Apple D3423Z/A Datasheet Page 4

  • Download
  • Add to my manuals
  • Print
  • Page
    / 23
  • Table of contents
  • BOOKMARKS
  • Rated. / 5. Based on customer reviews
Page view 3
4
Product Overview
Shake 4
New in Shake 4
If you’re already familiar with Shake, you can look forward to breakthrough new
features in Shake 4, including:
Uni ed 2D/3D Compositing
The powerful compositing tools in Shake have been expanded in Shake 4 to make it
easy to work with both 2D and 3D elements within the same intuitive user interface.
Shake 4 also includes additional levels of quality and control for key aspects of
compositing, including tracking, keying, and matte operations.
3D multiplane compositing. Shake 4 o ers the ability to composite unlimited
layers in 3D space for seamless blending of live action and CGI. You can import Maya-
compatible camera data or add camera animation in Shake. View top, side, front, and
camera angles simultaneously for easier positioning of layers; get real-time feedback
through the power of GPU acceleration.
Enhanced Node View. The enhanced Node View in Shake 4 makes it possible to
navigate composites in the Node View faster and with more extensive customization.
Drag nodes over noodles for automatic insertion into a tree. Display color-coded data
paths for di erent bit depths, Concatenation, Expression links, and animated nodes.
You can even save Favorite Views that allow you to jump quickly to speci c areas of
a node tree.
Tracking on rotoshape points. Previously, animating rotoshapes was a slow, manual
process. Shake 4 makes it possible to automate rotoscoping tasks by attaching track-
ing points to control vertices. Create moving mattes by attaching trackers to points on
a rotoshape. You can also use tracked shapes for creating masks or for moving warps
and morphs.
32-bit Keylight and Primatte. Shake 4 o ers improved keying quality through the
precision of full 32-bit oating-point processing. You can now use OpenEXR, Cineon,
and DPX les for keying without clipping white values. Maintain 32-bit oat lm
quality throughout the entire composite, or optimize performance by choosing 8-,
16-, or 32-bit processing.
Truelight monitor calibration. Shake 4 makes it easy to ensure the look of the nal
lm throughout your compositing process. With Truelight monitor calibration, you
can previsualize lm images on a computer screen. This allows you both to reduce
work ow time and to save the cost of lm outs. A Truelight node can be placed
anywhere in the composite or as a viewer script; select from various lm pro les or
save facilitywide custom lookup tables.
Page view 3
1 2 3 4 5 6 7 8 9 ... 22 23

Comments to this Manuals

No comments