Apple Final Cut Pro 6 User Manual Page 7

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What loses something in translation?
The translation from Final Cut Pro 7 sequence to Final Cut Pro X timeline isn’t perfect.
Here’s a list of what gets “lost in translation.”
For 10.0.9 and earlier, custom sequence frame sizes are changed to a nearest
equivalent supported size (and a to-do marker is added to the first video clip).
Text and Outline Text titles becomes Custom; Lower Third becomes Middle;
Scrolling Text becomes Scrolling; Crawl becomes Ticker; and Typewriter becomes
Typewriter. For 10.0.9 and earlier, font, size, style, line spacing and color
information does not transfer.
Sequence markers become markers on a clip in the primary storyline at the same
point in the timeline. Sequence chapter markers become chapter markers on a clip
in the primary storyline at the same point in the timeline.
Surround sound clips will import with multiple mono audio tracks. (See note on
converting Multiple Mono to Surround Sound under Enhancing the Translation.)
Keyframed speed changes are converted to a constant speed change that maintains
the duration of the original clip and uses the average speed of the clip.
Generators (other than Color, Color Solid, Gradient, Circle, Oval, Rectangle and
Square generators) become a solid black custom generator named after the Final
Cut Pro 7 generator.
What doesn’t get translated?
Motion Project clips become a solid black custom generator named after the Motion
clip. See Enhancing the Translation about bringing Motion Projects forward.
Freeze frames (see Before exporting XML for 7toX).
Boris Calligraphy titles become a solid black custom generator named after its
original item name.
Transition settings — transitions have their default settings in Final Cut Pro X.
Color Corrector and Color Corrector 3-way filters.
Filter settings — effects have their default settings in Final Cut Pro X.
Motion Blur adjustments are ignored — there is no equivalent in Final Cut Pro X.
Travel Matte — Alpha and Travel Matte — Luma composite modes.
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