point 168
- Getting Answers 177
- What’s Next? 178
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