Apple iMovie HD User Manual Page 17

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Camcorder Sound
Settings
Most miniDV camcorders provide two
sound-recording settings: 12-bit and
16-bit. Always record using the 16-bit
setting. If your sound and picture syn
-
chronization drift over the course of a
long movie, its probably because you
recorded using 12-bit audio.
Muting an Audio Track
You can mute an audio track entirely by
unchecking the box to its right in the time
-
line viewer. If you uncheck the box next to
the video track, iMovie HD mutes the vid
-
eos sound. This can be handy when
youre replacing the audio in a series of
clips with an audio bed—a segment of
background audio that will play across
multiple clips.
Splitting Audio Clips
You can divide an audio clip into two or
more separate clips whose position and
volume you can adjust independently.
First, select the audio clip you want to
split. Next, position the playhead where
you want to split the clip. Finally, choose
Split Selected Audio Clip at Playhead
from the Edit menu or press
1-T.
Sound Effects
iMovie HD’s library of built-in
sound effects, accessed through
the audio section of the Media
pane, covers a lot of aural ground.
But there’s always room for
more sound, and the Internet is
a rich repository of it. One of
your first stops should be
FindSounds, a Web search
engine that lets you locate and
download free sound effects by
typing keywords, such as chick
-
adee
. SoundHunter is another
impressive source of free sound
effects and provides links to
even more audio-related sites.
Most online sound effects are
stored as WAV or AIFF files, two
common sound formats. To
import a WAV or AIFF file, use
the File menu’s Import command
or simply drag the le directly to
the desired location in the time
-
line viewer.
Managing Sound
Effects
If you assemble a large library of
sound effects, you might find
yourself needing a program to
help you keep track of them. You
already have such a program:
it’s called iTunes. Simply drag
your sound effects files into the
iTunes window. Use the Get Info
command to assign descriptive
tags to them, and you can use
iTunes’ Search box to locate
effects in a flash. You might
even want to create a separate
iTunes music library to store
your sound effects.
Music Sources
You’ll find a symphony’s worth
of music on the Internet.
For private, non-commercial
projects, try Freeplay Music
(www.freeplaymusic.com).
You can download and use
its music clips for, yes, free.
For commercial projects, how
-
ever, be sure to carefully read
the company’s rate card and
licensing requirements.
Plenty of music is also available
from sites such as SoundDogs,
KillerSound, and Award Winning
Music. These sites have powerful
search features that let you
locate music based on keywords,
such as acoustic or jazz.
Loopasonic is another cool
music site. It offers hundreds of
music loopsrepeating riffs
that you can assemble into
unique music tracks and use in
GarageBand (which, of course,
you can use to compose your
own movie music).
And for building custom-length
music tracks, you can’t beat
SmartSound’s Movie Maestro
software. Movie Maestro pro
-
vides an expandable library of
songs, each of which is divided
into blocks that the Music
Maestro software can assemble
to an exact length.
Sources for Sound Effects and Music
Get links to sources of sound effects and music.
www.macilife.com/imovie
More Sound Advice
Waveform Tips
When you’ve used the View menu to
display audio waveforms, iMovie HD’s
timeline snapping feature snaps the play
-
head to silent portions of clips (specifi
-
cally, when you scroll to within three
frames of silence).
To work with more precision when viewing
waveforms, zoom in on the timeline. If the
audio in a track is on the quiet side, the
waveform may be hard to see. Solution:
select the audio clip and press the up-
arrow key. This accentuates the spikes in
the waveform. To make the spikes smaller,
press the down-arrow key.
When you import an audio clip or music
track, iMovie HD must render the track’s
waveforma red progress bar appears
at the bottom of the audio track, and the
waveform appears a bit blurry until iMovie
HD renders it. Because this process takes
some time, you may want to leave the
waveform display turned off unless you
need it for precise editing or volume
adjustments.
Trimming Audio
You can trim the start and end of an
audio clip using the same direct-trimming
techniques described on page 232. As
with video clips, you can reclaim audio
that’s outside of a clips boundaries by
resizing the clip.
Scrubbing Audio
Here’s a handy way to locate the exact
spot to trim or split an audio clip. Zoom
in on the timeline, then press the Option
key while slowly dragging the iMovie HD
playhead. Your audio plays back, but is
slowed down. The sound even plays
backwards when you drag the playhead
to the left. (Beatles fans: import some
White Album songs from your iTunes
library and have fun.)
Extracting Audio
At times, you may want to use only the
audio portion of a clip. For example,
you’re making a documentary about your
grandmother’s childhood and you’d like
to show old photographs as she talks.
To do this, drag the video clip to the
timeline, then select the clip and choose
Extract Audio (
1-J) from the Advanced
menu. iMovie HD copies the audio,
places it in Audio Track 1, and mutes the
audio in the video clip.
Next, select the video clip in the timeline
and press the Delete key. The video van
-
ishes but its audio lingers on, and you
can now position still images and other
clips in the video’s place. You can also
drag the audio elsewhere in the timeline.
Overlapping Audio in
the Timeline
iMovie HD may provide just two audio
tracks, but that doesn’t mean you’re lim
-
ited to two simultaneous sounds. You can
overlap multiple audio clips in the time
-
lines audio tracks: simply drag one audio
clip on top of another.
Repeating Sound Effects
You might want some sound effects to
play for a long period of time. For exam
-
ple, iMovie HD’s Hard Rain sound effect
is less than 10 seconds long, but maybe
you need 30 seconds of rain sounds for
a particular movie.
For cases like these, simply repeat the
sound effect by dragging it from the
Audio pane to the timeline as many times
as needed. You can also duplicate a
sound by Option-dragging it in the time
-
line. If the sound effect fades out (as
Hard Rain does), overlap each copy to
hide the fade.
You can build magnificently rich
sound effect tracks by overlapping
sounds. To create a thunderstorm, for
example, drag the Thunder sound effect
so that it overlaps Hard Rain. Add the
Cold Wind sound while you’re at it. And
don’t forget to use iMovie HD’s audio
controls to fine-tune the relative levels of
each effect.
spread M15
iMovie HD: Making Movies
More Sound Advice
iMovie HD: Making Movies
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