Apple Final Cut Pro 5 User Manual Page 112
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11 2
Chapter 5 Basic Editing
Double-click Sample Clip 2 in the Browser to open it in the Viewer. Position the 3
playhead at the approximate position shown below, and press I to set an In point.
Set an In point here.
Click the a1 and a2 audio Source controls to disconnect them from their Destination 4
controls, so that only the clip’s video is placed in the Timeline.
Disconnected
a1 and a2 Source controls
Drag Sample Clip 2 from the Viewer to the Overwrite section of the Canvas Edit Overlay.5
Play the sequence to see the result of the cutaway that you added.6
- Final Cut Pro 7 1
- Contents 3
- A First Look at Final Cut Pro 7
- Opening Final Cut Pro 8
- Click Continue.3 9
- Explore the BrowserJump In: 10
- Sequence tabs 13
- Explore the ViewerJump In: 14
- Play button 15
- Scrubber bar 15
- Play In to Out button 17
- In point marker 17
- Out point marker 17
- Navigate between edit points: 18
- Explore the CanvasJump In: 19
- Go to Previous Edit button 22
- Go to Next Edit button 22
- View pop-up menu 23
- Explore the TimelineJump In: 24
- Drag the clip to move it 25
- Razor Blade tool 26
- Selection tool 26
- Track Height control 27
- Learning About Sequences 29
- Capture Clip button 38
- Capture Batch button 39
- Capture Now button 39
- Drag the audio clip 50
- ...into the sequence 50
- Preparing Clips in the Viewer 55
- Current Timecode field 59
- Timecode Duration field 59
- Create a Title ClipJump In: 62
- Font Color color picker 64
- Add Motion 69
- Move the playhead 70
- Drag the title clip 72
- Drag to rotate 73
- Opacity keyframe button 75
- Keyframe graph area 75
- The opacity increases here 75
- Add a keyframe here 76
- Add a last keyframe here 76
- Working with the Canvas 81
- Show Match Frame button 84
- Playhead Sync 84
- Source controls 88
- Add new tracks to a sequence: 90
- Connect the v1 Source 91
- Destination control 91
- Drag the a1 and a2 Source 92
- A4 Destination controls 92
- Sequence In and Out 94
- Sequence In point marking 95
- Basic Editing 99
- Getting Ready 100
- Chapter 5 Basic Editing 102
- Set In and Out points 102
- Try This 103
- Play Around Current 110
- Frame button 110
- Sequence Out point 111
- Place a sequence In point 111
- Set an In point here 112
- Disconnected 112
- Key Concepts 115
- Working with Audio 117
- Audio Mixer 118
- Track level faders 118
- Master fader 118
- Audio tab 121
- Shuttle control 121
- Jog control 121
- A1 and A2 fader sliders 122
- Level slider 123
- Pan slider 123
- Add Marker button 123
- Reset button 124
- Increase in audio level 125
- Drag the slider until the 127
- Position the playhead here 128
- Drag the Level slider to 129
- Edit a sound using keyframes: 130
- Place a keyframe 131
- Drag the audio level 132
- Keyframe navigation 133
- Level Keyframe button 133
- Audio level overlay in pink 134
- Track Layout pop-up menu 136
- Audio waveforms 136
- Clip Overlays control 137
- Creating Voiceovers 141
- Drag the a2 Source 144
- Track Visibility button 145
- Review button 146
- Discard Last Recording 146
- Voiceover clips 147
- Multiple takes 148
- Sequence In and Out points 149
- “Tint type” pop-up menu 155
- Keyframe button 156
- Place an Out point here 160
- Place an In point here 160
- Linked Selection button 161
- Learning About Transitions 165
- Handle before the In point 168
- Handle after the Out point 168
- Getting Answers 177
- What’s Next? 178
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