Apple Compressor 3 User Manual Page 138
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• Assigning Files to Surround Sound Channels (Automatic Methods) (p. 149)
• Assigning Files to Surround Sound Channels with Droplets (p. 151)
• Options for Spatial Mixing (p. 151)
About the Dolby Digital Professional Encoder Pane
This section contains detailed information about the various tabs within the Dolby Digital
Professional (AC-3) Encoder pane of the Inspector window.
You make your Dolby Digital Professional settings using the tabs described below, by
either modifying an existing setting or creating a new setting in the Settings tab. The
Dolby Digital Professional pane opens with the default Audio tab on top. The Dolby Digital
Professional pane contains the following items: basic settings, Audio tab settings, Bitstream
tab settings, and Preprocessing tab settings.
Basic Settings
Use the following basic settings to set up a Dolby Digital Professional (AC-3) job or batch.
• File Extension: This field displays the Dolby Digital Professional file extension (.ac3)
automatically after the Dolby Digital Professional output format is selected from the
File Format pop-up menu or the (+) pop-up menu in the Settings tab.
• Allow Job Segmenting: This checkbox allows you to turn off job segmenting. Since job
segmenting is not used for audio-only encodes, this checkbox is not active with the
Dolby Digital Professional file format. For more information, see Job Segmenting and
Two-Pass or Multi-Pass Encoding.
• Audio, Bitstream, and Preprocessing: These buttons open the Audio, Bitstream, and
Preprocessing tabs described next.
138 Chapter 10 Creating Dolby Digital Professional Output Files
- Compressor 3 1
- Contents 3
- 4 Contents 4
- 5Contents 5
- 6 Contents 6
- 7Contents 7
- 8 Contents 8
- Welcome to Compressor 9
- Additional Resources 10
- Getting Started Quickly 11
- Stage 3: Submitting the Batch 15
- Ways to Use Compressor 25
- Typical Compressor Scenarios 26
- Compressor Features 27
- Compressor Concepts and Terms 29
- Choosing an Output Format 34
- Creating a Compressor Batch 35
- Viewing Transcoding Status 37
- Optional Compressor Shortcuts 37
- Working with Droplets 38
- The Compressor Interface 39
- Standard Layout 41
- Batch Layout 42
- About the Layout Files 43
- Drag this corner to resize 44
- About the Tabs 45
- Batch Window 47
- Customizing the Toolbar 48
- About the Toolbar Items 49
- Settings Tab 50
- About the Automatic Settings 52
- About the Settings Panes 56
- History Window 61
- Preview Window 61
- Marker pop-up menu 62
- Droplet Windows 64
- Using Value Sliders 65
- About Compressor Preferences 67
- Using Compressor Preferences 70
- Importing Source Media Files 75
- Untitled batch tab 77
- Empty batch area with 77
- Click a channel’s icon to 83
- A/V Attributes Tab 86
- Additional Information Tab 87
- Job Action Tab 89
- Importing MPEG-2 Files 90
- Creating, Previewing, and 93
- Modifying Settings 93
- Settings Tab Buttons 94
- Settings List 95
- Selecting a Target 97
- Duplicating Settings 98
- Previewing a Setting 101
- Output view 102
- Batch Item 102
- Source view 102
- Batch Item pop-up menu 102
- Deleting Settings 103
- Creating Groups of Settings 104
- This custom group 105
- Assigning Settings 109
- New targets are added 111
- Modifying an Assigned Setting 113
- Assigning Destinations 114
- Drag the destination 115
- Select a destination 115
- Setting the Output Filename 116
- About Targets 117
- About Adding and Copying Jobs 118
- About Chaining Jobs 118
- General Batch Information 119
- Click the warning 120
- Test Transcode Tip 121
- About the History Window 121
- Resubmitting a Batch 122
- Unique file identifiers 125
- The In point 125
- The Out point 125
- The Final Cut Pro 126
- Creating AIFF Files 133
- About the AIFF Encoder Pane 134
- Configuring AIFF Settings 136
- Output Files 137
- Basic Settings 138
- Audio Tab Settings 139
- Bitstream Tab Settings 142
- Preprocessing Tab Settings 143
- About the Source Media Files 144
- Methods) 149
- Options for Spatial Mixing 151
- Accommodating Stereo Playback 152
- The Automatic buttons 153
- Ratio, and Field 153
- Order values 153
- DV Transcoding Workflow 154
- The Aspect Ratio 158
- Automatic button 158
- The Frame Rate 158
- The Video Format 164
- About the Frame Sync Setting 167
- About the Bit-Rate Settings 167
- H.264 Workflows for DVD 168
- Creating Image Sequence Files 173
- Creating MP3 Output Files 177
- About the MP3 Encoder Pane 178
- MP3 Transcoding Workflow 179
- Creating MPEG-1 Output Files 181
- MPEG-1 Specifications 182
- About the MPEG-1 Encoder Pane 183
- About the MPEG-1 Video Tab 184
- About the MPEG-1 Audio Tab 185
- MPEG-1 Transcoding Workflow 186
- Example MPEG-1 Settings 187
- Deselect to disable 191
- The file extension 192
- Creating MPEG-2 Output Files 195
- HD on DVD 196
- HD to SD Downconversion 196
- About the MPEG-2 Encoder Pane 197
- Stream Usage 198
- Video Format Tab 199
- Quality Tab 201
- Extras Tab 207
- MPEG-2 Reference Information 208
- More About GOPs and Markers 210
- MPEG-2 Transcoding Workflow 213
- Average bit rate 216
- 121 minutes3.5 Mbps 216
- 94 minutes5.0 Mbps 216
- Working with MPEG-2 I-Frames 218
- Example MPEG-2 Settings 219
- Creating MPEG-4 Output Files 221
- Video Pane 223
- Audio Pane 224
- Streaming Pane 225
- Default Video Pane Settings 226
- Default Audio Pane Settings 226
- Either enter a number 228
- Audio Podcasting Workflow 230
- Choose items from this 232
- Format pop-up menu 241
- Rate field and pop-up 241
- Show Advanced Settings 241
- Choosing an Audio Codec 242
- Choose a video codec 244
- Type pop-up menu 244
- Choose an audio codec 245
- Understanding Codecs 246
- QuickTime Video Codecs 246
- QuickTime Audio Codecs 247
- Sound Sample Size 248
- Creating QuickTime Export 249
- Component Files 249
- About the iPod Plug-in 250
- Configure settings 252
- Adding Filters to a Setting 253
- Previewing Filters 254
- About the Filters Pane 255
- Video Filters Tab 256
- Audio Filters Tab 263
- Color Tab 265
- Drag filters up or down 267
- Working with Frame Controls 269
- Selection pop-up menu 274
- About Deinterlacing 275
- About Reverse Telecine 276
- About the Cadence 278
- Other Reverse Telecine Issues 278
- Using the Retiming Controls 279
- Adding Geometry Settings 283
- About the Geometry Pane 285
- Adding Actions 293
- About the Actions Pane 294
- How to Add Setting Actions 295
- Using AppleScript Droplets 296
- Adding Job Actions 297
- About Job Actions 298
- 299Chapter 25 Adding Actions 299
- 300 Chapter 25 Adding Actions 300
- 301Chapter 25 Adding Actions 301
- 302 Chapter 25 Adding Actions 302
- 303Chapter 25 Adding Actions 303
- 304 Chapter 25 Adding Actions 304
- 305Chapter 25 Adding Actions 305
- 306 Chapter 25 Adding Actions 306
- 307Chapter 25 Adding Actions 307
- Using the Preview Window 309
- In and Out Controls 311
- Preview Screen Area 312
- Timeline Controls 312
- Transport Controls 313
- Marker Pop-Up Menu 314
- Previewing a Clip 315
- Cropping dimensions 319
- (also displayed in the 319
- Inspector window when 319
- Adding Markers to a Clip 321
- Types of Markers 322
- A blue marker appears 324
- Creating and Changing 329
- Destinations 329
- About the Destinations Tab 330
- Host Name is required 331
- File Path is required 331
- Creating a Destination 333
- Filename Template 334
- Warning Triangles 335
- Remove button 336
- Duplicate button 337
- The duplicated 337
- Template field 338
- Using Droplets 339
- Creating Droplets 340
- 341Chapter 28 Using Droplets 341
- About the Droplet Window 342
- 343Chapter 28 Using Droplets 343
- Checking Droplet Settings 344
- 345Chapter 28 Using Droplets 345
- 346 Chapter 28 Using Droplets 346
- 347Chapter 28 Using Droplets 347
- 348 Chapter 28 Using Droplets 348
- Droplet Tips 349
- Keyboard Shortcuts 351
- Solving Problems 353
- QuickTime Reference Movies 356
- Cleaning Up Cluster Storage 356
- Contacting AppleCare Support 358
- Using the Command Line 359
- Example of Shake Command XML 365
- Batch Monitor 367
- Compressor Script Example 368
- Batch Monitor Script Example 368
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