Apple Final Cut Pro 5 User Manual Page 12

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Final Cut Pro X for Final Cut Pro 7 Editors
Final Cut Pro X oers a completely new trackless editing paradigm designed for speed
and exibility. Editors familiar with Final Cut Pro 7 should spend some time becoming
familiar with the new editing tools and functionality.
Final Cut Pro 7 Final Cut Pro X
Tracks Storylines and connected clips
Nested sequences Compound clips
Linked clips Video and audio are combined into a single unit
Merged clips Synchronized clips
Multiclips Multicam clips
Tracks and Secondary Storylines
Final Cut Pro X is based on a new Timeline structure that doesn’t include xed audio
and video tracks like those in Final Cut Pro 7. The benet of the trackless Timeline is
that you can work quickly to build multiple lanes of content, without having to worry
about creating tracks, assigning destination tracks, and moving clips between tracks.
Editing is not restricted or interrupted by clip collisions, because clips automatically
move out of the way to make room for your edits.
The primary storyline includes the main clips in your project. For example, the primary
storyline in a documentary might include on-camera interviews.
Secondary storylines allow you to build groups of complementary material connected
to the primary storyline. In the documentary example, you might create a secondary
storyline for B-roll, cutaways, or additional audio.
Complex Projects and Compound Clips
For complex projects, Final Cut Pro 7 lets you build a large stack of tracks for various
elements. You can build similarly complex projects in Final Cut Pro X and manage
them using compound clips, which are like nested sequences in Final Cut Pro 7
but much more powerful. Its easy to select a range of clips, collapse them into a
compound clip, and then move the compound clip or add eects to it just as you
would with any other clip. When you make a compound clip in the Timeline, a parent
version is automatically created in the Browser—creating a reusable collection of clips
just like a nested sequence in Final Cut Pro 7.
Unlike nested sequences in Final Cut Pro 7, compound clips in Final Cut Pro X display
audio waveforms, and you can break them apart.
Editing
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